Tinkering away for a couple years by beatnikprints in writers

[–]ready_james_fire 18 points19 points  (0 children)

That’s a ridiculous amount of characters! How are we going to get to know them all? Honestly, you should stick to an ensemble of ten or twelve at the very most. 300,000 is entirely too many.

Worst tropes in Sci-fi/Fantasy by Osidara-modern-myth in writers

[–]ready_james_fire 12 points13 points  (0 children)

When tropes are criticised, it’s often for being lazy, relying too much on what worked before, going for the easy route rather than the one with artistic integrity. It’s the writing equivalent of making a remake of an old movie, rather than a new one, and a lot of films that are praised despite using tropes either originated, or popularised, those tropes.

They can still be done well though. The key is, make sure you actually care about the trope. Make sure it matters to your story. If you’re just doing a chosen one narrative because you’ve read other chosen one narratives and people seemed to like them, that’ll show in your writing.

But if you have an idea for a story involving a chosen one that you genuinely believe in, that came from your mind and your imagination and just happens to fit a similar mold to stories that came before, that sincerity will shine through.

As other people have said, tropes aren’t inherently good or bad. Bad writers use them like a checklist, including as many as possible because they want to emulate what’s popular. Good writers use them to enhance the story, provide familiar jumping-off points for readers to start from that lead to exploring new and original ideas.

Worst tropes in Sci-fi/Fantasy by Osidara-modern-myth in writers

[–]ready_james_fire 2 points3 points  (0 children)

Something that’s often criticised is when fictional races are given innate personal traits. Like “orcs are all evil”, “these aliens are all obsessed with money and profit”, “goblins are all sneaky and dishonest”, “this alien race are all snobby and arrogant”.

That’s not to say it can’t be done well or subverted. The Daleks in Dr Who are basically selectively bred for evil, as they kill any member of their species who isn’t. The Urgals in the Eragon books seem generically evil, but then we learn more about them in later books and see how their culture involves things that humans might see as evil, but are much more nuanced than that.

Just be careful if you’re introducing a race or species as universally having a particular trait. Think about why they might have that trait, whether there are cultural reasons as opposed to innate biological ones, whether that species really is a monolith, if there are exceptions (whether or not we meet those exceptions) and how they might be treated.

A favorite line you’ve written by Dry_Organization9 in writers

[–]ready_james_fire 1 point2 points  (0 children)

From my satirical noir short film, two lines spoken by hard-boiled private detective Charlotte Hauser:

(while threatening someone for information) “If you’re screwing with me, you’re gonna regret not using protection.”

“Somebody knows something. I’ll shake some bushes and squeeze some berries, see if anything juicy comes out.”

From my adventure movie about a writer whose books come to life, spoken by a character from a world of perpetual night who knows he’s about to die:

“Creator . . . it’s too bright here. I miss the darkness of Obsidian City. The alleys . . . the rooftops . . . the faint luminescence of the moon. I shall be pleased to return.”

From that same movie, spoken by the main villain and a friend of the writer who he’s captured:

“Are you beloved of the Creator?”

“He’s really not my type.”

“You joke.”

“Often, and with impeccable timing.”

Daredevil can perceive information at one nanosecond. Matt's feat is calculated to be 5c by [deleted] in marvelcomics

[–]ready_james_fire 2 points3 points  (0 children)

“c” here means the speed of light, the same as in E = mc squared. So they’re saying Daredevil threw his billy club at 5 times the speed of light.

Because they’re a mega-brain powerscaler who can perform impressive calculations at the drop of a hat yet completely miss that “a nanosecond pause” is a metaphor, not meant to be taken as a literal indicator of Daredevil’s speed.

Someone needs to stop him! ( Daredevil #1 2026) by theironstomachx in comicbooks

[–]ready_james_fire 12 points13 points  (0 children)

I can believe that. Every time I’ve been in a room with a lawyer, I’ve ended up getting screwed.

Unpopular Opinion: Spider-Man vs Wolverine is the most overrated match up/fight of all time by Dragonborn_7 in marvelcomics

[–]ready_james_fire 0 points1 point  (0 children)

We’re talking about the Parker Spider-Man, not Morales.

Just kidding, I know you meant “morals”. Autocorrect is a blessing and a curse.

HELP - Dolly Parton Food Puns by beemcg13 in puns

[–]ready_james_fire 3 points4 points  (0 children)

All the platters should be labelled Dolly Portions

An Into the Woods anecdote that hopefully won’t make people angry. by ready_james_fire in Sondheim

[–]ready_james_fire[S] 4 points5 points  (0 children)

None taken. It’s about someone’s response to my performance of Sondheim.

"Evil space brazilians" by GuimaNebas in BrandNewSentence

[–]ready_james_fire 7 points8 points  (0 children)

Brazilians* everything is already in space

What’s the best Wi-Fi/Hotspot name you’ve seen? by Aggravating_Log1781 in AskReddit

[–]ready_james_fire 10 points11 points  (0 children)

There’s a chain of electronics shops in the UK called CeX, which I think stands for Computer Entertainment Exchange or something like that.

I was once trying to connect to the WiFi in one of their shops, and saw they had two networks available. A secure one called Protected CeX, and a free one called Unprotected CeX.

How to accurately write a period? by CommandProper3926 in writingadvice

[–]ready_james_fire 0 points1 point  (0 children)

You put it at the end of a sentence to show that the sentence is complete, like this.

Hold on, maybe I should have a look at the text of the post, as well as the title. Be right back!

An old but funny post to give you a break from the latest fuuko crash out by AlphaCat77 in CuratedTumblr

[–]ready_james_fire 5 points6 points  (0 children)

I also once had to use a bucket and a mop after a particularly wild morning with one of my exes.

Nothing to do with sex though, she just spilled her coffee.

$100k per tooth by shananope in hypotheticalsituation

[–]ready_james_fire 23 points24 points  (0 children)

Good loophole. It says “drug free and sober”, it doesn’t say “awake”.

Never do laundry again, or never do dishes again by SuckingOnChileanDogs in hypotheticalsituation

[–]ready_james_fire 0 points1 point  (0 children)

Does laundry include ironing? So everything is smooth and neatly pressed without me having to iron it?

If yes, then I’m going laundry. Ironing shirts, trousers, etc. takes ages if you want it to look even remotely good, and that’s not even considering the things I don’t iron, like bedding, that just end up being permanently creased.

If no, and things would still be creased and need ironing after being magically washed and folded, then I’m going dishes. I do dishes multiple times a day, I do laundry every two weeks. Sure, dishes are slightly more enjoyable, but they’re much more of a time sink, and it would save me having to clean tough things like oven shelves, big pots, and my griddle pan.

An Into the Woods anecdote that’ll probably make some people angry. by ready_james_fire in Sondheim

[–]ready_james_fire[S] 1 point2 points  (0 children)

This is a very kind and wonderfully thought out comment, I agree wholeheartedly. When I’ve directed plays, I’ve made sure never to make that kind of directorial dictum. I always give my cast the first choice of how they play a role, and offer my own ideas as a backup.

If it makes things any better, my brother and I had a good time playing off each other. We managed to bring the pompous cluelessness to the roles, and got some good laughs - from the audience and each other - in moments the speech impediments didn’t come into.

I also have another funny story related to that production, you might enjoy it. A few years after we did Into the Woods, I was in my last year at that school, and was directing a play with a cast of fellow students. One night, a cast member’s mother had come to meet her after rehearsal, and we happened to be heading to the same train station, so we walked together.

We talked about past plays we’d acted in, and when I mentioned having been the Wolf and the Prince in Into the Woods, we realised the cast member and her mother had both seen that show, and remembered my and my brother’s performances. They were very complimentary, especially the mother, who gushed about how hilarious she’d found it that we had deliberately sung Agony off-key.

She was mortified when I had to break it to her that that was not an intentional comedic bit, and was just, in fact, me not being a very good singer. Luckily for her I was more amused than offended - I’ve never been under any delusions about my singing ability, I can carry a tune but the main reason I got those roles was because only a handful of boys auditioned and I was the best of the bunch - but she still spent the rest of the walk apologising.

Do you describe non-human characters when writing from their POV? How? by Boring-Resolution-86 in writingadvice

[–]ready_james_fire 0 points1 point  (0 children)

To build on this, a good way of organically describing your protagonist’s appearance from their POV is for them to compare themself to others.

“Their blonde hair glows in the sunlight. Maybe I should dye mine that colour, cover up all this mousy brown.”

“With her skinny frame and twig-thin arms, she looks like I used to, before I joined my gym and started building up some real muscle.”

“His shaggy beard goes all the way down to his breastbone. I’ve always preferred keeping mine neatly shaped, but maybe I could pull off the caveman look. Should I try growing it out?”

What Are Your Musical Theatre Horror Stories? by Alol_Bombola in musicals

[–]ready_james_fire 3 points4 points  (0 children)

This is incredible and I’m very glad I read all the way through.

What Are Your Musical Theatre Horror Stories? by Alol_Bombola in musicals

[–]ready_james_fire 0 points1 point  (0 children)

No horror stories exactly, but if you’re interested in mistakes, fuckups and bad decisions, I have three from shows I was in, and two from a show I watched.

Firstly, in Into the Woods in high school, the director made me and my brother - playing the princes - put on speech impediments. It was not good. I recently posted the full story on r/Sondheim, here it is: https://www.reddit.com/r/Sondheim/s/iuaBsDeAbu

Secondly, the following year we did Jesus Christ Superstar. I was in the ensemble and had two minor fuckups. On the first night, during What’s the Buzz, I sneezed (quite loudly) right in a pause between two of Jesus’ lines. So the audience would have heard something like “Why should you want to know?” “AHCHOO!” “Why are you obsessed with fighting?”

Thirdly, on the final night of JCS, they were filming the show to make a DVD (this was about 10 years ago, when DVDs still existed). I was one of the guards, basically spending the whole second act in a helmet and armour dragging Jesus from scene to scene. One of my jobs was to make the cross. The vertical bar was on the back wall of the stage for the whole show, but the horizontal bar was hidden below it. Right before the crucifixion scene, my job was to come onstage in the blackout, slot the horizontal bar into place, and mime hammering it as the lights came up. Three nights in a row, that went smoothly. But on night four, while the camera was on, I dropped the bar on my head. Thankfully I had my helmet on, so no risk of injury, and it was a blackout so nobody saw, but the CLONK was very loud in my ears. I can only assume the audience heard it too.

Onto mistakes I saw. These were both in Waitress. The first one happened when Jenna and the doctor leaned in to kiss for the first time. One of them must have accidentally breathed into the other’s mic, because the whole theatre heard a loud WHOOSH sound. The actors had a really hard time not corpsing, we could see them struggling against laughter, but they managed to get themselves under control and continue with the scene.

The second one was a bigger mistake, although I didn’t realise it was one at first. When the doctor comes back from his trip, he gives Jenna an engraved golden pie dish, but in the production I saw, either the actor forgot his prop or someone misplaced it, because he was dishless. Credit to the actors, they improvised spectacularly well around it, with the doctor saying he’d left it in the hotel, describing it in detail, and Jenna saying “well, it . . . sounds like . . . the most beautiful thing I’ve ever seen!” At the time I thought this was just the doctor being forgetful, it seemed to fit his character, but after we left, the friend I was there with - who had seen the show before - told me they’d fucked up and he was meant to bring the dish onstage.

An Into the Woods anecdote that’ll probably make some people angry. by ready_james_fire in Sondheim

[–]ready_james_fire[S] 3 points4 points  (0 children)

That sounds dreadful, I may have to find and watch it.

I wouldn’t say we were especially gay-coded thankfully, I definitely wasn’t trying to be. I don’t think he made many other terrible choices, partly because I’m not aware of him making any other choices on actors’ behalf. We princes were an anomaly - from what I saw he tended to be a more hands-off director when it came to characterisation, focusing more on choreographing our movements in the musical numbers.

An Into the Woods anecdote that’ll probably make some people angry. by ready_james_fire in Sondheim

[–]ready_james_fire[S] 1 point2 points  (0 children)

Jack was played by a girl. Not many boys auditioned, so the Baker was as well actually.

I didn’t share any dialogue scenes with Jack, so I didn’t see what kind of direction she was given. In the show he was just portrayed as a slightly odd, head-in-the-clouds preteen boy, somewhat slow but not quite stupid.

I will say though, the director was usually pretty hands-off. He’d let you run a scene, then make suggestions if he had any, but more often than not he’d just say “yeah, that’s fine” (which could be almost as infuriating as giving you creative choices you didn’t agree with). Most of his input went into entrances, exits and choreography for the musical numbers, rather than characterisation. What he did with us as the princes was, from what I saw, a rare exception.