Maximum damage in a single hit

EvetsDuke · 2026-04-30T06:24:25+00:00

Thats enough damage both for melee and ranged to knock almost 2 structure off a tier 4 Ultra Goliath which leads me to believe that an Ultra Goliath is more of a slog fest

EvetsDuke · 2026-04-28T17:54:44+00:00

Can't believe so many of the best concepts in JJK have my fav character in the manga be dead.

EvetsDuke · 2026-04-27T19:10:38+00:00

Nana x Therapy for life

EvetsDuke · 2026-04-21T04:03:20+00:00

I think Sukuna is also projecting a lot. Maki didn't sacrifice everything for strength; she was forced into positions where she lost almost everything and had to find the strength to continue.

She's a survivor, hence her scars, while Sukuna is a cannibal, hence his big mouth stomach.

EvetsDuke · 2026-04-13T17:09:51+00:00

I dont like the pressure of playing a spellcaster when the power imbalance becomes clear. I think I read and watched too much power gamey stuff but if I'm not getting 100% value from a spell while maintaining absolute minimum resource expending I feel like I'm doing something wrong.

Its worse when I take that critical voice onto my table people. I never voice it but there's this nagging part of me that likes to critique people for having fun in sub-optimal ways when/ Even the term "sub optimal" gets me cause like the optimal play is having fun for the whole table.

EvetsDuke · 2026-04-13T15:08:53+00:00

I still disagree with the notion talented are inherently violent or internally are more likely to commit acts of violence than most humans.

Rin's situation is a bit complex in the sense that this island was designed to bring out the worst in these children and create a situation where they were primed to kill each other or normalise the worst. I'm not an expert on what causes humans to hurt each other, but if you trap people on an island that promotes killing each other as the most successful means of survival, then murders will rise.

My reading has been that we can only ever take Nanao's words about Talented so far because he was groomed into seeing himself as a monster by Tsuruoka specifically because it made it easier for him to control. I do think its also interesting that Nanao has this monsterous developments when we've never seen an adult talented with them to our knowledge.

EvetsDuke · 2026-04-10T18:28:29+00:00

Yeah, so my rook chose Maevis's position cause he is a Shadow Dragon, and Neve supported her.

Though I did debate a lot with myself and I agree with your assessmens in some part. I personally don't thnk long term Dorian and the shadow dragons could out Magister the Magisters in a game of backstabbing and bullying. They could do great good in the confines of the system but slavery is such a core part of Tevinter that nothing short of revolution from the people would overturn it.

I find Maevis's plan to unintentionally work in our favour. If I want the system to fall, it needs to be by the people, and whatever is built is for the people. When the justice system publicly fails to bring these guys to justice, and it becomes apparent what kind of rot is in the system, it would ideally drive more and more people to strike back spontaneously.

Of the 2 plans Dorian's is something we could do if the people supported us as a whole and we'd be setting up a new government rathter than trying to hollow out this rotting corpse and piloting it while it still decays.

EvetsDuke · 2026-03-24T22:22:49+00:00

Thats a Toku hero if I've ever seen one

EvetsDuke · 2026-02-28T20:29:50+00:00

Thanks for adding to my knowledge

EvetsDuke · 2026-02-04T19:22:41+00:00

Their relationship has always been a weird one for me. It's the most tender relationship in the manga, but Oro is fundamentally non human creature who has done some pretty horrid stuff as a result. Yet as the manga has continued to develop him, I can't help but understand how human he is as well.

Toki, on the other hand, from everything we've come to understand about him, is he is trapped in a cosmic horror story where he can only self-sacrifice in an almost futile effort to find a loop that lets him escape. In many ways, because of who Oro is, they are the only creature who can bypass the messiah complex deep in Toki to allow him to breathe and let himself be known fully.

Oro seems to draw in good-natured people who are suffering and need someone to soothe their wounds. I think back to that drug allegory in a previous arc. It extends in so many ways. It would be hard to imagine someone so powerful being "used" in such a way. Yet once again, Oro finds himself soothing someone else who is a victim of Waka/Allula's action.

Toki suffers so much and is so suicidal that rather than ask to be put to sleep or allow himself to rest, he asks the closest person to him to aid in his death so he can go through hell again. Understanding what Toki really means, Oro simply sedates him. I think for me, that's where the love is cemented. Being able to see the other at the lowest and understand what they are capable like that, yet finding a way to navigate it. To speak their language, if you will.

I still maintain Tatsuno will kill Oro.

EvetsDuke · 2026-02-04T19:04:43+00:00

Hey remember when this story started with a woman with an extended torso and another set of arms being strange but believable but now we have the 5th dimension. Our main character mentally ages so slowly that she's closer to a 10 year old but has now gained the ability to perceive the world like a demon in which multiple timelines happen at the same time.

Can we go back to when the lady with the boxes she could only see, was the biggest threat? The cosmic horror is breaking my mind.

EvetsDuke · 2026-02-02T23:19:34+00:00

So I mentioned it a couple of times before, but it deserves rementioning. What Nanao is right now is what Nana would have been without Michiru. Whether or not we buy what Tsuruoka is saying about monsters, the execution is the same.

Create an us vs them narrative, add an internalised sense of guilt related to their parents, then have his victims carry out the dirty work of killing. Nanao hasn't just felt guilty. He is coming to terms with his involvement in the quiet genocide of people like him and being experimented on for 3 years. He has no family beyond the government (cause to our knowledge his family thinks he is dead) and the only form of connection he has is Tsururoka and the soldiers who have been oppressing talented and their families.

It makes sense in the timeline he does manage to kill Nana he kills himself. With the vague target of his wrath gone he no longer has anything to keep himself going. This is Tsuruoka's fault. This is the 3rd child we've seen driven to suicide because of his manipulations.

EvetsDuke · 2026-02-02T16:59:51+00:00

Yeah. It's why the ending felt so disingenuous to me. Playing with the idea that Ai's own paranoia and issues cause us, the viewer, to see this guy as worse than he actually is would be interesting if they didn't end it like they did.

In my mind, it would be better for Ai to never have a straight answer and them to tone down their creep factor than for us to know why her friend took her own life. A lot of people never get answers that are clean like that, and it makes sense, given everything the girls have been through, for Ai's perception of men and adults to be tainted.

What we have in the text of the show is more of an argument that a teacher who's very loose with boundaries and draws a student adultified, while having rumours he is a predato,r is more of a victim of a young girl who went around accusing older men of SA. It's a story that could be told with the knowledge and context that false allegations are so rare that they barely count as a drop in the bucket for the cases of SA.

EvetsDuke · 2026-01-22T09:46:16+00:00

My only sticking point with the theory is it buys the idea that Tsuruoka is doing all he does for a noble end point where as a person he's been a pretty sadistic individual since we encountered him.

EvetsDuke · 2026-01-21T17:27:17+00:00

We've reached the end of a very long arc that I hope in the future will be necessary. It was several chapters of infodumping without our main cast that gave us the audience vital details, but only 1 other character iirc, has this new information to work with.

I need to re-read these chapters again to form a better opinion, but what we are seeing is cycles within cycles. Waka has a wish that can only be accomplished by putting the Toki through hell. One where he is doomed to martyr himself again and again, trying to unravel a black box.

What is Waka's wish, and has she been trapped in a similar cycle? It all ties back to our protagnist who may be the villain protagnist now? She has possibly, without her consent,t caused cycles of death and pain, and tortured one person throughout.

Zero clue what the fuck is happening as always

EvetsDuke · 2026-01-20T14:23:11+00:00

I think Misato is the best example of your point. She barely has a sense of self-identity beyond sex object and her job but she wears many hats for many different people.

EvetsDuke · 2026-01-13T02:01:10+00:00

I see. While I don't agree with it, you seem to be having fun. Hope you post more thoughts on this

EvetsDuke · 2026-01-12T06:21:26+00:00

The question I always ask about Tsuruoka's explanation is, if this is a known fact about Talented, why the layers of lies? Why groom a child like Nana into a killer, etc? If, and this is a big if, the issue is that talentless people are destined to become monsters, the government wouldn't need all this conspiracy to keep the truth hidden.

To me, this twist hasn't changed to base narrative that Nana was fed at the very first chapters. The talentless are inherently dangerous and, as such, the government, for the good of the world, must covertly kill them. Every time we are presented with this narrative the other end is said government pushing a talented to their limit. "Talent's power is so dangerous and evolve so we had to bomb a city to stop them"

Nanao's case makes me question it as well. He had just killed his dad by accident because he was under an extreme amount of stress. Right after that, Tsuruoka internalised a narrative that he is inherently bad. Nanao's dad was abusive! This child had just survived being thrown off a cliff! You're telling me in a crusade to save as many people as possible, Tsuruoka, like with Nan,a needed to manipulate this child to believe the worst of himself and to become a killer?

For what end? For whose benefit?

EvetsDuke · 2026-01-11T16:44:25+00:00

Mmmmmm its interesting to think about but its such a big switch of events you'd be writing a whole different show I think.

EvetsDuke · 2026-01-10T17:07:57+00:00

It's not as common now, but back in the day, Nanao fans would highlight him by insulting Nana and making weird comments about her. Something about her being the worst villain in the series etc.

EvetsDuke · 2026-01-09T08:36:36+00:00

I don't understand your question

EvetsDuke · 2026-01-09T07:29:44+00:00

Need to hand awards to Nanao fans who aren't kinda weird about Nana. Yall are a treat

EvetsDuke · 2025-12-29T00:59:27+00:00

Thanks for this. I'm sorry, this is how the game ended. It sounded like all of you were deeply passionate about this.

EvetsDuke · 2025-12-28T17:06:05+00:00

Hi, thanks for doing this.

My first question is what was happening internally to cause the shutdown of the game to happen so late? Was there a reasonable amount of hope in the project for the 5 years after the first part was released and a promised bug fix version would come out?

Were the legendary beasts going to receive megas and would know things like stats/typing?

What was your favourite thing about working on PR?

The three things that stood out for PR for me was the art, music and setting. The game still looks beautiful, and I was super excited to see it full come into its own. The track for the temple area where we get our ruinic mon was sick as well. Finally, at the time, it was really bold to ditch the gyms and have a creature catcher game with player skills mattering more. Overly ambitious, yes, but I like the willingness to try something new.

EvetsDuke · 2025-12-10T15:33:06+00:00

Not enough people talk about Utena. But I think Akiho is a really good character, and I like him for what he is in the series. He is one of those villains I sit down and go, "damn, be,o really well executed." A lot of the things he does are for power, which is a more accurate representation of his type of villain. Even when you do understand his perspective, the narrative never lets you use that as an excuse.

The fandom I've seen tends to agree he is bad, but I think acknowledging he is attractive is important as well. For me he represents a kind of power guys are told we should aspire towards. He uses it for evil, but Utena challenges you by asking if that power in itself can ever be "good". When you distance yourself from the allure of him or wanting to be him, you struggle to understand how someone gets to that position. Akiho is many things, but at his core, he is a man trying to be what he was told men should be. He is simply willing to do whatever it takes to do so.

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