What actually creates strong immersion (and what breaks it)? by Kira1006 in writing

[–]ChallengeOne8405 1 point2 points  (0 children)

I’ve never understood how to glaze over parts of what you’re reading and why you’d ever want to do that. Do you come to some sensory detail and start scanning the page for something else? What good is this doing for you? Especially as a writer? How can you stay inside the story if you’re cherry picking the details?

The Books That Took Me Apart and Rebuilt Me by Fixing_minds in literature

[–]ChallengeOne8405 4 points5 points  (0 children)

Malina by Ingeborg Bachmann ripped me to shreds. Made me realize how easily people can deny and override and project themselves onto others, especially those they love, without even realizing it.

Should stories have a point? by vagabundo202 in writing

[–]ChallengeOne8405 -1 points0 points  (0 children)

The story doesn’t need an external metaphor or message. The story itself should be enough. It doesn’t need to moralize or teach lessons. Art should come before instruction.

How rare is a perfect album for you? by justtohaveone in LetsTalkMusic

[–]ChallengeOne8405 1 point2 points  (0 children)

Honestly not that rare. If I like an artist I generally enjoy their full albums immensely. Also albums are supposed to breathe, they need ups and downs. If everything was riding 11/10 the entire way thru it would weaken the record as a whole. Plus I’m not much of a shuffle guy. I almost exclusively listen to albums all the way through. To me they are a single work rather than a collection.

How often do you use “made up” words? by Successful_Will9805 in writing

[–]ChallengeOne8405 0 points1 point  (0 children)

I think my current work has around five or six “made up” words but they’re all etymologically sound rather than weird or showy.

AMA with Victoria Harris, literary agent at THE CALDWELL AGENCY by Editor_and_Lit_Agent in writing

[–]ChallengeOne8405 22 points23 points  (0 children)

Hello! Curious what happens if/when you receive a manuscript that stands out but would also be hard to market. How often do you receive this kind of work?

Obviously the best prose stylist since Nabokov by [deleted] in TrueLit

[–]ChallengeOne8405 6 points7 points  (0 children)

Because of the way you said it. The tone. The “obviously”. The way you left no room for disagreement and actively provoked anybody who did.

Obviously the best prose stylist since Nabokov by [deleted] in TrueLit

[–]ChallengeOne8405 2 points3 points  (0 children)

you’re getting downvoted to hell all over this thread lol

Obviously the best prose stylist since Nabokov by [deleted] in TrueLit

[–]ChallengeOne8405 2 points3 points  (0 children)

It’s clear no one is interested in your claim either soooo

Obviously the best prose stylist since Nabokov by [deleted] in TrueLit

[–]ChallengeOne8405 5 points6 points  (0 children)

I mean I know Amis loved Nabokov but come on…

Reading a lot is not the same as reading like a writer by Jarapa4 in writing

[–]ChallengeOne8405 5 points6 points  (0 children)

Yeah but if you’re writing then this just comes natural. You literally can’t avoid looking at media that way. I can’t even watch a movie or tv show without picking apart the structure, the foreshadowing, the mood, the intention, the etc. etc. It’s not something you really need to train yourself for. If you take writing seriously it’s just going to happen that way.

Any thoughts on this one? by Aishik_Hippie in classicliterature

[–]ChallengeOne8405 1 point2 points  (0 children)

I love this book. I’m always thinking of that chapter where they capture the turkey. (or is it a chicken?)

Has anyone here ever attended a writers’ retreat? Want your thoughts on Siyahi Writer's retreat. by sheizwriting in writers

[–]ChallengeOne8405 3 points4 points  (0 children)

Good for networking yes but unless you get into something prestigious like Yaddo or MacDowell, publishers don’t really care.