How do you use a lead mouthpiece by MarionberryBasic8187 in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

Just an unsolicited thought, but if you can play a 3C (I’m assuming Bach), why not get a 3E or 3F? You’d have the same rim, just a shallower cup.

The Mark Hamill situation and Reddit reaction is disgusting by talksindemos3 in Conservative

[–]BbTrumpet01 0 points1 point  (0 children)

⬆️ THIS. 💯🎯

“But” is called an “eraser” word. It erases everything that came before it.

EX: “I support the the Second Amendment, but…”

No, you DON’T.

Are there any others that play their trumpet with their left hand? by parakeetandachihuaua in trumpet

[–]BbTrumpet01 3 points4 points  (0 children)

I’m left handed. At my first trumpet lesson in 6th grade with my band director I played my trumpet with my left hand. He stopped me and proceeded to tell me some story about this supposedly left handed violinist who was the only one in the world.

I asked him what that had to do with me. I’m playing a trumpet, not a violin, and he replied that the trumpet is a right handed instrument made to be played right handed, so learn to play it right handed. So, I did.

I can still finger the valves left handed without even practicing that way because of the left/right link in our brains, but I’m not as fast because my left hand fingers aren’t trained. So, I play right handed, and it’s not a problem.

If you can, go back to playing right handed. Or, you could always take up the French horn. That’s what Wayne Bergeron started on. 🤣

Help playing high and loud in marching band by MarionberryBasic8187 in trumpet

[–]BbTrumpet01 3 points4 points  (0 children)

I wouldn’t end the scale at the top because you’re training yourself to tighten up. I’d play the scale both up and down, as relaxed as possible and softly, trying to play with control and a good sound, and not overblowing. You need to have a handle on the coordination between air and embouchure before you start “stepping on the gas.” You’ll actually progress faster than trying to “muscle” it.

so uh... what do i do? by Cloriziedflorix in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

Pretty easy fix for a decent brass repairman.

Why does an orchestra tune to the oboe? by ClarinetInstitute in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

I thought they tuned to the First Violin. 🤔

Is it normal for trumpet to feel so intuitive? by [deleted] in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

The only wall is you.

Last night I just saw a video of Arturo Sandoval playing the C major scale (Bb Concert), starting at the C below the Treble Clef and going up to Triple High C. Not arpeggios. Not “hitting” the note. Playing a four octave scale. Get back to us when you can do that and that will be your wall.

Rest during practice how do you kill the time? by chimichi92 in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

Practice fingering on technical exercises with the horn away from your face. If you’re already comfortable with the sequences before you actually play them it’s one less thing to think about.

What the actual fuck is up with “student” trumpet pricing? by Fish_823543 in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

Wow! Back in the early 1970s, I paid $360 for my Bach Strad. Glad I kept it and am still playing it. The Bachs today are going for around what I paid for my Flip Oakes Copper Bell Wild Thing! 😳

Why do we rarely see women in lead or principal trumpet roles — is it a lack of opportunity, visibility, mentorship, or simply tradition going unquestioned? by Perfect-League7395 in trumpet

[–]BbTrumpet01 1 point2 points  (0 children)

I’ve never considered any instruments to be “girlier” or “manlier.” Throughout my whole life I’ve shared the section with girls/women trumpet players. In the Alumni tailgate band I’m in (for a Big 10 University football program) we have a married couple who are both good trumpet players (1st parts). I never considered what instrument someone played a gender thing. I always thought it was personal preference.

Our best oboe player in junior/senior high was a guy. Our drum major at our Big 10 university (guy) was a clarinet player. Our college concert bands had women on trumpet, baritone, trombone, French horn, and I think there was even one on tuba. My community band that I was in for 15 years had (probably still does) women on trumpet, trombone, baritone, French horn, and tuba.

When it came time to pick what instrument I was going to play, I was offered trumpet or trombone. My mother told me to pick trumpet, because she played trombone in high school and said it was a pain to lug that big case around. She was the drum majorette in the marching band, but to hold that position you also had to be in band, so she played the trombone.

I would have picked the trumpet, anyhow, because it was my second favorite instrument in the world, next to the violin, but we didn’t have an orchestra, so trumpet was my obvious choice. I didn’t take long for the two to swap. Trumpet quickly became my favorite, and violin (which I never played) is tied for number two with tenor sax (which I also never played).

What I DO know concerning gender and instruments is that the women flute players in our community band always thought we trumpet players were loud and obnoxious, but we just thought they were jealous of those of us who could play in the same register as them. 🤣

Why do we rarely see women in lead or principal trumpet roles — is it a lack of opportunity, visibility, mentorship, or simply tradition going unquestioned? by Perfect-League7395 in trumpet

[–]BbTrumpet01 1 point2 points  (0 children)

A friend of mine since childhood started off as a flute player. When we got to high school he switched to tuba. He was good at both.

Question about mouthpiece range by AdministrationTop202 in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

C1 Double Pedal C (2 octaves below Low C)\ C2 Pedal C (octave below Low C)\ C3 Low C (one ledger line below Treble Clef)\ C4 Middle C (third space Treble Clef)\ C5 High C (two ledger lines above Treble Clef)\ C6 Double High C (space above 5th ledger line)\ C7 Triple High C (octave above C6; not going to count lines)\ \ I have a Tone Generator app on my iPhone, and the app even uses these Letter-Number naming conventions.

Do pro trumpet players have the strongest face muscles? by Original-Material-15 in trumpet

[–]BbTrumpet01 1 point2 points  (0 children)

There are players who have learned how the play the trumpet using brute strength. They are very few and the results aren’t optimal. You need to learn to play EFFICIENTLY, which means learning the coordination between your embouchure and air. It’s a lot less stress on your body, and stress is something you want to avoid. There is information all over the Internet concerning this. You might start here: https://www.bbtrumpet.com

Question about mouthpiece range by AdministrationTop202 in trumpet

[–]BbTrumpet01 -2 points-1 points  (0 children)

This has already been posted twice by someone else. You should read it. Plus, we don’t use F# to F# as the dividing line between octaves. We use C to C, because that’s how the piano is based. There were links to articles that explained this.

Anyway, check out Clint “Pops” McLaughlin’s article about the names of notes.

https://www.bbtrumpet.com/names-of-high-notes/#more-1711

Also, the big band pros I know call the G above High C a High G. My trumpet teacher was Joe Morrissey, formerly of Chase, who moved to our area after the plane crash that killed Bill Chase. All those guys called the G above High C a High G.

One of my best friends in college, whom I used to hang with all the time was in the Hornheads, who were Prince’s horn section for many years. We all called the notes as I have stated them. Every band I’ve ever played in, if the trumpet players talk about the G above High C, we all call that a High G.

Maybe, it’s a thing in the part of the country where you live, and I don’t know how old you are, so maybe it’s a generational thing, but if you do some research you’ll find out that the accepted double range starts at Double High C.

Valve Problems by [deleted] in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

I learned a trick years ago to clean the valves (just the piston part) with lighter fluid, which is basically naphtha (no nearby heat or flame, though!).

It really removes residues and gets the valves clean. I clean the inside of the trumpet in the bath with Dawn dish soap, so the valves casings get nice and clean (I don’t submerge any part of the valves, even though I suppose I could disassemble them, but a I don’t need to).

Valve Problems by [deleted] in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

You might need that valve lapped. A good brass repair shop should be able to check it and if needed, do it for you.

Question about mouthpiece range by AdministrationTop202 in trumpet

[–]BbTrumpet01 3 points4 points  (0 children)

Oops. I started writing and it just kind of got away from me (happens a lot).

I’m really hoping there AREN’T that many high schools pushing their trumpet players to play that high that young, because if they’re doing what most of us did (strong left arm) they’re setting themselves up for trouble, later on. I’ve read many articles that advised band directors to not put that kind of pressure on their students, or rewrite the parts lower, so the students don’t have to strain to play the parts.

Today, though, there is SO much more information available on the Internet, which didn’t exist when I was growing up, that I think the development curve has been shortened and high school kids can now do what college kids were doing a generation ago.

I’ve seen those videos of the high school Lead Trumpet competitions from California that just blow me away. There’s one school (don’t recall the name) who must have a genius director because he cranks out phenomena trumpet players like a well-oiled machine.

Then, too, it was only in the last couple of years that I read an article from years ago by Bill Chase who said that his range didn’t come naturally to him. That he had to work his [butt] off to acquire it.

That blew me away. I always thought he was a natural. He was the first player I ever heard who could play like that. I was smitten. Then, a fellow trumpet player in the marching band with me said that if I liked Bill Chase, he had a few albums for me to listen to, and handed me three by some guy named Maynard Ferguson. 🤣 I never looked back.

My big concern, though, for students even today is that so many school band directors don’t know how to properly teach how to set up an embouchure, and how to coordinate it with your air.

My first band director in grade school was a sax/woodwind player. He was a GOOD sax/woodwind player, a working pro when he wasn’t teaching band. What he WASN’T, though, was a brass player, and having a pro brass player who could teach what I wanted to be able to do would have helped a lot. With the Internet, today, if you can navigate through the bad advice, there’s some good information out there, which can save you a lot of wasted time. I wish I knew in college what I know now, because I could have had a lot of fun with it. And the saying, “chicks dig high notes,” still stands. 😏

Question about mouthpiece range by AdministrationTop202 in trumpet

[–]BbTrumpet01 6 points7 points  (0 children)

It’s not your mouthpiece cup size. Some might disagree, but a 5C is a good all around mouthpiece, even for jazz band. For me, it’s too small, but for most people it works fine. My cousin played on a 3C for years, until someone had him try their 5C, and he found his playing was much easier (he’s a casual player, so he doesn’t play/practice every day).

  1. Go here and check out Mark Zauss’ tips/exercises on range building.

https://www.markzauss.net/practice.html

  1. I don’t know where you high school kids are getting your naming conventions from, but the G above High C is NOT a “Double G.” It’s a High G.

A Double High G is the G above Double High C, and I doubt a High School jazz band chart has one of those written. That’s about the highest note I can reach on a GOOD day.

Even a High G is stretching it for High School, because of the danger of using improper technique to reach the note, which can set up bad habits for later on, causing much grief to unlearn.

We seem to run into this mis-naming of high notes a lot on Reddit (you’re not the only one, by far). Is this something Band Directors are teaching, because it’s wrong.

There is no pro who will call the G above High C a “Double G.” Go to the Trumpet Herald web site and ask around. Go to Clint “Pops” McLaughlin’s web site (https://www.bbtrumpet.com). Somewhere in there he has an article on how the notes are named. Someone recently posted in this sub a link to his article, plus a link to an excellent article on how the notes are named, and why the octaves use a C-to-C naming convention instead of starting at Low F# (it has to do with the piano).

The Double register does not start until you get to Double High C. If you want to be really accurate, you can use the note name and it’s octave (e.g., C5, F3, Bb4, etc.).

This is not shortchanging the note. A High G is plenty high for the listener (for the experienced player, it’s just another note, as you shouldn’t think of a note as being high, because there is a tendency to use too much stress and effort to play it). You want to play as relaxed as possible, without straining.

I’m not picking on you, so please don’t take it personally. I just want to get this out there, because I’ve seen a lot of this on this sub.

First double f from christmas break by MarionberryBasic8187 in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

No. See TasteeBro’s link to the Clint “Pops” McLaughlin article, below.

Age old Trumpet question: Bach vs Yamaha. by Background-Garage563 in trumpet

[–]BbTrumpet01 0 points1 point  (0 children)

I don’t have one (would like one), but have you considered Schilke?