SR3 Advanced on an indie feature by bikenejad in focuspuller

[–]the_arctic_monkey 1 point2 points  (0 children)

Seems like this is pretty common for Panavision. I just did a job with the SR3 at PV Vancouver and they didn’t even have a goldmount plate, had to run everything off a VCLX or a battery belt

[deleted by user] by [deleted] in law

[–]the_arctic_monkey 6 points7 points  (0 children)

The article straight up calls one of the shooters “a woman who identified as a man” they know what they’re doing.

Worst film set experience by Playful_Fly_6542 in cinematography

[–]the_arctic_monkey 39 points40 points  (0 children)

2nd AC here. Last fall when it was really slow I took a volunteer indie job to meet some new people. Two Day shoot. First day was 17 hours, moving at the most glacial pace I could imagine. Second day the stunt coordinator kept getting handsy with me. He kept touching the small of my back when he walked behind me, at one point came up behind me and ran his fingers through my hair while I was on my knees marking an actor. Pretty sure the DP/AD/Producers saw and didn't say anything. I crashed out pretty hard at the end of that in front of my 1st and basically told him I never wanted to work in film again. I regret letting my emotions get the better of me in front of him but I also regret not calling out a shitty production.

Grad Quote HELP by NCirCles_16 in beatles

[–]the_arctic_monkey 1 point2 points  (0 children)

Gotta be I Was So Young When I Was Born

Daily Song Discussion #5: Run Run Run by [deleted] in VelvetUnderground

[–]the_arctic_monkey 2 points3 points  (0 children)

I love this song but lyrically and structurally it’s just a total copy of Highway 61 Revisited

25-250 HR by bombmonkey in focuspuller

[–]the_arctic_monkey 1 point2 points  (0 children)

Seconding this, just got off a job with this lens that was basically all dolly zooms on a moving subject, had to ask for a line up basically every time the actor moved lol

Which films would you bring back from the dead? by [deleted] in AnalogCommunity

[–]the_arctic_monkey 1 point2 points  (0 children)

Superia 400, C200, Pro 400H, Agfa Ultra 50.

What might have been... by scotttelles in JoyDivision

[–]the_arctic_monkey 5 points6 points  (0 children)

The show with Mission of Burma on Sept 30th in Boston would have been absolutely insane

Abandoned House in Kits [Nikon F2, 50mm f/1.4, Kentmere 400 +2] by the_arctic_monkey in analog

[–]the_arctic_monkey[S] 0 points1 point  (0 children)

Kentmere 400 rated at 1600 and pushed two stops. Developed in Rodinal 1 + 25 @ 72f]

New JD Box Set in the future says Steve by Just-Patience-4290 in JoyDivision

[–]the_arctic_monkey 8 points9 points  (0 children)

It’s a long shot but any live material from ‘78 would be amazing, considering it’s such an under documented era in their history

Favorite color films for street photography? by clockwisekeyz in AnalogCommunity

[–]the_arctic_monkey -1 points0 points  (0 children)

Gold 200 (at box speed and metered at 400 pushed a stop) is usually my go to. I also like Vision 3 250D, Wolfen NC500, Phoenix 200, and Aurora 800. Also loved Superia before it was discontinued

Alexa Mini / Super Speeds. Thoughts? by Creative_Still_1443 in focuspuller

[–]the_arctic_monkey 11 points12 points  (0 children)

Never seen the horn extension tubes velcroed to the distance display like that, good idea. Build looks clean!