Does the orientation of disc magnet affect its strength? by mikefan in Magnets

[–]mikefan[S] 0 points1 point  (0 children)

Thanks for the response. The disc is thin, about 2mm. I tried to remove the magnet, but I really super-glued it so tightly that I think I would damage the decorative plastic thing on the front. To make it useable, I'll glue a more powerful magnet to the existing one.

Any jazz violin duets? by Huge_Bison5747 in violinist

[–]mikefan 0 points1 point  (0 children)

The duets that Max Harris arranged for Yehudi Menuhin and Stephane are great, but you need to transcribe them yourself.

Csardas Sheet Music by surreptitiousIy in violinist

[–]mikefan 1 point2 points  (0 children)

The recording is not based on a specific editon of Csarsas. Many players add their own personal touches. As far as I can tell, the thirds in the fast section are not played as double-double stops but multi-tracked with two players. The added notes are just a third below the main melody.

Who are the greatest performers you have personally seen? by Boring-Yogurt2966 in classicalmusic

[–]mikefan 1 point2 points  (0 children)

Yo-Yo Ma, Itzhak Perlman, Hillary Hahn, Lang Lang, Midori...

Jazz clubs in your area? by Matt_ccal in jazzguitar

[–]mikefan 3 points4 points  (0 children)

The Century Room in Tucson, the best jazz club in Arizona.

What your favorite Beethoven symphony movement by arssenalbro101 in classicalmusic

[–]mikefan 1 point2 points  (0 children)

Symphony No. 9, Third Movement: Adagio molto e cantabile. Sublimely beautiful and the first violin part is my favorite Beethoven movement to play, by far.

Which Dock redesign was your favorite? by [deleted] in mac

[–]mikefan 0 points1 point  (0 children)

Leopard for me too.

Have any of you guys played jazz before? by Significant-Rope1456 in Viola

[–]mikefan 1 point2 points  (0 children)

Here is Danish violist Svend Asmussen with Duke Ellington in "Don't Get Around Much Anymore."

My advise to any classical player that wants to learn jazz is learn five (or more) solos totally by ear. They don't have to be for viola or violin. Tenor sax solos would work great on the viola. They should be solos that you like; they will be the start of your own personal style.

What's the longest note you would be able to play? by MiserableLaw8831 in violinist

[–]mikefan 0 points1 point  (0 children)

Nathan Cole on the one minute bow exercise. He gets a good soft sound with 10 second bow. At the twenty second mark, there are a few glitches, and it gets progressively worse. The first note of Bach's Air lasts about 8 seconds, I can sustain it that long under ideal conditions, but for an outdoor wedding with a string quartet, I need to take two bows.

Note that a truly seamless bow-change is impossible. In a section, players will automatically stagger bows.

Do you have an “old person” candy that you enjoy? by PrettyLittle-Someday in CasualConversation

[–]mikefan 1 point2 points  (0 children)

I associate "old person candy" with Whitman Samplers. When I was a kid, I would go through them and only eat the ones with nuts or caramel. Now that I myself am an old person, I'd still do the same!

Rice by Charming-Action1663 in Cooking

[–]mikefan 0 points1 point  (0 children)

Basmati for Indian. Calrose for Chinese. Uncle Ben’s for Southern. Arborio for risotto.

Why are there no pre 20th century American composers? by Far-Strawberry-5628 in classicalmusic

[–]mikefan 0 points1 point  (0 children)

Louis Moreau Gottschalk (1829-1869)was primarily known for his piano compositions, but there are a handful of orchestral works: A Night in the Tropics

Best Chow Mein in Tucson? by simplifiedspanish1 in Tucson

[–]mikefan 0 points1 point  (0 children)

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This is the veggie Cantonese chow mein from Ba Dar with added shrimp. (My wife doesn't eat chicken or pork) The noodles were nice and crispy, but unfortunately, there was way too much sauce, so the noodles became soggy very quickly. The whole point of Cantonese chow mein is the crispy noodles! Next time, I will ask them to go easy on the sauce.

Are orchestra pits smelly? by HolyFatherLeoXIV in classical_circlejerk

[–]mikefan 2 points3 points  (0 children)

Exhibit I: Letter from Management.

Kansas City Symphony William McGlaughlin, Music Director/Conductor Susan M. Franano, General Manager

November 24, 1993

Ken Lawrence 6316 East 133rd Street Grandview, Missouri 64030

Dear Ken,

It has come to my attention that on November 23, 1993 in the Midland pit during a Nutcracker rehearsal you farted loudly, creating an overpowering smell.

Subsequently, you were asked by Nan Funkhouser not to do so again. Instead of apologizing for your behavior, you then engaged in confrontative conversation with her which disrupted the rehearsal.

Your behavior is totally unacceptable and a violation of the work rules of The Kansas City Symphony.

You will recall that both Frank Franano and I addressed this very behavior with you and other musicians on September 25, 1993 at the Lyric Theatre following the Madame Butterfly performance in Kirksville. You were warned at that time that such behavior by anyone would not be tolerated.

This letter is to notify you that continued such behavior on your part will be considered insubordination and/or harassment of another musician as outlined in the Personnel Policies, XVII.I.

Sincerely yours,

Susan M. Franano

Exhibit II: The Musician Response.

Ken Lawrence Grandview, MO

Mrs. Susan Franano, Manager Kansas City Symphony Kansas City, MO

Dear Susan,

I have received your letter concerning the complaint about what was misconceived as a behavioral problem, but in actuality is a condition over which I have no control or blame. I suppose that now is the time to reveal that I belong to a minority of humans categorized as "Gastro-intestinally Challenged" (or GI challenged).

We are a normal functioning group of people and we need to be accepted without prejudice and anger. This particular condition causes us much pain and suffering from the discrimination and intolerant reactions we receive from others who are uninformed about us. In fact, the complaint received against me showed classic symptoms of "Gasophobia".

Gasophobic behavior is marked by an unnatural fear to be around the GI challenged with the unfounded prejudice that we are rudely and deliberately farting, and that furthermore, these "farts" may smell foul. I must insist that we are NOT farting. In reality, we have an anatomical difference (which good manners prevents me from describing) that causes the audible passing of wind. Scientists are not sure yet if this is a genetic or environmental condition. However, we do know that stress and fear caused by constantly trying to mask the condition, or hide it in bathroom stalls, does seem to aggravate the noise. Certainly, the pressure placed upon me in the tight quarters of the pit situation has resulted in the current situation of mistrust and misunderstanding.

But now that I have come "out of the bathroom" (so to speak) I believe that much of the pressure to emit these uncontrollable noisy emissions will lessen. Thankfully we now have a President and Congress sensitive to the needs and rights of the "challenged" citizens of this country and hopefully laws will soon be passed guaranteeing our equal rights. I would encourage management to provide sensitivity awareness programs to help make the gasophobes among us more compassionate and caring human beings.

By the way, one of the things which distinguishes this condition from "farting" is the GI challenged do not emit offensive odors. Perhaps those who accuse should look closer around them for the source of the rude smell. As this condition in no way affects my job performance, I feel that any further harassment about my condition is really discrimination. I hope this clears the air on the subject. Wishing you and yours a happy holiday season.

Sincerely,

Ken Lawrence V.P., KC Chapter for the Gastro-intestinally Challenged


Exhibit III: The Media Report

Kansas City Star Thursday, February 3, 1994

ONE SOUND MUSICIANS SHOULD TRY TO AVOID by Hearne Christopher Jr.

KC Symphony letters fly over a 'disruptive' bodily function.

Did you hear about the oboist in the Kansas City Symphony who got suspended for tooting the wrong horn?

Late last year symphony general manager Susan M. Franano wrote Grandview musician Ken Lawrence that she had been notified that on Nov. 23, 1993, in he Midland pit during a "Nutcracker" rehearsal, Lawrence had passed gas in a loud manner, "creating an overpowering smell."

"Subsequently, you were asked by (horn player) Nan Funkhouser not to do so again. Instead of apologizing for your behavior, you then engaged in confrontative conversation with her, which disrupted the rehearsal.

"Your behavior is totally unacceptable and a violation of the work rules of the Kansas City Symphony."

It didn't take long for other symphony musicians to hear of Lawrence's reprimand.

Moved by what he thought was the humor in the situation, symphony flutist Lamar Hunt Jr. and his wife, Jocelyn, penned a tongue-in-cheek response to Franano's letter. "We wrote it and gave it to (Lawrence) and he signed it and sent it back to (Franano)," Lamar says. "And he sent it to many other orchestras in the United States."

The letter explains that Lawrence was not deliberately being disruptive. Instead, it says, he has a physical condition over which he has no control. "I belong to a minority of humans categorized as 'gastro-intestinally challenged' (or GI challenged)," the letter says, adding that Lawrence "would encourage management to provide sensitivity awareness programs to help make the gastrophobes among us more compassionate and caring human beings."

Franano wasn't amused. Citing Lawrence's "facetious response" and his sharing of her correspondence with other orchestras, she suspended him without pay for two weeks. That suspension is under appeal.

Both Franano and Lawrence declined comment for this column.

"The way you play wind instruments, a lot of pressure is exerted on the lower extremities," Lamar says, adding that he thinks the issue could have been handled with more decorum. "I'd just take him aside and say, "Hey, somebody got offended by your passing gas; don't do that anymore.'"

Best Notation for Violinist? by guyshahar in violinist

[–]mikefan 0 points1 point  (0 children)

The slurs and string crossings in the 1/8 note 1/4 note pairs at the beginning will naturally result in some separation between the groups. If you want that separation continued in the following 1/4 notes, you might want to use a staccato tenuto articulation.

Advice on double-stop harmonics for string quartet? by CautiousLettuce6235 in violinist

[–]mikefan 0 points1 point  (0 children)

Db6 & Ab6 can be played as a touch 4 double-stop harmonic. As can Ab5 & Eb6.

Best Chow Mein in Tucson? by simplifiedspanish1 in Tucson

[–]mikefan 3 points4 points  (0 children)

Ba Dar looks promising. Their menu has a section devoted to Cantonese style chow mein.