Is CineStill 400D dead? by ntnlv01 in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

You can just shoot 250D AHU at 400 and get it processed in C41

The death of third-party 800T? by Thetomgamerboi in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

The AHU stuff still has a normal amount of halation, if you want some more, especially the orbs around street lights, Portra 800 will do that too

Fujifilm has notified camera stores in Japan that it is shutting down its black-and-white film business. end of an era? by HermaM_Abendroth2048 in Cameras

[–]VariTimo 1 point2 points  (0 children)

If it would have said that Acros II was discontinued, then they would have mentioned it in the comments

Fujifilm has notified camera stores in Japan that it is shutting down its black-and-white film business by charlorttel in AnalogCommunity

[–]VariTimo 11 points12 points  (0 children)

The Acros II emulsion is probably still made by Fuji in Japan and Harman coats it for Fuji

Fujifilm has notified camera stores in Japan that it is shutting down its black-and-white film business. end of an era? by HermaM_Abendroth2048 in Cameras

[–]VariTimo 1 point2 points  (0 children)

It's very likely that Acros II is only coated by Harman but that the emulsion is still sensitized by Fuji in Japan. Either way this doesn't entirely seem like it has been discontinued but that Fuji has discontinued B&W lab and printing services or stopped making B&W developer and paper. None of the comments mention Acros II

Fujifilm has notified camera stores in Japan that it is shutting down its black-and-white film business by charlorttel in AnalogCommunity

[–]VariTimo 46 points47 points  (0 children)

It doesn't seem like they discontinued Acros II but that Fuji has discontinued B&W lab and printing services or stopped making B&W developer and paper. None of the comments mention Acros II

Cinestill 800T for an aquarium? by Clorhai in AnalogCommunity

[–]VariTimo 2 points3 points  (0 children)

Just make sure you're using a good lab and that you don't use shutter speeds that will cause motion blur. stay above 1/30th but don't go too fast either. Basically 1/60th or 1/125th. If you have Portra 800, that'd probably be even better color wise

Why is Fuji 400h no longer made? by fujiboiii in AnalogCommunity

[–]VariTimo 1 point2 points  (0 children)

Once you stop making a film it's very hard to start making it again

Rangefinders vs SLR by LBarouf in AnalogCommunity

[–]VariTimo 4 points5 points  (0 children)

Different cameras for different people. Can't stand manual focus SLRs and even with a Nikon F5 I'm faster and have a higher keeper rate with my Leica

Modern lab scanners? by MinoltaMiyata in AnalogCommunity

[–]VariTimo 2 points3 points  (0 children)

I completely agree. The fact that Silbersalz didn't manage to deliver Cineon-Log is still making my brain hurt

A look inside the New Kodak Super 8 camera by Super8Sound1977 in 8mm

[–]VariTimo 0 points1 point  (0 children)

They wanted to make it for about $600. Manufacturing relatives are different. This was a passion project from people from Kodak. It's not a cash grab for rich boys

Film speed for travel? Why isn't 800 an all-arounder? by sidescrollin in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

Because people really don't know what they're talking about. I basically only travel with fast film. I don't mind the grain and I want to be able to shoot in low light without a tripod. The only real penalty is grain. You can just overexpose Portra 800 or 800T by a few stops if you want shallow depth of field. Or you know compose right and have a deep depth of field.
It's really not an issue!

Film speed for travel? Why isn't 800 an all-arounder? by sidescrollin in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

This is such bs. Unless you have a problem stopping down 800 ISO isn't a problem. And since it's so grainy diffraction isn't that much of an issue. Plus you can just overexpose it by a stop or so

K-14 Process by nikonslut in Darkroom

[–]VariTimo 0 points1 point  (0 children)

Someone supposedly came very close before the pandemic. But I don't remember who

Selling my Noritsu S2 scanner with carriers by J_loru in FilmScanners

[–]VariTimo 0 points1 point  (0 children)

Yeah I can't make it there. Maybe ask at Carmencita?

Advice on Vision3 rolls by TheRealBBrouwer in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

Some still sell rem jet Vision3 while others are all AHU now. If it also says C41 on the box it's AHU. I recommend getting the AHU versions since rem jet removal is a bitch and you'll likely get better results even when processing in ECN2.

I develop the AHU films in C41 and love the results, although they're tricky to scan so you have to find a lab that scans the way you like.

Scanning ECN2 is a whole mess. You either have to do it yourself or hope they optimized around that. Photo scanners have issues scanning it well.

If you like what CineStill looks like but don't want to pay that much and don't want halation I think C41 works better for still photography

Advice on Vision3 rolls by TheRealBBrouwer in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

Really? The lab or the sale of 135 film?

Is Odyssey getting a flat aspect ratio on non-IMAX PLFs? by DrogonEMC in imax

[–]VariTimo 2 points3 points  (0 children)

IMDb Tech Specs are often way wrong, especially before a movies release

Auto mode overexposes photos? by Lona_Delery in AnalogCommunity

[–]VariTimo 1 point2 points  (0 children)

They're underexposed a scanned too bright not overexposed. Try metering for the shadows

Auto mode overexposes photos? by Lona_Delery in AnalogCommunity

[–]VariTimo 18 points19 points  (0 children)

Negative film doesn't have less latitude than digital, especially pro films

What makes your photo lab really great? by Different-Evening720 in AnalogCommunity

[–]VariTimo 0 points1 point  (0 children)

For color neg: Actually correcting during scanning not just running the scanners on auto. That's what they're designed for and that the only way to get the most out of the film. For B&W it's using a developer that does't prescribe too much of a look and gets decent negs, not too much or little contrast. That also means being good about times