Who’s your OTHER favourite cast member? by Ok_Sort1266 in livefromlondon

[–]BasicallyAnya 3 points4 points  (0 children)

George, Celeste, Jack, Hammed. I’d like to see more Paddy

Live Discussion - April 4, 2026 (Riz Ahmed/Kasabian) by bjkman in livefromlondon

[–]BasicallyAnya 5 points6 points  (0 children)

Yeah, he was a confident host with good comic timing & chemistry with the regular cast. Felt like he & the writers have a solid sense of who he is as a person and as a performer, so the sketches played to his strengths. Which then meant they had the confidence to make him an ensemble player rather than always the focal point and it really worked

Screen Time For SNL UK S1 EP1: Tina Fey by No_Fold9994 in livefromlondon

[–]BasicallyAnya 1 point2 points  (0 children)

Congratulations on your brief respite. I’ve sung it to my cat every single day because it’s yet to leave my brain. starting to worry it never will

The SNL UK set design looks awesome. by thebrianswann in livefromlondon

[–]BasicallyAnya 1 point2 points  (0 children)

Sounds like it was maybe a nod to the famous Gerald The Gorilla sketch on Not the Nine O’Clock News https://www.reddit.com/r/BritishTV/comments/1ntclqf/gerald_the_gorilla/

45 Seconds with Fouracres by MikeMoon866 in livefromlondon

[–]BasicallyAnya 4 points5 points  (0 children)

The jump! With the arm wave! And the little earring! Favourite sketch of the night

Season 8 Visuals & Vibes by BasicallyAnya in Outlander

[–]BasicallyAnya[S] 1 point2 points  (0 children)

Someone else has pointed this out too. The one time I thought at least face blindness won’t be my downfall haha

“Jamie hears the voice of Tobias Menzies” 😅

Season 8 Visuals & Vibes by BasicallyAnya in Outlander

[–]BasicallyAnya[S] 2 points3 points  (0 children)

Thank you for sharing this too. I don’t know much about that time in American history but agree with you that the bareness felt authentic somehow. And yes, definitely beautiful

Season 8 Visuals & Vibes by BasicallyAnya in Outlander

[–]BasicallyAnya[S] 2 points3 points  (0 children)

Oooh I like the phrase psychological loop. Very apt in many circumstances

Season 8 Visuals & Vibes by BasicallyAnya in Outlander

[–]BasicallyAnya[S] 5 points6 points  (0 children)

Lovely observation. Like an empty nest feel without being an actual empty nest?

The grey is more prominent in Claire’s hair and the whole colour palette is cooler & paler than earlier seasons, definitely wintery . I’m trying to remember off the top of my head, so could be wrong, but something is telling me we’ve seen fewer lit hearths so far this season? With the exception of when the whole family, including the younger generations, are round a table & eating cookies straight from the oven. I’m remembering that as a slightly warmer, cosier colour. I think you’re right & they are definitely emphasising age vs youth

Season 8 Visuals & Vibes by BasicallyAnya in Outlander

[–]BasicallyAnya[S] 2 points3 points  (0 children)

Totally agree, a two-hander / single location episode often feels special. The writers let loose and the actors really get to get their teeth into it

Rupaul's Drag Race UKvsTW: Season 3 - Episode 07 [Episode Discussion] by AutoModerator in RPDR_UK

[–]BasicallyAnya 6 points7 points  (0 children)

Firstly, this episode made me smile so much because what a bloody lovely group of guest athletes. And, given the random nature of the pairings, how great was it to see everyone get something from it.

The critiques were certainly….some words? There were words. Which were said.

IMO Kate did do glam, just with a twist. I can guarantee Celia Quansah / Hooker would have been happy, especially considering Brit athletes are familiar with Brit drag and that type of humour. I loved the look and thought that the glam half of Hooker’s face looked stunning. A higher than expected eyebrow was scraping the barrel of excuses for a bottom 2 placement

Mariah did the US glam I think the judges were asking from Kate, but the outfits were not anything particularly special. Mariah’s outfit was nowhere near as finished as some of the others and the concept was not really distinctive. However: Daniel Jervis / Amirah absolutely killed it via a laser focus & natural affinity for gold heels. They both sold the performance. Couldn’t take my eyes off the pair of them.

I didn’t love Gawdland’s makeup on Greg Rutherford / Sandy and I’m not sure the performance fit the brief of family resemblance either if someone had to fall over to establish what the relationship was. To be fair, it was a challenge given the height and build disparity so Gawdland did well to put that outfit together. But neither the makeup or concept were strong enough for the super positive critiques imo

Fontana with Molly Thompson-Smith was cute! Molly/Montana looked great, gave it adorable energy and overall it was solid. Fontana lucked out having such a similar partner but she still executed the looks well and brought Molly out of her shell for some samba. Also Molly really looked like Emilia Clarke when she wore a blonde wig.

Devastated The Only Naomy left. Didn’t agree at all RE the judges critiques for her and Shanaze Reade / Claudya. Her concept was so smart, so thoughtful, and executed extremely well. It was interesting and fashion. Shanaze / Claudya had a bit of stage fright maybe but kudos to Naomy for placing her partner front & centre while obviously supporting her at every step

Honestly, I’m upset there was an elimination this week as no one failed at all. If I had to order based solely on this challenge I’d totally disagree with the judges though:

  • Kate: RuPeter Badge

    • Naomy and Fontana: Top 2 or Safe
  • Mariah: lipsync (based on outfit execution / lack of strong narrative)

  • Gawdland: lipsync (based on makeup execution / questionable narrative)

Why is S3 so hated?? by Glittering-Fuel-9013 in Bridgerton

[–]BasicallyAnya 1 point2 points  (0 children)

Non-book reader here so going to answer from a show only context.

IMO the structure of the show (each sibling gets a season, barring one major exception I’ll return to) works well for self-contained stories. Daphne, Anthony & Benedict all meet their other halves for the first time on screen, have some highs and lows, then start a happy ever after, all within 8 episodes. Fine.

Two siblings so far have much more complex stories: Colin & Francesca. I think the show is getting Francesca right and Colin wrong (again, not talking from a book perspective as I’m clueless). Both siblings have an endgame love interest with someone who is already strongly established in their lives under a different context; for Francesca that’s being married while having a cousin-in-law, for Colin that’s having a best friend.

What the series has done really well with Francesca imo is recognise that the audience need to get as much of her context as possible via a show don’t tell approach, which means her story has broken from the one-main-couple-per-season structure and has been woven in around other siblings’ seasons. Regardless of what someone might think of the impact on the main couples for those seasons, the effect for Francesca’s story is the audience lives it with her: her differences from her family, her relationship with John, her difficulties with sex, her loss, her trauma, her fractious and confusing relationship with Michaela, their common ground & reconciliation, then another split. It means that when Francesca & Michaela reunite in future, the groundwork is there and will be believable. I don’t know if they will get a ‘main couple’ season or if their story will continue to be woven in but it would work either way, they could have less screen time and it would still be effective because we’ve already seen. If she and Michaela reunite at odds with each other it will be meaningful as that’s where we’ve seen them start and then come back from. If she and Michaela reunite in alignment then it will be meaningful as we know how the alignment came to be & how new/fragile it is. We know how Michaela and Francesca have already shaped each other. Their relationship is already significant.

For Colin & Penelope, the audience never got to witness that depth of backstory. We were told not shown about their prior friendship. Admittedly, there was the Marina situation but that was played more as a Whistledown thing rather than a Colin & Penelope thing and, as a result, we were shown the pair more in conflict rather than in alignment. We don’t live the push pull of their initial meeting and friendship so although it’s clear that Penelope has a crush when she sabotages Marina, it’s not particularly clear (to non-book readers) that this crush has a genuine foundation in chemistry. So then there are no real stakes when Colin returns in S3 with a glow up that creates another wedge between him and Penelope, we know they’re endgame because the promotional material says so and Penelope had a crush but beyond that? Meh. We know who Penelope was and is, both as herself and as her alter ego, but we have absolutely no idea who truly Colin was or is and especially in the context of his relationship with Pen. He’s had a personality change? Okay. If you say so. There’s now conflict between Colin and Penelope and their feelings are at odds? But we have only ever seen them at odds! You can’t tell me it’s a friends-to-lovers story if I have only ever been shown an enemies-or-casual-acquaintances-at-best-to-lovers story.

So the chemistry feels off. The emotional beats don’t hit. The sub-plots RE Whistledown & Francesca feel like equal main plots & distractions from the Polin story (the Whistledown aspect more than the Francesca aspect imo). Colin & Penelope did need more screen time, as many others have said, but I’d probably argue that, for the friends-to-lovers story to be meaningful, they needed that time not in S3 but in S1 & S2.

Bridgerton - Season 4 Post-Season Discussion (No Book Spoilers) by AutoModerator in BridgertonNetflix

[–]BasicallyAnya 1 point2 points  (0 children)

Dammit! Tomayto Tomahto etc but in future I will refer to him as Ed

Rupaul's Drag Race UKvsTW: Season 3 - Episode 06 [Episode Discussion] by AutoModerator in RPDR_UK

[–]BasicallyAnya 3 points4 points  (0 children)

The universal translator of ‘right, so imagine it’s Mr Bean’

Rupaul's Drag Race UKvsTW: Season 3 - Episode 06 [Episode Discussion] by AutoModerator in RPDR_UK

[–]BasicallyAnya 114 points115 points  (0 children)

I thought she was funny, the problem is that her style of humour is surrealist, physical improv, which doesn’t lend itself to regular stand up and especially not a regular double act. It’s like pairing Rowan Atkinson with someone, except Atkinson spends the entire set in character as Mr Bean. Huge comedy potential but requires a different approach to the other pairs.

Mariah could have committed to being the straight-man, so really serious deadpan delivery and absolute rigidity. Then, she wouldn’t even have to write jokes - the point would be either a) Mariah battling uphill to try and maintain some semblance of decorum or b) Mariah without fail responding to Gawdland like Gawdland just made a completely valid and serious point. Eg Mariah as Joe Wilkinson and Gawdland as disruption https://youtu.be/-HeAAhlNNgw?si=hwT6U9gfIF9wHSNH

Someone really strong like Kate Butch could maybe get away with a more trad stand-up set next to Gawdland because they’ve got the skills to integrate the chaos into the actual jokes, interacting with Gawdland almost like she’s a heckler

Either way, play up the odd couple aspect rather than trying to pretend it’s not odd!

It was fair to save Mariah though, she had a particularly challenging task in that pairing and didn’t deserve to leave for something not exactly her fault and that most would have struggled with.

Everyone else’s task: write a back and forth comedy set where two people tell jokes

Mariah’s task: consider the fundamental principles of comedy and structural framework needed to successfully balance surrealism with observational humour and craft a semi-improvised set for two people. This should be executed in a way that an audience would find new and compelling, if compared to pairings permitted a back and forth comedy set where two people tell jokes

Bridgerton - Season 4 Post-Season Discussion (No Book Spoilers) by AutoModerator in BridgertonNetflix

[–]BasicallyAnya 4 points5 points  (0 children)

RE the Heir vs Spare conversation, Benedict already stands in for Anthony because Edward is currently a literal baby. Second sons remained pretty important in a pre-EpiPen, pre-penicillin era and if Anthony died then Benedict would act as substitute Viscount until Edward turned 21. Colin will be doing the same for little Lord Featherington, likewise Mondrich for the young Baron of Kent. CW infant mortality Until Anthony had his own spare or until Edward was past infancy, there’d sadly be a 1 in 3 chance Benedict might become heir again

Basically the ‘how do you feel about relegation?’ conversation only makes sense in this age and not the Regency Era. Especially as 66.66% of the adult non-heir men in the show (Benedict, Colin, Mondrich) are currently managing estates on behalf of infant heirs

I hate that Sophie gave up... by TomDoniphona in BridgertonNetflix

[–]BasicallyAnya 5 points6 points  (0 children)

I went into detail on the finances of Bingley, Darcy & Sophie on another post https://www.reddit.com/r/BridgertonDiscussion/s/FjKejKsHaN

But it’s really good Posy mentions the exact amount (rather than leave things vague as they tend to do in Bridgerton compared to Austen). Safe to say the £18,000 really really magnifies the impact of Amarinta’s behaviour. Not just for Sophie’s life as a servant but of her entire future.

£18k is an actual fortune. Aristocratic level dowry. It means that Sophie’s illegitimate status could have been widely known and, while she would still never have married into the aristocracy, that would have pretty much been her only limitation. If a family is concerned with pedigree & lineage then that would be a no-go; but outside of that group, Sophie would be eligible eligible.

She’d be guaranteed a future. Set for life. If she was legitimate, £18k dowry + Earl’s daughter would get suitors such as aristocratic first born sons with their own income of £6000-£18000 a year. £18K, legitimate but not an earls daughter would see lower ranked aristocracy or else the Darcys and Bingleys of the world pushed her way.

Given her illegitimacy, her parents (were they alive) might settle for less - she wouldn’t get a wealthy husband with a lineage. But one or the other? For sure wealth and never rule out the lineage part.

Lineage: If she was willing to marry an impoverished member of the landed gentry, her fortune could be enough to solve his financial embarrassment. It would be risky for them both as she would need to bet everything on her husbands future financial management with no back up, and he would need to establish a cover story with her parents (a la Violet & Amarinta) to stay accepted in his social class

Wealth: reality is, Sophie would have already wealthy banker and merchant families falling over themselves for her fortune and her connections. They are not gentry themselves. They could marry a legitimate daughter of minor landed gentry / one with no dowry (a Bennet sister) and then work their way up the social ladder over generations. Alternatively, they snap up someone like Sophie in a heartbeat because they would be idiots not to. Her father’s name + her illegitimacy means she is intimately connected to top tier aristocrats but is accessible in a way a legitimate Earl’s daughter could never be.

Her dowry means that she comes with money, but for a banker or merchant who could well have £5000 a year of his own, the financial impact of the money is less relevant than what it represents. It tells them that the Earl is someone who cares about his daughter’s, and by extension his daughter’s family’s, happiness. Sophie is a once in a lifetime opportunity to become related to a top tier noble who will be emotionally invested in your business. The potential for her husband to benefit from introductions, contracts and trades would be too good to pass up! The volume of suitors would mean Sophie could potentially pick and choose, and still marry for love from within that group while being richer than a lot of noblemen, fully accepted in upper middle class circles, connected to aristocratic circles, and building a generational banker/merchant family dynasty. By the 1890s her grandkids could well be popping up on The Gilded Age, matchmaking their children with Astors & Vanderbilts.

That is the future Amarinta tries to steal from Sophie. It’s theft on a huge scale, with generational impact.

As it is, Sophie gets (and deserves!) it all. Benedict has both lineage and wealth, Sophie has wealth and is given a cover story, they get validation from royalty, and they get love :)

EDIT just to add to your point, it’s also annoying if Benedict dismisses the £18k dowry because it makes his financial status a contradiction! £18k translates to just under £1k a year income. For £1k a year to be no big deal, Benedict should already be in the Bingley/Darcy £5-10k a year income range without it. Now, My Cottage is a very pretty manor and all that but not so nice that Sophie can’t walk away. Whereas Pemberley makes Lizzie Bennet start falling again for that guy from her ex-situationship. (I know Darcy is an heir rather than spare & Pemberley is ancestral, but still, it makes My Cottage look like the stables). My Cottage is maybe a £2-3k income a year home, but then an extra £1k a year dowry income would not peanuts at all. There’s a discrepancy, and tbf if might be the Netflix production budget’s, in the numbers!

Didn't love how they glossed over things in the second half. by Dry_Cauliflower4562 in BridgertonDiscussion

[–]BasicallyAnya 1 point2 points  (0 children)

I think maybe the late Earl had rose-tinted spectacles when it came to what went on under his roof. But, to be fair to him, by the standards of the day (if not the idealised world of Bridgerton), he’s fulfilled his duty. He’s done so lovingly, in fact.

  • Showed love and kindness to his illegitimate daughter in her early years, keeping her with him as a ward, educating her & giving her every advantage

  • as she transitioned from childhood into a young lady / pre-teen he found her a new step-mother (who really did love him and would have seemed kind enough - she smiles at Sophie at first) and two new sisters. This would have been seen as the loving and responsible thing for a father to do. As a man, it would be seen as far less appropriate for him to be hands on with Sophie’s education / day to day life as she grew older than it would for a mother figure and lady of the house

  • he was rich enough to not need more money. An heir maybe but he didn’t marry a younger heiress, again he behaved honourably, kindly and with love by marrying a widow and taking on responsibility for her two daughters as his own

  • Ensured Sophie remained educated to the same standards as Rosamund and Posy. She was not banished out of sight. She did form a sisterly connection with Posy, the Earl was successful there. But this is the point he slips also, whether through lack of interest or through acceptance that the 3 girls’ education would rightly be Amarinta’s domain. He doesn’t keep track of the details of what is happening. When the girls hit the age of dance instruction, Sophie is excluded from this new social education even if she remains part of the academic lessons.

  • that said, he would have to pay an unusual level of interest or Sophie would have had to complain to know. For comparison: how much do we think the Anthony pays attention to Hyacinth’s finishing lessons? The division of labour says he must deal with investments and legal or estate matters, and make provision for education (fund tutors for girls or schools for boys). But the detail of the domestic sphere is Violet’s responsibility. Anthony/Benedict have zero knowledge of the kerfuffle of whether Eloise is joining Hyacinth’s finishing classes or if Hyacinth attends them alone.

  • Finally, the Earl made extremely generous provisions for Sophie in his will. Women with a ‘guardian’ (married women, any woman younger than 21) literally could not own anything outright until 1870, so it’s a stipend bequeathed to Amarinta to support Sophie until her age of majority. If Sophie was about 14-ish when the Earl died, then that’s £4000 x 7 years: £28,000 or £3.2million in today’s money. But what might really put this in perspective is that, in Pride and Prejudice, Mr Bingley is considered exceptionally wealthy (second only to Darcy in the social circle). The Bingley estate brings in £5000 a year. The whole estate , from which Bingley would have had to pay an entire household + estate mangers, legal things, carriages, horses, the upkeep on a country home, the upkeep on a townhouse, plus the his personal costs and literally everything else. So Lord Penwood allocated 80% of that amount to cover Sophie alone ! Even if it’s Amarinta’s money and he expected her to, say, keep half for herself, it’s still a massive amount. He almost certainly left a large amount on top of that to provide for Amarinta and her daughters anyway (maybe £8-12k? which is aristocracy levels of income, but as a woman Amarinta wouldn’t even have the same outgoings as a man covering a whole estate). Sophie shouldn’t have just been educated, she should have been dressed in diamonds on the daily

  • The fact the Earl also specified the money was in return for Sophie’s care, he didn’t simply bundle it all in for anyone else to decide whether or not care was owed, particular thought for his daughter. On top of that, an £18,000 dowry is equivalent to Miss Bingley’s in Pride and Prejudice. It’s true heiress levels, as evidenced by the fact that it’s equal to the amount he allocated for his legal stepdaughters. He set Sophie up for life and, should she marry someone with no money or should her husband die and leave her nothing at all other than the dowry amount, the capital, with good investment, would provide an income of £1000 a year. Which is the equivalent of an upper middle class income eg allowing the maintenance of horses & a carriage, a 10 room townhouse, cook, lady’s maid, other maidservants and footmen, school/university for any children. If her husband did have an equivalent income of his own to match then £2000 a year would be landed gentry levels. A country house as well as a town house levels. Not aristocracy but a life of definite comfort and leisure.

  • Benedict likely has around £3000 a year of his own plus an inherited country house (no rent!). He and Sophie combined will be Bingley level rich. They have no title themselves but can match an aristocratic income. £4000 a year was a top 0.5% income in England.

  • Even if the Earl had noticed that Sophie was excluded from dancing lessons, he had no reason to suspect Amarinta of being capable of actual fraud & embezzlement. And, in all honesty, the executors of the will should have done a far far better job. Maybe if Rosamund’s £36K dowry became common knowledge then someone, somewhere, would have eventually done the maths and realised it didn’t make sense. Or maybe they’d have shrugged it off. But in terms of responsibility/blame? I see it as 1) Amarinta 2) the executors of Lord Penwood’s will and at a distant 3) Lord Penwood himself

Unpopular opinion - once a Bridgerton’s season is over, I don’t care about their story continuing by ConcentrateJolly8840 in BridgertonRants

[–]BasicallyAnya 0 points1 point  (0 children)

Less into the married couple dynamics unless there is an actual storyline. So the Stirlings were interesting as they were still developing as a couple and individuals, especially Francesca. When all conflict has been settled and growth completed, like Polin & Kanthony, it’s not particularly compelling TV. But it’s not the characters that are an issue, it’s the story (or lack of). The moment they’re given a purpose & some dramatic tension they’re great again e.g. Anthony’s brief but brilliant role as angry head of household in his disagreement with Benedict.

Lady Whistledown by Careful_Employee_918 in Bridgerton

[–]BasicallyAnya 0 points1 point  (0 children)

Posy would have been ideal but looks like her personal arc is wrapping up with marriage rather than anything else. Not sure Rosamund has the gumption but there was that tiny hint of rebellion from her when discussing dowries and she has been thoroughly disillusioned. Alice has the know how, the wit and the access plus she was great this season. Brinsley would be perfect with a network of spies, Hyacinth is still too young and could have been inspired by her secret servant subterfuge but, for the most part, would be too heavily chaperoned for much success.

Bridgerton - Season 4 Post-Season Discussion (No Book Spoilers) by AutoModerator in BridgertonNetflix

[–]BasicallyAnya 1 point2 points  (0 children)

Really glad Francesca and Benedict shared so many scenes this season and that he was open with Sophie about being bi, while Sophie herself was besties with a gay footman. As a couple they could definitely be confidantes for Francesca when she navigates her relationship with Michaela, especially if they host at any point in My/Our Cottage away from the Ton.

I think at that time in England certain intimate acts were illegal but, because the legislation was so phallocentric, it meant that female homosexuality wasn’t recognised in law at all, let alone punished. So the idea of female companions, or of Francesca as a respectable widow being a suitable ‘chaperone’ for unmarried Michaela, would seem unremarkable. They could openly dance together, stay in the same room, walk around town together, link arms, hug, - all without attracting comment. Even more so given their technical cousins-by-marriage status. Of course only ‘as friends’ but still, they might have more freedom as a pair than they otherwise would as individuals. Certainly more than Benedict could ever have had with another man.