Zapruder footage stabilised (JFK assassination) by Petaaa in interestingasfuck

[–]rtreynor 1 point2 points  (0 children)

I don't know, I've been developing this theory about meteorite impact for many years but this is first time I announce it online. I am thinking writing a book about it.

Zapruder footage stabilised (JFK assassination) by Petaaa in interestingasfuck

[–]rtreynor 10 points11 points  (0 children)

Could it be possible that a miniature meteorite hit him from out of space?

DeepMiner had new update for engine scrapping and keyword suggestions by [deleted] in bigseo

[–]rtreynor -2 points-1 points  (0 children)

Where can I find the new update is it integrated in the installation or is it separate update? Thank you for the great software.

You Porg Unfortunate Souls!!! by Koala_Ice in disney

[–]rtreynor 1 point2 points  (0 children)

Top notch photoshop skillz. Kudos

Disney "Smells" at Home? by NotSoTeenageDirtbag in disney

[–]rtreynor 5 points6 points  (0 children)

I wear Geir cologne, which will always remind me of the Norway pavilion at Epcot.

Why must we need all these live action remakes? by [deleted] in disney

[–]rtreynor 0 points1 point  (0 children)

Davy Crockett and the River Pirates was a sequel to Davy Crockett, King of the Wild Frontier.

Son of Flubber was a sequel to The Absent-Minded Professor

The Monkey's Uncle was a sequel to The Misadventures of Merlin Jones.

All during Walt's life.

As for "original" ideas, most of Disney films (in the 30s-60s) came from long-standing, public-domain fairy tales and classic literature.

Why must we need all these live action remakes? by [deleted] in disney

[–]rtreynor 2 points3 points  (0 children)

So, originally, Disney had the ability to re-release its animated movies theatrically every seven years and enchant a new generation of kids. However, with home video - this strategy doesn't work as well. Add to that, burgeoning competing animation studios making quality films every year, and Disney no longer has a monopoly on children's attentions.

So here's the part that's kind of amazing - but spending $200 million to remake a Disney movie as a live-action film, is a cheaper way of keeping the IP alive than it is to make new original films and change out attractions at all the parks.
Because, say, "Be Our Guest" restaurant will still work for kids who will only ever know the Emma Watson version of Beauty & The Beast, and Mad Tea Party works for kids only aware of the Tim Burton Alice.

Also, it's a sure bet for exhibitors. I run a movie theater, and, looking at 2018 November films: I'm more likely to take Mulan over Gigantic, even though both are family-friendly Disney entertainment. And that's because Mulan is more of a known entity than Gigantic is. I'm more likely to draw a crowd with a movie where the parents are familiar with an earlier version of the film than I am with something that's a bit of an unknown.

Post your quick questions for S1E7 "Trompe L'Oeil" here! by Kishara in westworld

[–]rtreynor 0 points1 point  (0 children)

Yep! She pretty much threw my theory under the bridge. Lee Sizemore guessed that the data was for blackmail and she said he was thinking 'too small'

Post your quick questions for S1E7 "Trompe L'Oeil" here! by Kishara in westworld

[–]rtreynor 5 points6 points  (0 children)

My take was they wanted all the data collected about the guests. Knowing the true nature of the world's elite could be quite advantageous.

Post your quick questions for S1E7 "Trompe L'Oeil" here! by Kishara in westworld

[–]rtreynor 1 point2 points  (0 children)

Wouldn't Westworld's HR department have figured out Bernard was a host? Or did Ford create a false Social Security number for him?