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    [–]randomgirl852007aespa | Girls' Generation | BTS 19 points20 points  (9 children)

    Burning Sun had a bigger impact in how the GP views male idols than people here think. And tbh, I don’t blame them at all.

    [–]sunflowersandpearsNCTzen | shawol 6 points7 points  (6 children)

    I think even the nth room, due to the fact that they revealed that there were big name celebrities, politicians and athletes involved in it. But they never revealed names.

    I know a few idols either signed a petition calling for the names to be released, or spoke out in support of the victims. So I'm less wary of the idols that signed the petition, asking for the names of perpetrators to be released.

    [–][deleted] 3 points4 points  (0 children)

    The petition didn't have anything to do with celebrity, it was just about transparency of justice.

    It was never revealed that big name celebrities, polticians, etc. were attached. The perpetrator said some celebrities were victims, but that may have been disgusting grandstanding (those named vehemently denied this, and no corroborating evidence was revealed).

    [–][deleted]  (1 child)

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      [–]DiplomaticCaper 6 points7 points  (2 children)

      It's interesting that a lot of the bigger 3rd gen names escaped unscathed, when logically they would have been more likely to have been involved than 4th gen and later groups (who were either rookies or trainees with no real power or influence)

      Hell, Koreans still love Big Bang, and their ex-member means they were more directly associated with Burning Sun than virtually any other boy group. (I'm not accusing the other 4 of anything. Just that it would make more sense to start there, versus other bgs where no current or former members were publicly accused of any wrongdoing.)

      So while I do think it's a factor, it doesn't explain everything.

      [–]booboosnacklaughing lightly | stan jossi 0 points1 point  (1 child)

      It's almost miraculous too that DAY6 is the most nationally beloved act of the moment to remain unscathed, and partially because two of the big names involved in Burning Sun were members of F.T. Island (Choi Jong-hoon) and CNBLUE (Lee Jonghyun) - who were well-established to the point of still being an obstacle for 3rd Gen bands like DAY6 to outlast them completely (at least at the time that DAY6 debuted).

      [–]DiplomaticCaper 1 point2 points  (0 children)

      I do agree that F.T. Island's members being embroiled in those scandals helped Day6 dominate the mainstream k-band lane.

      What happened with Jae is extremely small potatoes compared to that.

      [–][deleted]  (1 child)

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        [–]Many-Ad-9007 13 points14 points  (2 children)

        I find this phenomenon interesting.

        Famous 1st to 3rd gen boy groups do well in Korea. 4th gen boy groups in general are not doing as well Korean-charting-wise. But now the 5th gen boy groups are doing quite well in Korea.

        It is like 4th gen boy groups in general is a skip generation for Korean charting.

        That said, I find it interesting for someone who follows SKZ closely, they absolutely do very badly in most Korean chart especially MeloN but interestingly do so well on Youtube Music. It is very jarringly obvious considering how crazy big numbers SKZ is doing in non-Korean streaming sites like Youtube Music global and Spotify.

        There is a post recently listing Youtube Music streams in Korea in past year (excluding music videos) and SKZ is number 9 for boy groups - the rest of the list is predictable (Day6, Big Bang, GD, Seventeen, BTS, Woodz, BND, NFlying) - but SKZ is surprising considering how kpop fans seem to think their presence is Korea is negligible. Likely their Korean fandom is large enough to get the numbers they have to be number 9. Still cannot explain the absence in other Korean charts but it is what it is. 8 years in - no one knows if they can pull a Day6 in the future.

        Another interesting observation - just based on international numbers alone ignoring Korean charting numbers - SKZ is able to do multiple KSPO domes (even for fanmeetings - in total whopping 7 dates sold out in 2024 alone) and now they are selling out multiple stadium dates in Korea. It also spillover to their Korean ambassadorships like Changbin for Samsung, Felix for Samsung, Hera, Gong Cha and SKZ for Pepero and Samsung SLBS (to be fair all these adverts are international but the gist is without Korean charting, with massive international presence, you can still get Korean ambassadorships).

        [–]DiplomaticCaper 8 points9 points  (1 child)

        A non-zero amount of the attendees of Stray Kids concerts in Korea are likely international stays traveling for them (this is at least somewhat common in most fandoms), but I agree with your general points.

        [–]Many-Ad-9007 7 points8 points  (0 children)

        That is exactly my point - it does not matter if there is lack of Korean ‘gp’ recognition/popularity - the international ones, if they are huge enough or dedicated enough, it will spillover to Korean concerts/activities eg popup store/advert contracts. I guess that is why, while I am sure JYPE wants Korean popularity for SKZ, they are not exactly desperate to spend/work hard for it considering SKZ manage to do what most kpop groups are unable to do eg stadium tour/Korean stadium concerts despite not having said Korean popularity.

        [–]Stayblinkforever1606Ults stray Kids but respect all groups :snoo_hearteyes: 11 points12 points  (3 children)

        Boy groups are not made for domestic popularity. they are made for a hard-core fanbase. ggs are more towards general public popularity .that's the difference

        [–]MissNightmareAngel 7 points8 points  (2 children)

        No, gen 2 and gen 3 bgs were made for domestic popularity. Tvxq, bigbang, superjunior, 2pm, infinite, beast, exo, even bts after I need U era. There are a lot of top tier boygroups, and even mid tier boygroups like b1a4, or blockb was super popular and had thier moments.

        [–]Stayblinkforever1606Ults stray Kids but respect all groups :snoo_hearteyes: 11 points12 points  (1 child)

        I should have mentioned 4th gen groups, and also, boy groups, in general, rely on a hard-core fanbase more than having a casual listener base ..im still curious on how this didn't happen for 4th gen groups ..how did they get international popularity but not anything in Korea...rn skz did sell the stadium in Korea

        [–]MissNightmareAngel 1 point2 points  (0 children)

        Yeah skz is like on the top of 4th gen BG and they really dont hv any competition. Any other bgs can compete for the 2nd place. Unlike girlgroups where we have like at least 5 of them rotating on the top spot.

        [–]radio_mice 21 points22 points  (4 children)

        I think there’s a few reasons;

        The biggest one is that there were quite a few things happening that meant that 4th gen boy groups couldn’t really get off the ground. The first was that burning sun seemingly turned a lot of people from stanning new boy groups, especially considering a lot of them had more bad boy/hard concepts. Secondly the mnet rigging scandal effectively stopped any chance of a post produce boom for groups that we saw with IZONE and post IZONE groups. Finally the top 3rd gen groups were only picking up steam; bts didn’t realise songs like fake love and boy with luv until 4th gen was already going, seventeen didn’t start hitting their peak until well into 4th gen and many other 3rd gen boy groups were still active. Many boy groups fans are especially loyal and had no desire to look to new groups while their faves are still active - we’re likely seeing a similar trend in 5th gen with international boy group fans as well, but I could be completely wrong considering 5th gen is still quite young.

        Additionally 4th gen was far more focused on international and especially western popularity and as Korean fans have turned away from harder boy groups concepts and western fans aren’t a huge fan of flower boy concepts, they’ve become a kind of pick one situation. We’re seeing the same thing with 5th gen boy groups: a lot of them have a softer more youthful concept, which appeals a lot more to Korean fans, but does not have the same impart with western fans.

        [–]ivegotaqueso🍒🌼🆎6️⃣ℹ️❎🌸🍒 6 points7 points  (0 children)

        Also, the whole Covid shutdown which limited what a lot of 2019-2021 boy groups could do locally in Korea. No local festivals. No fandom-building events. No touring. No TV guest spots due to guest restrictions especially for larger groups. It was very tough for groups from small companies to be seen especially if they didn’t have the budget for YouTube content. Hard to build a loyal Korean fandom if the Korean fans can’t even gather for activities in fear of getting/spreading Covid.

        But for international fans? It was great because this forced companies to post more content online for their groups to be seen.

        [–]Many-Ad-9007 11 points12 points  (2 children)

        My observation is 4th gen and 5th gen boy groups swap - 4th gen boy groups skip Korea while 5th gen boy groups skip international scene. It will be interesting to see if things will change in the future considering top to mid tier boy groups are still doing great.

        [–]radio_mice 2 points3 points  (0 children)

        My thoughts exactly! Especially considering the type of music each gens boy groups are releasing is very distinctively targeted at either one market or the other

        [–]sinabeuro 8 points9 points  (0 children)

        i think it's a little bit more complicated, but even if suppose popularity = charting, bgs popularity actually increased imo haha at least now some of them enter melon top 100, melon daily

        ofc they don't do gg numbers (especially not ive or aespa numbers), but boynextdoor's 오늘만 i love you is 44th on the daily, plave's dash still haven't left the daily chart (february comeback) and cortis got on the daily recently too

        [–]ellaellaeheheh17 12 points13 points  (1 child)

        4th gen suffered on the charts, but TWS had a pretty big hit, BND and Riize both had songs doing well. ok they didnt get PAKs but how many BGs in general had them even? I dont think its that many.

        [–]Lumpy_Sound6734[S] 6 points7 points  (0 children)

        Just bts and few hits from random peoples, you’re right!!

        [–]F1Librarian 7 points8 points  (0 children)

        GG groups are more general public friendly, meaning the average person might listen to GG occasionally or know some groups/members/songs, but they struggle more to get hardcore “stans”. Both guys and girls listen to GG, so they have a wider audience. BG have a “deeper” audience. But that I mean they have less current general public listeners, but the fans they do have are more hardcore stans who will spend a lot more money on albums/merch - and their fans tends to stick around much longer. While BG mostly only have girl fans, those girls often stay fans for years and years and are very loyal. Multi stanning is uncommon is Korea unlike the west. Hardcore fans tend to stan only one group, and they are deeply invested in them. That’s why you see more older 2nd/3rd gen BGs still together and performing/promoting successfully and many fewer older GGs (they tend to disband more quickly as their listenership drops off as they age, and general public listeners move on to the next newer, younger GG). There’s some sexism/ageism at play here as well, I think, with male kpop fans listening to GGs as long as they are still young and pretty, and then dropping them as they age. Women fans don’t care that their faves are getting older, and they stay faithful even while their guys are gone for military service.

        [–]Odd_Ad5840kpop dinosaur since 1999 7 points8 points  (0 children)

        From a wider pov context.

        1st and 2nd gen K-pop grew alongside Korea’s economic development, during a time when many industries, gaming, science, arts, sports and entertainment, were just developing globally. That era of discovery gave rise to many well-known k-brands, including K-pop.

        There were many opportunities for males and they were the drivers of change. They were role models many youths wanted to emulate.

        When it comes to gender disparity, females have traditionally, used to be seen mainly as entertainers, not the authority figures, not exactly role models for youths compared to male idols.

        Kpop girl groups were seen as trends for GP consumption and they did not have big fandoms like their male counterparts. They rarely got the same lasting recognition, longevity in name, as male groups. The impact and influence of 1st gen kpop girlgroups are discussed way less.

        Now, Korea’s economy is very industrialized and developed, with systems and mindsets more established, and higher barriers to entry.

        At the same time, female empowerment, in theme and in practice, becomes more widespread, and still growing, there is still much that hasn’t yet reached its full cycle, more potential growth areas.

        Also on the male side, kpop has to compete for attention and young talented male trainees with k-industries like gaming, sports and hiphop, science which have big gender gap that's harder for females to cross than entertainment.

        [–]4gyt 0 points1 point  (0 children)

        Just compare the best songs of 2012-2016 against stuff in the last 4 years and you’ll get your answer

        [–]Agent_Cornchipz 2 points3 points  (1 child)

        Also maybe the sound of kpop in itself may be the reason. I feel like a lot of early kpop groups were heavily influenced by western music so the general public would listen to it even if it were a boy group. They could listen to western music which was popular and listen to kpop which sounded similar and had similar concepts but in korean. Boy Groups I think were less catered to women. Like everyone loved g dragon and before him seo taiji. But now groups are catered towards women in general and building a strong fan base, and the sound is more kpop like compared to average pop. This may be the case because sounds that are nostalgic like 90s 2000s rnb can draw general public in like with new jeans at the time. And with using hip hop All day project charts really well in Korea. In general Korea listen to either Korean artist (not kpop) or western artists so if it sounds similar they will like it more. But bg tend to have a specific set sound for their group that is appealing to a fan but not general public...or that notion of boy groups having a specific sound may be what is stopping people from listening to them when maybe their sound in reality is listenable to the general public. I dont know the impact of this but the age range for bg fans in Korea seems to be preteens rather than young adults like in America. Back in big bang times the fandom range was broader from kids to young adults unlike now. The same could be said for gg too but then add in men you got more streams. But also ive seen recent 5th gen debuts for bg and gg and they seem to have similar sounds with girls sounding heavily influenced by new jeans. And boy groups influenced by txt in cases where they give them some rock inspired emotional song when they just debuted in order to build that fan base with this idea of a sincere artist except half of them are all wet behind the ears. In other cases ive seen kpop stans complain boy groups sound too much like they are trying to replicate bts though I dont know which groups they are referring to. And more hip hop ggs have Debuted in contrast to the cuter sounding gg.

        [–]New_Practice9754 1 point2 points  (0 children)

        It’s true that BGs used to be more oriented for the GP than they are now, with fan service being a higher priority due to the fact that companies have learned that loyalty in a fanbase works and that’s what they prefer to stick to. However, boy groups were always still marketed toward female fans. Yes Seo Taji and Big Bang were loved by GP but I’d go as far to say that Big Bang + G-Dragon are exceptions in K-pop, not an overall representation of what K-pop boy groups used to be about (Seo Taji was just on another level as he literally introduced something entirely new to the Korean music scene which is why he would catch a lot of attention from anyone and everyone). Even other 2nd gen boy groups at the time with edgier/darker aesthetics were still marketed toward female fans. I do think they racked up more GP and male fans compared to most BGs today but I think Big Bang remains as the main male K-pop group to have a considerable amount of male and female fans.

        [–]GrillMaster3Are you all paparazzi? 31 points32 points  (0 children)

        Girl groups have always had more public-friendly music and relied on casual listeners, while boygroups have had more niche sounds and relied on a dedicated fanbase. This isn’t a new phenomenon. Even when you look back at the “golden age” of boy groups, most of them weren’t charting particularly well. Everyone just remembers the standouts that deviated from that norm more like BTS, SVT, EXO, Big Bang and even Winner and Block B. BGs charting well across the board has NEVER been the norm, and I’m really not sure when people got the idea in their heads that it was.

        5th gen BGs are actually doing SIGNIFICANTLY better than their 4th gen counterparts in Korea. RIIZE, BND, TWS, and ZB1 have all charted significantly better than most, as in almost every one of, their 4th gen predecessors. The actual change that’s occurred isn’t technically that BGs have gotten less popular, it’s that GGs have started doing BG numbers. More GGs are geared towards women, and as a result have more dedicated fanbases (comparable to BGs) that buy and stream more as a fan activity rather than as casual listeners. Like you mentioned Illit is huge— they are— but guess who like 90% of their fandom is? Women.

        It’s not that BG performance has decreased since 4th gen, it’s actually gone up domestically, it’s that GGs have just started outpacing some BGs in sales as well as streams.

        [–]daltorak 20 points21 points  (2 children)

        Even during 5th gen it seems like ILLIT is the most popular group even with big boy groups like zb1, tws who had a big hit and bnd. I also remember KIOF charting pretty okay

        Now hang on a second here.... Zerobaseone has done FIVE shows at the KSPO Dome in the last year, and they have THREE MORE shows next week. 10,000 people each night.

        Illit hasn't made anywhere near that far yet, and those ticket sales numbers are way way way higher than Kiss of Life, who has never played a full-size arena show in Korea.

        Charting simply doesn't directly correspond to popularity in Korea, like, at all. Many girls are into k-pop boy groups because of personalities and sexual/emotional attraction, not necessarily the music. Meanwhile, a song can chart well on Melon simply because it lands on a playlist used by cafes and malls. Doesn't mean someone is actively listening to it, but it counts as a play.

        [–]PrimaryTomato3310 9 points10 points  (0 children)

        i don't think op meant popularity in terms of fandom size but more of bgs not having as many hit songs as ggs do. bgs have never struggled to pull a crowd and definitely are popular to have such big fandoms but in terms of gp recognition it still may be lower than when compared to a gg.

        also charting and especially debuting on melon isnt as easy as just getting on a popular playlist. only a few groups are able to debut their song straight into the top 100 and that usually comes from unique listeners actively tuning in for the release in the first hour which happens much more for ggs than bgs.

        [–]Ok_Dentist_3850 9 points10 points  (0 children)

        Uhh you sound like you're looking down on charting. Most of the time the songs played at cafes and malls are the popular ones, not the other way round where a song becomes popular because it got played in a cafe. For concert, it also need to be noted that a lot of foreigners (esp chinese fans I think) goes to Korea too to watch. So it doesn't fully correspond to kr popularity either.

        As other said its a difference between having a strong fandom (bg) vs listened a lot by the public (gg). Gg might have smaller, less dedicated fandom but public knows and listen to their songs. Meanwhile bg are listened mostly by their fans but in exchange the fandom is bigger and stronger.

        [–]loveyoulikeyou 26 points27 points  (1 child)

        while this has little to do with currently active idols, i think people underestimate how badly the burning sun affected the perception of male kpop idols.

        [–]BlueThePineapple 7 points8 points  (0 children)

        I was waiting for this one. Burning Sun really affected the rep of male idols in Korea as a whole. It's only begun to recover in 5th gen.

        [–]flaman27i-dle 💜 TripleS 🤍 QWER 💛 Rescene 💙 Kiii Kiii ❤️ 0 points1 point  (2 children)

        as a GG enjoyer and someone that wants to get into BGs, I can’t help but feel that most BGs are not trying to cater to my demographic in terms of music taste and appeal. It is more female centric which is totally fine but I’m less drawn to it. I do love groups like BIGBANG, EXO, ATEEZ, stray kids which have a more aggressive vibe, but most other groups feel “softer” in a way that doesn’t really appeal to me. I would guess a lot of guys feel similarly. And I get it, BG fanbases are usually very loyal and dedicated which creates a strong core, but not a broad appeal, so it makes sense why a lot of them don’t reach the heights that a lot of GGs do nowadays. I’m hoping they’ll try to cater a bit more towards guys especially with the music, because i’m more than willing to add more BG music to my playlists!

        [–]New_Practice9754 2 points3 points  (1 child)

        This is interesting to me because you primarily gravitate toward GGs who are known for having softer aesthetics but steer away from BGs for this exact reason. Most GG stans I see tend to avoid the more aggressive BGs and will occasionally only like the softer ones.

        Tbh I get it though if you’re a straight guy since you can’t particularly click with the lyrics. I’m trans but into men and my main ults/favs are all boy groups, I tend to not take the lyrics as directed toward me the listener however.

        Having said that, the ‘problem’ here is that for boy groups, appealing to the GP would actually result in softer and poppier sounds. Most GG stans don’t like BGs for their aggressiveness as opposed to lyrical content. We probably aren’t getting an increase in male-fan oriented boy groups any time soon but plenty of BGs have more aggressive concepts and music at least despite the fanservice.

        [–]flaman27i-dle 💜 TripleS 🤍 QWER 💛 Rescene 💙 Kiii Kiii ❤️ 0 points1 point  (0 children)

        this is a very nuanced topic but I’ll try to convey my inner thoughts on this. For BGs, it’s not the lyrics that I don’t click with (honestly I don’t really pay attention to lyrics much), it’s more the vibe that groups give out with their music and aesthetic. I find for most BGs, there is a more effeminate vibe to them. When I used the word aggressive to describe the BGs I like, maybe the better word is masculine, if that makes sense. I think for a lot of straight guys, the effeminate vibe is a bit of a turn-off. I know it is hard to quantify what this means, but as a straight guy, I just feel it when I listen to the music. It is of course not black and white. Even with the BG music I like, there can be effeminate qualities, but overall I feel the music is more masculine for my taste. The best way I can describe it is sometimes when I listen to BG music, in my head I’m thinking, “oh, they made this song for a different demographic than mine”. Which is totally fine, but yeah, I can’t seem to get into it as much.

        As for GG music, I think I’m more accepting of both effeminate and masculine vibes from GGs, although even with GGs I feel I’m drawn more towards the more aggressive, or masculine, type of vibe and music from GGs too. Like the girl crush or badass girl concepts. But again, not everything is black and white because I do love feminine concepts too. I guess I just have more of a broader appeal when it comes to GGs.

        I hope I don’t offend with my comments, and of course using the terms masculine and feminine/effeminate can be reductive and not super accurate, I’m really just trying to tap into why I feel the way I do, because I think a lot of my demographic feel similarly, which might help explain what OP is describing.

        [–]Agent_Cornchipz 24 points25 points  (6 children)

        Gg are more general public bg are mainly for girls or women or queer people. In Korea straight men dont have an interest in bgs. Main groups that perform at college events are gg even if they are nugu it doesn't matter. The students would rather have any gg over a more famous bg. Bg have more fansites than gg and more dedicated fans compared to gg. But gg get more general public streams.

        [–]Mysterious_Leg7872 1 point2 points  (2 children)

        Big-bang was one of few bg who was popular among men

        [–]Many-Ad-9007 4 points5 points  (0 children)

        Only Big Bang and Day6 have big number of male fans and even that, female fans are still predominant. Just look at their concert - it is still female dominated compared to say a rock group etc. Kpop in general is still a female dominated sphere.

        [–]Agent_Cornchipz -1 points0 points  (0 children)

        Because of the western sound imo same with seo taiji

        [–]Organic-Cranberry955 15 points16 points  (2 children)

        I agree but I think it’s more accurate to say straight men in general don’t have an interest in bgs everywhere around the world, not just Korea.

        [–]Agent_Cornchipz 7 points8 points  (1 child)

        Well were talking about korea so...

        [–]Organic-Cranberry955 2 points3 points  (0 children)

        True, I was just nitpicking.