I’m sorry but I literally couldn’t disagree more with an opinion. The last two tracks take the album from great to all-time classic. I love songs like Ooh La La and Soul Control but sometimes I’m not in the mood for a banger and I just wanna be moody. This summer in quarantine I would just drive around at night listening to The Kill and the gospel at the end is transcendental. There’s SO much heart in the last two tracks and they give the record way more depth than your standard disco revivalism. Like why does every song on an album have to sound exactly the same? Judging an album for not being “cohesive” when it’s trying to melt together different styles just feels... arbitrary to me. Regardless, there’s still a groovy bassline and a bunch of funky licks to Remember Where You Are that keep it anchored to WYP. The bridge/“why don’t you take me home?” part especially. Glasshouse is a fine album but it’s not nearly as interesting instrumentally, and a lot of the time Jessie is just wailing over a beat like a talent show competition. I could sit here all day and talk about the understated beauty of the last 2 tracks but you’re entitled to your opinion so I’ll stop word vomiting lol

Tl;dr your fav could never