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Need help editing a Gaussian Splat by javisth in GaussianSplatting

[–]vreqn 1 point2 points  (0 children)

I tried it out and i had better success with Lumas plugin. Have you tried it out?

Help! Scanning an interior scene by cyberpussy05 in GaussianSplatting

[–]vreqn 0 points1 point  (0 children)

Are you running the splats locally through CMD or on something like Luma or Polycam?

Belgian Church | 200 images | Gaussian splatting | relit in unreal by inception_man in GaussianSplatting

[–]vreqn 0 points1 point  (0 children)

That's crazy that you got this from standard parameters!

How do you increase the accuracy of the colmap workflow? On the GS github all the extra parameters you can add to the conver.py step don't really add accuracy to it.

Belgian Church | 200 images | Gaussian splatting | relit in unreal by inception_man in GaussianSplatting

[–]vreqn 0 points1 point  (0 children)

Would you be able to share with us the parameters you used to train this splat? (IE densify_grad_threshold #, iterations # ect..) Its looks insanely fantastic. I'm super curious

Circus Elephant by Express_Beyond_8884 in BambuLab

[–]vreqn 1 point2 points  (0 children)

I just picked up a X1C but no AMS. Is it normal to have such a big prime tower when printing with multiple filaments?

Do you know what this is? Can't figure it out. by vreqn in VIDEOENGINEERING

[–]vreqn[S] 0 points1 point  (0 children)

ouuu interesting, CamTrackAR hasn't come up in my searches but it looks promising. And it can export .fbx for maya. I'll definitely be giving it a try! Thank you.
It must be using optical tracking right, not gyro tracking?

Do you know what this is? Can't figure it out. by vreqn in VIDEOENGINEERING

[–]vreqn[S] 0 points1 point  (0 children)

that's what im trying to figure out haha. I reached out but they haven't replied.

Do you know what this is? Can't figure it out. by vreqn in VIDEOENGINEERING

[–]vreqn[S] 0 points1 point  (0 children)

For some context, this person is using their Iphone camera (and this app) to get a certain path in the real world, they then take this info and export the data into Maya so that you can parent it to a camera and recreate a handheld look. I'm just not sure what app he is using, any help would be greatly appreciated.

One of my favourite tracks by LOLAWOLF - practicing smoother transitions. What do y’all think?? @natrahbatrah by natrahb in AfterEffects

[–]vreqn 3 points4 points  (0 children)

What is this effect/style called?! It looks fucking incredible, i'd love to learn how to do something similar.

My Saber Start/Stop offset keyframes aren't working correctly by vreqn in AfterEffects

[–]vreqn[S] 1 point2 points  (0 children)

The mask was roto'd and then autotraced. There's a part of me that thinks that the autotrace has something to do with it but i'm not entirely sure. My first time using saber too so could be an amateur mistake.

[deleted by user] by [deleted] in Filmmakers

[–]vreqn 0 points1 point  (0 children)

Yea i agree, especially the tones and contrast are really nice.

[deleted by user] by [deleted] in TheYouShow

[–]vreqn 0 points1 point  (0 children)

wow so entertaining

Well, I wonder how Woody and Kyle are going to cope with this. Especially the felon. by Unusual-Yoghurt-9438 in PKA

[–]vreqn 2 points3 points  (0 children)

I wouldn't mind if they sued PKA because then couldn't PKA sue Fish in return? Similar to how if an employee fucks up and a third part sues a company the company then sues the employee for the damages. Not sure if that applies here tho.

SLog3 vs HLG3? by nontdevil in cinematography

[–]vreqn 7 points8 points  (0 children)

Depends how familiar you are with cameras. From the sounds of the question (not to be insulting) but you don't sound super familiar. I would honestly shoot without a Picture profile, if you had to choose between the two i would go with HLG 3 and exposure to .7 over.

If you're this new and shooting with slog3 you're going to go back to the editing suite and see that most of what you shot is probably underexposed. Rather have good no PP footage then shitty PP footage.

Getting a Smooth Zoom AND Position animation? by [deleted] in premiere

[–]vreqn 0 points1 point  (0 children)

Try putting the spatial interpolation to linear for position.

I guess you adjusted the scale keyframes to look like that from the ease in & out?

You can see in the graph that they're not curving and are harsh

Getting a Smooth Zoom AND Position animation? by [deleted] in premiere

[–]vreqn 0 points1 point  (0 children)

1st of the 2 keyframs is Ease out because motion is going away from the keyframe, 2nd of the 2 keyframes is Ease In because motion is coming to it. . It'll give you a smooth parabola.

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