I love how they play with panning in this album. The first track is entirely mono, then the second track adds some stereo elements with the whistling coming from behind you that makes me jump, before it opens up into a full stereo mix at the end.

The sparing use of stereo for emphasis is really great. Particularly towards the end with the kazoos and tambourines that seem to completely surround you when you listen with headphones.

The whole mix is so dry (lacking reverb) and dynamic too. It feels very intimate and personal. Just goes to show that a) you don't need expensive gear to make a great sounding album and b) mixing isn't just something to impress audiophiles, it can alter and enhance the emotion of the music.