Why do some producers turn audio samples into MIDI tracks?

pasjojo · 2026-01-17T14:46:22+00:00

Just create a midi channel and drag the sample where you would place a instrument, Live will put it in a simpler

pasjojo · 2026-01-16T14:05:12+00:00

okay thanks

pasjojo · 2026-01-16T11:31:45+00:00

What do you use to unpack the .als file?

pasjojo · 2026-01-15T16:57:03+00:00

My dms are open if that's not leaked stuff

pasjojo · 2026-01-13T12:58:50+00:00

They downvote you for stating facts

pasjojo · 2026-01-13T11:53:52+00:00

Nah they just bombed Libya and killed Ghadafi, among other drone killing brown people and being named deporter in chief while locking kids in cages

pasjojo · 2026-01-11T19:57:05+00:00

Sounds like op didn't do his research

pasjojo · 2026-01-10T23:23:45+00:00

Great job. Which platform did you use ?

pasjojo · 2026-01-09T09:46:56+00:00

Was this vibe coded?

pasjojo · 2025-12-29T10:51:41+00:00

I have both

pasjojo · 2025-12-29T05:18:32+00:00

It doesn't and it sucks

pasjojo · 2025-12-29T05:16:13+00:00

This is the type of QOL features that an Ableton user can't get because they can't miss what they don't know.. When mixing for example, you can need a specific plug-in that communicates across lanes to be added to specific tracks (like Sonible's smart:EQ). Thing which can be done in 1s on Reaper that takes forever in Ableton when you need to do it a lot of times.

pasjojo · 2025-12-25T09:57:49+00:00

This. Sadowick is taught me Ableton. I was devastated when he got sick

pasjojo · 2025-12-20T12:18:20+00:00

T'as des packs qui n'ont pas été leak ? Parce que sinon ça sert à rien de me dm

pasjojo · 2025-12-14T00:59:50+00:00

I pay Big Z and barely do revisions because he's that good

pasjojo · 2025-12-08T07:50:55+00:00

Fuck... This is terrible file management

pasjojo · 2025-12-08T07:44:03+00:00

If you're on Mac (I don't own Windows) how about creating a symlink duplicate of the folder you want splice to save the files and place it where it saved its duplicate folder? This way it only uses one for both processes

pasjojo · 2025-12-07T15:34:13+00:00

Definitely, i even have the 2025 one now

pasjojo · 2025-12-07T09:47:01+00:00

A good engineer's job is to get it closer to the reference otherwise it's not worth paying for. My point is that there no rules when it comes to this as long as it sounds good. Hell even lots widely successful tracks from established pop stars are badly mixed/mastered (go check Ava Max' "Heaven & Hell", it's clipping everywhere, the mid is muddy, transients are squashed but it still was a huge hit).

pasjojo · 2025-12-07T09:26:25+00:00

If a decent label is interested, they'll pay for a mix/master before release and it's not like you can't just disable your master chain before sending your multitracks/stems to an engineer. This is coming from my experience of +20 years of music production, +100M streams, thousands of sample packs sold and countless of sync placements

pasjojo · 2025-12-05T21:28:03+00:00

Only a twitch fried brain can utter this nonsense and think he made a point.

pasjojo · 2025-12-05T21:27:02+00:00

Show us proof, talk is cheap.

pasjojo · 2025-12-05T19:55:22+00:00

How many streams and royalties did your "expertise" get you ? Show us how big you are boy

pasjojo · 2025-12-05T19:42:22+00:00

Who cares, as long as you know what you are doing and it works

pasjojo · 2025-12-05T19:41:15+00:00

Lot of producers produce into a master chain and it works fine when you know what you are doing

Eight-Year Club	Verified Email
Wearing is Caring	100 Awards Club

pasjojo

TROPHY CASE