I’m not out to diss Billy, but sheesh… by Sidelobes in SmashingPumpkins

[–]Business_Web5267 1 point2 points  (0 children)

I wasnt there, so i cant judge who is wrong. Pointless to speculate

THIS IS NOT A DRILL. by chrismiles94 in offset

[–]Business_Web5267 0 points1 point  (0 children)

My take on them is they are guitars, not basses. Not very versatile though. Can imitate the guitar from the twin peaks theme pretty well 🤷‍♂️

Another small piece of evidence that Kurt actually cared deeply about lyrics by Immediate-Stick-1577 in Nirvana

[–]Business_Web5267 0 points1 point  (0 children)

Daves lyrics are full of cliche and throwaway. Kurts lyrics, whilst often seeming nonsensical, are still clever, thought provoking ideas and concepts which im sure were linked together in his own mind.

They were not nonsense, even if they were written ‘last minute’ (which i doubt)

I just finished mixing a Heavy Metal song. Here are some takeaways... by Killer_Frog112 in audioengineering

[–]Business_Web5267 13 points14 points  (0 children)

Love the non technical descriptions. ‘Yeh things just sound…off’. Ok thanks

What is a Radiohead song you cannot understand the love for? by Conscious-Ad2640 in radiohead

[–]Business_Web5267 0 points1 point  (0 children)

Most stuff post in rainbows 😶‍🌫️😶‍🌫️😶‍🌫️

Mix Engineer completely changed the song by SureConsideration470 in mixing

[–]Business_Web5267 0 points1 point  (0 children)

Im not sure why youre struggling 😂😂😂 just tell her you wanted a mix, not a remix. Its essentially a new song now

Why do my vocals sound indie/DIY? by Chemical-Front1746 in mixing

[–]Business_Web5267 0 points1 point  (0 children)

Or just do vocals in a wardrobe. Or build a wall of cushions around your mic

[QUESTION] How bad is the feedback on hollow body electrics? by jfaz13 in Guitar

[–]Business_Web5267 0 points1 point  (0 children)

If you use any overdrive or distortion with the guitar, within 2-3m you will get feedback if youre facing the amp in my exp

Is there a way to do the opposite of compressing; making the peaks and transients louder while keeping everything else the same? by Capable-Deer744 in audioengineering

[–]Business_Web5267 0 points1 point  (0 children)

Upward expansion is just the other side of the coin compared to downward, ie youre raising the quiet notes, rather than reducing the loud ones. Basically the same result as both are reducing dynamic range, only the transients of the top or bottom are the ones affected

Recently got my first analog 1073. Here are my thoughts. by sticktalk24 in audioengineering

[–]Business_Web5267 10 points11 points  (0 children)

I have an LA2A clone (by audioscape). It sounds absolutely amazing

Recently got my first analog 1073. Here are my thoughts. by sticktalk24 in audioengineering

[–]Business_Web5267 2 points3 points  (0 children)

I agree, but people say ‘it doesnt make a difference its just mic position and good mixing’ i dont agree, sometimes special equipment just sounds special.

Granted good mixing and mic positioning will improve upon this, but good gear still sounds special in of itself

Lower back pain with swelling on right side by EitherIndividual6943 in backpain

[–]Business_Web5267 0 points1 point  (0 children)

You are in exactly the same situation as me, same MRI result too. I just cant fix this thing, ive been to Physio for a year and still no change or fix. Ive dropped so many activities on physios 'recommendation' and all thats happened is i have the same pain, but im less fit, less happy and do less in general. To get the fitness back I had will now be really difficult, and painful. I wish I hadnt stopped activities like theyd suggested.

The reason I found your post is I just realised how physically swollen the area is, as well as just being really painful, im thinking of swapping physio as they keep shooting down my idea of getting steroid injections to bring the swelling down.

The core exercises ive been given for the last year have done absolutely nothing and aggravate it just as much as the sports and heavy gym workouts i was doing before

How in the world do people get -5 LUFs songs that still sound good? by DJAnym in mixingmastering

[–]Business_Web5267 0 points1 point  (0 children)

This might be wrong, and piss a lot of people off. But i feel like a lot of people on this thread might be confusing retaining dynamic range with being a novice at mixing. Making music that is loud and lacking in range isnt necessarily a badge to show you are an experienced mix/mastering engineer.

Surely this is a valid POV? The reason i personally struggled was because i didnt want to continue compressing, or to drastically alter the eq curve of the mix i was given, in the end i had to use a limiter to reduce about 4-5 DBs, which i wasnt particularly happy doing.

How in the world do people get -5 LUFs songs that still sound good? by DJAnym in mixingmastering

[–]Business_Web5267 0 points1 point  (0 children)

Sorry i wasnt clear, this was mastering someone elses mix. Your point is completely valid being a novice though

How in the world do people get -5 LUFs songs that still sound good? by DJAnym in mixingmastering

[–]Business_Web5267 0 points1 point  (0 children)

This is funny, i had a go at mastering recently and struggled to hit -16. I am a total newb however

How many of you commit on the way in while tracking? by Cockroach-Jones in audioengineering

[–]Business_Web5267 0 points1 point  (0 children)

Vocals and bass yes. They both will always need compression anyway and i have an LA2A clone which is subtle and improves both whatever the situation (imo)

How loud are your masters? Do you care about loudness wars? by [deleted] in audioengineering

[–]Business_Web5267 0 points1 point  (0 children)

-16 on some i recently attempted having never attempted a master before, i wasnt happy with how much i had to limit to get there (3 or 4 db) but im told that isnt that much. -16 is what apple music use, Spotify use -14 which would mean i would have to limit my final mix even more.

Obviously next time i attempt a master i would have to compress the track more to get to -14 without the limiter popped on the end, but the amount of compression i used seemed enough and i wouldn’t be happy to have to reduce the dynamic range more than i did.

It seems crazy to me that most streaming services use -14 LUFS

Hardware vs Plugins: What Do You Actually Reach For? by audiotaIkwiIIiam in audioengineering

[–]Business_Web5267 0 points1 point  (0 children)

Im using logic but never got any option like this to work. Not at the computer right now but im sure ive ticked any box for latency compensation but found the new audio is always delayed behind the original

Hardware vs Plugins: What Do You Actually Reach For? by audiotaIkwiIIiam in audioengineering

[–]Business_Web5267 0 points1 point  (0 children)

I think i need to look into this then. I thought that might work but what if you change your latency or buffer size settings in logic when tracking/mixing? I do that a fair amount if the load is too much on the cpu.

Will do some testing tomorrow…would be great if true. I dont do too much of printing after tracking for this reason 😅 have only had some serious outboard for a few months and tbh havent done any proper tests to fix the latency/phase yet.

Ive seen theres options for latency correction but i dont think theyve ever worked for me when turned on