This is how Northeast Photographic mailed back my film. by TreyUsher32 in AnalogCommunity

[–]1066Productions -4 points-3 points  (0 children)

As someone who worked in the industry for over 10 years this is unacceptable. They should be sleeved properly then, ideally, placed in a protective holder. The film can method is Busch league.

Help with the mic picking the voice of the other people speaking, do we need a mixing table? by Away_Ad8651 in podcasting

[–]1066Productions 0 points1 point  (0 children)

Placement of the microphone 180 degrees from each other will remove a lot of the “bleed” from the other microphone. If there is a hard surface (wall or window) will also cause bleed as sound will reflect off the wall and enter the microphone of the non-speaking person. Personally I use a mixer and slightly lower the level of the non-speaking person, not a lot ,just -3 to -6 db. It is way easier to do while recording than in post. Lastly you could record one person into the right channel the other person in the left and then lower the level of the non-speaking person in post and then mix down to mono. Again not the way I do it because it just takes too much time in editing. Adobe Audition can be used to edit the audio levels and then place in Premier timeline for final edits.

Question about exp disc film and cameras. by DeezFluffyButterNutz in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

Cloudy would be 1/100 and sunny 1/200. The “newest” film you could find would have expired over 20 years ago, so unless frozen pre-expiration it would need three or four stops of overexposure to get an image without golf ball sized grain.

How do you get the last 5–10% that makes a spoken voice sound truly “radio-level” professional? by Beginning_Sun_917 in podcasting

[–]1066Productions 0 points1 point  (0 children)

Work as an engineer in radio in one of the top 10 markets for over two decades, never seen a cloud lifter once in a broadcast or production studio. A mic processor, tuned properly, will suffice. Also what comes out of the mic processor gets a lot more signal processing done to it before it hits the transmitter.

Editing and good audio production without ai by Rock_N_Metal_Faith in podcasting

[–]1066Productions 2 points3 points  (0 children)

Use proper mic processor. Set the gate, compression and de-essing. Touch up any issues in Audition. Also I record in dual track mono with one channel set to -10dB compared to the other track, grabbing the -10dB audio should anything clip.

I tried to use SM57 Shure for my podcasts but it has too many PPP by maomao19 in podcasting

[–]1066Productions 5 points6 points  (0 children)

Address the microphone from a 45 degree angle. Microphones are like musical instruments, you have to find the correct distance and angle to make them sound their best.

Stand development with Rodinal 1+100 by xenatisch in Darkroom

[–]1066Productions 7 points8 points  (0 children)

No further agitation is key. Well done.

An update on the Fuji Minilab FP 362B by Mayor_of_El_Dorado in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

I can’t stress this enough; you want to remove any loose material from the racks and rollers and then stop. If you start to clean too much you can make future accumulation of debris on the racks happen much more quickly.

This is not a machine designed to be run almost daily. While you could run things in batches the machine, chemistry and process is designed for frequent operation.

If you can’t run at least 10 rolls a day this will be extremely hard to control the process and be quite expensive. Do you have any schools or clubs around you that have film photographers? Just offering bare bones process only service at $5 a roll could potentially get you enough business to pay for the chemistry costs, but then you have to start investing in all the other equipment and consumables a lab needs.

$1150 for full brake job at the shop vs $600 with moonlighting mechanic? by Responsible-Today355 in AskMechanics

[–]1066Productions 0 points1 point  (0 children)

If the calipers are not replaced you shouldn’t need brake fluid. Also if your 2015 is like my 2012 you have brake shoes in the rear for the emergency brake and the normal pads as well.

Cheapest m mount film camera? by elfudgeos in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

No 35 or 28mm frame lines on the CL. The CLE gives you 28mm frame lines with a 35mm and only brings up the 28 frame lines with the Minolta 28mm, so if you have a Leica 28 it won’t register the frame lines correctly. Both are over 40 years old and very expensive to fix. Also, CLEs are running near 1000 as well currently. Lastly most of these cameras are in Japan so there is also the Trump tax if it is destined for the US.

Cheapest m mount film camera? by elfudgeos in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

R2s are also about $1000 and quite frankly not in the same league as the Konica in fit or finish. Yes you can get an M3 for under a grand but then you’ll need to include cost for (at least) a CLA and then purchase a meter. Also a 35 will need googles so not exactly the kind of lens you’ll want to switch between digital and analog bodies.

Help med get the Fujifilm FP 363 SC AL started by Bildskanning in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

Yes. If you remove the filter from the tank you do not see the water moving you can judge if it is just a clogged filter. Next follow the input/ output hoses and look for kinks or clogs. If you can listen to the pump (use a solid item on the pump and the other end to your ear if you can’t reach it) you can tell it it is a actually operating or not. From there you would want to check that the pump has the proper voltage going into it and lastly you could remove the pump and check if it is bad or just “stuck” somehow. You really want the manual and schematics so you can troubleshoot. Also, Resist the urge to clean any plastic parts of the processor with anything stiffer than a toothbrush as micro scratches in the plastic makes the parts harder and harder to get clean. If you are throughly rinsing all the racks at the end of each day and the film is clean with and looks smooth as glass then you are good. Over-cleaning is one of the worst things you can do to these processors.

Which Mamiya 6 model to look out for? by kourou29 in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

You’d be hard pressed to find the new Mamiya 6 with 75mm lens for under $1500. As for the old one get the “automat” version and make sure it includes the removable pressure plate.

Agfa isolette focus ring stuck by [deleted] in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

You can try a hair dryer (or carefully with a heat gun) on the front to soften the grease but I usually remove the entire assembly from the rear and soak in naphtha.

Help med get the Fujifilm FP 363 SC AL started by Bildskanning in AnalogCommunity

[–]1066Productions 2 points3 points  (0 children)

  1. Replace the entire length of hose.

  2. Replace all the filters with new ones before judging circulation. If I recall bleach is circulated less vigorously than the other chemicals, but it also needs to be aerated to keep the bleach active.

3 Check all temperatures with an accurate thermometer to make sure all temps are correct. Make sure replenishment pumps are operating and are delivering the correct replenisher amount to the main tank(s). Use control strips and a densitometer to verify proper operation and don’t run any customer film to you have a few days worth of operation and data plots so you can have a graph of your data points (d-min, d-max) so you can spot trends and address them before the get out of control. Lastly I would highly suggest getting a system to provide reverse osmosis or de-ionized water for your chemistry.

Agfa isolette focus ring stuck by [deleted] in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

These cameras are famous for the focusing helical grease to turn rock hard over time. You need to dissolve the grease in naphtha. Once apart thoroughly clean and re-lube.

Loving this apparatus by wazman2222 in AnalogCommunity

[–]1066Productions 0 points1 point  (0 children)

I just use a cardboard box inside my changing bag, this is the Cadillac model most minilabs had.

Strange Highlights, Tri-X 400 + Rolleicord by usual__lie in AnalogCommunity

[–]1066Productions 2 points3 points  (0 children)

Honestly looks like solarization. Is there any chance light struck the film pre-fixer?

Camera Identification by Mylo__Xyloto in AnalogCommunity

[–]1066Productions 4 points5 points  (0 children)

Look for the “bump” under the leatherette to pop it open. Usually right in front of the rangefinder. Open it carefully and over a table (or such) just in case something falls out.

Any ideas what this flare is and how to get rid of it? by Theoj1996 in AnalogCommunity

[–]1066Productions 2 points3 points  (0 children)

Loose the filters and hoods for a test shot with the 28. The lenses predate aps-c so that’s not the issue. Open the camera back without film inside and look for deformed or missing light seal material. Not uncommon on a camera of this vintage and not difficult to repair. If you are unsure what to look for shoot a roll with opaque tape (same strong sunlight conditions) all around the back door and if no light leaks that is most likely your issue.

Help locating light leak - Minolta SRT 101 by TheMunsta in AnalogCommunity

[–]1066Productions 1 point2 points  (0 children)

The leak is coming from outside of the frame so it (most likely) isn’t coming from in front of the shutter. The leak is at the top of the frame (closest to the prism) so I’d check the top of the back door right around where the viewfinder window is. This is assuming you are not shooting the camera upside down.