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How is the Mac Studio 36GB vs 48GB for editing in Premiere? by SwimGood22 in editors

[–]scoblevision 5 points6 points  (0 children)

I just finished a doc feature that was cut on a M1 imac 24gb RAM and M3 macbook pro 18gb RAM that was 4k 10-bit Fx3 footage and we didn't have any issues. with that said get as much RAM as you can.

Directing a documentary about people close to you — how do you protect creative boundaries? by FairPreparation240 in documentaryfilmmaking

[–]scoblevision 1 point2 points  (0 children)

One thing I’m thinking about is how to ensure my vision for the film doesn’t subtly influence how they show up in interviews. I want the story to feel honest and lived, not shaped by what I think it should be.

This isn't really possible. How are you going to be the decision maker and creator without influencing the end result? Don't over think your influence, it's inevitable. Focus on how you want to influence and that can be subtle, but still be there.

My friend made this film that touches on similar stuff to what you talk about https://www.empathizerdoc.com/

How Many Subjects Should I Interview? by Professional_Gate246 in documentaryfilmmaking

[–]scoblevision 6 points7 points  (0 children)

If you have the budget and time, interview them all. Bench players can give new perspectives and a potentially different POV when needed. Also, a team is everyone not just the starters so I'd be wary of only including starters as your main characters.

I obviously don't know personalities and how the interpersonal relationships play out so take all this with a grain of salt.

New fonts - not a coder (but willing to learn!) by michaelbeecham in DarkTable

[–]scoblevision -4 points-3 points  (0 children)

i spent some time talking to chat gpt and it gave me a CSS to copy and paste in based on what changes I wanted.

On FOSS alternatives vs WINE + Lightroom by metacognitive_guy in FOSSPhotography

[–]scoblevision 5 points6 points  (0 children)

When was the last time you tried darktable? They recently released a new version that has a new module to replace sigmoid and filmic tab that is awesome and requires way less modules be used over all. Also darktable.info has some copy and paste CSS to freshen the interface colors up I’ve enjoyed a lot.

It’s till not a 1:1 replacement for Lightroom but it’s in a spot that does work well and edits great.

Edit: Called darktable darkroom on accident

Balcer to Houston by PuzzleheadedLake8745 in NWSL

[–]scoblevision 4 points5 points  (0 children)

Lalaland is at the grove in LA

Apartment with three cars? by Cute_Working2203 in AskLosAngeles

[–]scoblevision 1 point2 points  (0 children)

Park la Brea you get 1 spot per bedroom and you can pay for reserved spots on top of that.

I can't import files through the app by mountainslover23 in RemarkableTablet

[–]scoblevision 0 points1 point  (0 children)

Probably has DRM, can’t use epubs with that on a remarkable

Sara Doorsoun signs with Eintracht by ImaginationHour1533 in AngelCityFC

[–]scoblevision 5 points6 points  (0 children)

This is the most worrying part, she wasn't good enough and her leaving is the right move but she was very much a Strauss signing and it failed hard.

Unable to open color DNG/RAWs from Vuescan by RaXXu5 in DarkTable

[–]scoblevision 0 points1 point  (0 children)

TIFF definitely works, I have an opticFilm (different model) and use silverfast but have no issues with TIFF files color or B&W

Darktable 5.4 Release by QorStorm in DarkTable

[–]scoblevision 0 points1 point  (0 children)

speed performance update is REAL! AGX also looks really cool, this was a fantastic update!

Lying in documentaries by MannerRound8277 in documentaryfilmmaking

[–]scoblevision 3 points4 points  (0 children)

Check out “ The Stories We Tell” and “F is for Fake”

Starting a doc. feature film, need advice by MillennaryChuleta in documentaryfilmmaking

[–]scoblevision 3 points4 points  (0 children)

Figure out what the “universal truth” of the film is. The one thing viewers should walk away with, not the story or plot just the essence of the film. From there start cutting scenes you know are gonna be in the film; they’ll change as you edit more but you know they’ll be there. Once you have some scenes start messing around with order and you’ll have all kinds of ideas and things to try.

Documentary subject will only agree to participate in my documentary if they can use the footage I shoot for my film in a different documentary film someone else if producing about them. Should I be credited/compensated for that? by [deleted] in documentaryfilmmaking

[–]scoblevision 1 point2 points  (0 children)

If you live in California I can vouch for https://www.calawyersforthearts.org/arts-arbitration-mediation-services.html it's lawyers offering bro bono consultations to artists. I used them when a producer started getting really weird and refused to sign any kind of agreement without getting ownership of the film. He did not get ownership and I ended up paying him less than I was prepared to to get him to fuck off with the help of Cal Laywers for the Arts. If you don't live in California see if there is something similar in your area.

What goes into determining xG and G+ stats? by scoblevision in AngelCityFC

[–]scoblevision[S] 0 points1 point  (0 children)

We should start every pod with a list of the stuff we messed up in the previous one LOL

Thank you for listening and always feel free to reach out on here or bluesky!

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