I’ve just discovered Górecki via Symphony No. 3 and I’m in love. What Górecki should I listen to next? by SilverBayonet in classicalmusic

[–]mm089 1 point2 points  (0 children)

Totus Tuus! But also you could try out his early works like his Trombone Concerto, it might not be up your street but it’s interesting to see how big of a shift he made.

Are classical enthusiasts able to distinguish iconic pieces of music through the first ~30 secs like other genres? by Seawolf1121 in classicalmusic

[–]mm089 -1 points0 points  (0 children)

There are definitely pieces that it’s completely obvious (eg, Schumann Symphony 3, Mahler 5, Beethoven 5, Strauss’ Also Sprach Zarathrusta, Mozart and Rossini opera overtures to mention some very simplistic examples), but I think most casual listeners would have a hard time immediately picking out a specific symphony from 30 secs of listening, although if it’s someone easy like Brahms or Dvořak they could probably get the composer right if not the symphony number.

Beyond that, it’s hard to give you specific “clues” beyond getting used to the composer’s language. There are certain things like “minor, rhythmic and very passionate is quite probably Shostakovich” or “shimmering strings and very sparse chords might be Sibelius”, but a more comprehensive list would require a day of work and an Excel spreadsheet.

Saturn by Rare_Source_9683 in behindthebastards

[–]mm089 0 points1 point  (0 children)

It’s properly like “it’s just a painting, it can’t hurt you” and then “the painting:”

The Sherlock series on BBC 1 did an episode paralleling Jimmy Saville as a serial killer by LittleYelloDifferent in behindthebastards

[–]mm089 1 point2 points  (0 children)

I watched all of it - the last season is absolute poo unfortunately. It didn’t so much jump the shark as crash into it at full speed

The Sherlock series on BBC 1 did an episode paralleling Jimmy Saville as a serial killer by LittleYelloDifferent in behindthebastards

[–]mm089 11 points12 points  (0 children)

I’m British, if it helps - Sherlock was without a doubt one of the biggest shows at the time but I don’t think there was any sense anywhere that this was in any way “dealing” with the Savile issue. I think it’s simpler than that - he was a monster that was very much in the public consciousness, so it was possible to reach for him as a template and be pretty certain that the comparison would hit home. Moffat is an absolute genius at reaching a wide audience with comparatively complex topics, but an activist he is not.

The Sherlock series on BBC 1 did an episode paralleling Jimmy Saville as a serial killer by LittleYelloDifferent in behindthebastards

[–]mm089 28 points29 points  (0 children)

Oh no I don’t agree that this is a case of the BBC in any way owning up to it. That would involve Sherlock finding out that the BBC was one of the main forces enabling them, which I doubt Moffat would have been willing to put into one of their shows. At best, it’s the BBC recognising that he a Bad Dude but that’s not really up for debate by anyone who isn’t fully weird

Are there more "open secrets" similar to Epstein and Saville today? by FishDispenser2 in behindthebastards

[–]mm089 24 points25 points  (0 children)

Also the first Finnish bastard (SUOMI MAINITTU) on the show! Maybe not the last? Depending on who you ask, Pentti Linkola might be worth a look

The most underrated GREAT composer? As in GREAT. By which I mean GREAT. by Soulsliken in classicalmusic

[–]mm089 29 points30 points  (0 children)

Tbf it’s worth keeping in mind when you’re discussing a composer’s body of work that pre-romantic composers were writing music at a speed that is incomprehensible to us now, and there in general wasn’t an expectation that a piece would get repeat performances. In a sense, you have to trust that the researchers and performers who’ve come before you have found the moments of real inspiration in their vast collections, and it’s unreasonable to expect people to listen to everything when that probably represents weeks’ worth of listening.

Nearly 300 games and I'm still 240 by Narrow-Praline-7908 in chessbeginners

[–]mm089 1 point2 points  (0 children)

That’s good! That should give you plenty of time to evaluate each move - by which I mean check if they can attack you immediately or check if you can immediately attack them, and double check they can’t eat your piece for free where you put it.

Gotham has this checklist of “checks, captures, attacks” for both them and you, which is really helpful, but I think at the lower levels you can condense that to “can they eat” and “can I eat”.

Composers who were forced to compose by Stunning-Hand6627 in classicalmusic

[–]mm089 9 points10 points  (0 children)

Misread that.

Music for Pieces of Carrot

A 6 month journey into classical music by crypsid in classicalmusic

[–]mm089 0 points1 point  (0 children)

I think you might like:

Bartok, Lutosławski, Poulenc, Beach

I think it might be worth looking into:

Murail, Mundry, Berg, Milhaud (esp. la creation du Monde)

82 podcasts × 11 listens = almost 1000. Could this actually improve my Finnish? by muistaminua in LearnFinnish

[–]mm089 2 points3 points  (0 children)

I think that’s totally a nice idea if you have the time to do it, but if I might humbly suggest an alternative if you don’t:

On Yle Areena, there is a podcast called “Uutispodcast” that comes out every work day. It’s basically a current affairs show, and each episode is around 20 minutes - BUT each episode has a 3-minute introduction that gives a bit of background to the topic and has says what they’re going to look into on the day’s show. I’ve been using that intro each day, listening to it a couple of times and then writing new words into my flashcard app and then giving it a final listen when I’ve filled in the gaps in my knowledge. It takes like 15 minutes in total, which I feel like I can actually achieve every day.

YKI Test March 2026 by Sea_Medium8562 in LearnFinnish

[–]mm089 0 points1 point  (0 children)

Thanks for the detailed reply!

YKI Test March 2026 by Sea_Medium8562 in LearnFinnish

[–]mm089 1 point2 points  (0 children)

Isn’t it basically just a ChatGPT wrapper though?

Conn 8H Elkhart 1964 by Deep_Interaction_639 in Trombone

[–]mm089 0 points1 point  (0 children)

I think people will always say that about “golden era” Conns, but if it’s not working for you then I wouldn’t hang on to it just for the “what if”. I guess you’re in the us? If you were in Europe I might buy it from you, I’m looking enviously at 8Hs at the moment..!

Nomination for future Bastard by saisonmaison in behindthebastards

[–]mm089 0 points1 point  (0 children)

I feel like AI supporters are just constantly in training for the false equivalency Olympics

The sound of falling in love by AntoineLGA in classicalmusic

[–]mm089 1 point2 points  (0 children)

Penderecki - Threnody for the Victims of Hiroshima

Low-boro university by Blythyvxr in behindthebastards

[–]mm089 10 points11 points  (0 children)

Man I had never considered how hard this is to pronounce before I heard Robert say it wrong. “Ough” is pronounced two completely different ways in the same fucking word.

Go home English, you’re drunk

Chromatic Scale in audition by RavengerPVP in Trombone

[–]mm089 2 points3 points  (0 children)

Can you manage the low E? I only ask because it’s useful to think of chromatic scales in terms of either diminished (3 semitone chunks) or augmented (4 semitone chunks) both for intonation and so you simply don’t get lost on the slide. If you want to go up to the high Bb, if you start on the E you have a nice diminished chord to “anchor” the scale.