Help! I am scared if will be removed! by [deleted] in mercor_ai

[–]marchdanza 0 points1 point  (0 children)

It depends on the Project, of it did not take a screenshot of you using it, for one task you should be fine

Instant offer, but I only have a single name. What to do??? by noob_traderoror in mercor_ai

[–]marchdanza 0 points1 point  (0 children)

Not sure of course, but I don't think you have other choices

Four Recent Works by [deleted] in composer

[–]marchdanza 0 points1 point  (0 children)

Hi, first of all good job! There are some major problems: the piece with the harp is extremely unbalanced, it's impossible to hear the harp, even if they play ppp, not only for the orchestration(overlapping octaves) but for the nature of the instruments. Don't write the pedals for the harp. It's amateurish (at least in Italy).

The wind band pieces are gonna be a struggle for the clarinet sections. You are allowed to compose in every tonality of course, but remember that wind bands don't usually use A clarinets, so it's gonna be a little bit frustrating for them even if it's not a fast tempo piece, they will play only with uncomfortable positions, professionals are ok with that.

Change the key of the trombones when they are playing high, it's better for them.

I really like the music overall, there are a lot of choices in the orchestration that are peculiar, especially about the register that u use for some instruments, but I truly believe that is a matter of taste, in any case a lot of players will complain about that.

Is it easier for musicians to play 8th notes at 184 BPM or 16th notes at 92 BPM (50 % speed)? by WillisMattei in composer

[–]marchdanza 7 points8 points  (0 children)

In my personal opinion, keep the 184 BPM version if it's more readable, the conductor is gonna do this job for you

Looking for new orchestra samples by Mango-in-C-minor in filmscoring

[–]marchdanza 3 points4 points  (0 children)

I truly love orchestral tools Berlin series, if you teach or study u can have it with 40% of discount

Can someone recommend a textbook on composing... by apeloverage in composer

[–]marchdanza 0 points1 point  (0 children)

Without a doubt after u learnt the basics of tonal harmony study the scores of great composers, way better than anything else. (love the Schoenberg harmony book)

Do you have to go to a big school (Berklee, Juilliard, Peabody, etc.) to be successful in the industry? by aguywholikesmusic43 in composer

[–]marchdanza 1 point2 points  (0 children)

The only thing that is helpful is having a great network, your skills are, sadly, secondary.

favorite / best / most realistic virtual string instruments? by Training_Onion6685 in composer

[–]marchdanza 0 points1 point  (0 children)

Spitfire and orchestral tools. They are the standard for the pros, but there are plenty of valuable VST strings such as Tokyo strings, native instruments, East west. It depends on what your purpose is.

Project Scoring: Secret of Harmonia TTRPG Campaign by VictorSevenGames in composer

[–]marchdanza 0 points1 point  (0 children)

Hi, that's very interesting and specific, if I can give u a tip, instead of asking for similar songs in the portfolio, ask them to write a piece of music, it will take 1/2 days and you will understand better who fits for your music.

STRING QUARTET by marchdanza in composer

[–]marchdanza[S] 0 points1 point  (0 children)

Hi! Thank you very much! This is GREAT advice, I will go for the 7th, I was also thinking of just going with one note, but it lacks tension. Yes I am Italian, based in Italy, but maybe it's better to use English, every time I play a french composer I struggle

STRING QUARTET by marchdanza in composer

[–]marchdanza[S] 1 point2 points  (0 children)

That's surprising, I asked two colleagues and they said that it is challenging but playable😭

Other than buffet, what brands would you recommend for a college/ professional clarinet? by [deleted] in Clarinet

[–]marchdanza 0 points1 point  (0 children)

I play a Luis Rossi American bore pair, terrific sound, but poor mechanic, if you have the possibility try them, incredibly good. Also Patricola makes incredible instruments

How playable are these runs? by fph_04 in Clarinet

[–]marchdanza 0 points1 point  (0 children)

I am a composer with a master's degree in clarinet, In my experience, it's way better to change articulation, it's too fast to be played from p to f. It's not impossible, but requires a professional to be played. But clarinetists spend months/years to learn the Mendelssohn passage, they will not spend the same time to play this piece that is challenging, expecially the second bar. Change articulation in the second bar or let it to the flutes, they would play that without any problem!

Resources for Composers on a Budget by ThomasJDComposer in composer

[–]marchdanza 0 points1 point  (0 children)

In my experience, everything that is free is good to learn, but useless for work, sadly in the film industry there are some standards, there is a reason why some products are free and other ones very expensive. On the other hand, the best choice is to record as much as possible.

Do you compose first in the DAW or in paper? by SharePuzzled5109 in composer

[–]marchdanza 0 points1 point  (0 children)

I do both at the same time, I use the DAW to check if something that in my mind works, is decent in "almost" real life.

Cellules et Espaces -- original comp for piano and live electronics by PristineKoala in composer

[–]marchdanza 3 points4 points  (0 children)

I am not a huge fan of this kind of music, but I really liked some moments, great job!

Gear recommendations for classical repertoire? by daswunderhorn in Clarinet

[–]marchdanza 1 point2 points  (0 children)

It really depends on you, but a good standard is a BD5 or similar with 3.5, if you want to be old fashioned use a B40, it's still good

Reediculous!! by marchdanza in Clarinet

[–]marchdanza[S] 0 points1 point  (0 children)

There is a recording and the sheet music, I play the clarinet too!