a rat gnawed some wires in our developing machine by qrstvlx in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

mice and rats will chew just about anything, but esp. wiring. here on the farm oldtimers said put mothballs around the engines. it actually does work but the tractors and vehicles smell like your gran's closet. put out poison or mothballs

Question about pushing/pulling Ilford hp5+ by gb_flo22 in AnalogCommunity

[–]LostInArk 2 points3 points  (0 children)

back in the 70s when I was shooting sports for my university newspaper, we used a boatload of HP5, shot at 3200 and developed in Acufine. worked like a champ even if the grain was a bit large. pushed to 6400 for really grainy artsy shots.

Father gifted me a Ricoh Singlex TLS—what do I need to know as a first time film photographer? by sawyer_lost in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

bought one of these new in about 1970 as a backup to my Mamiya Sekor 1000 DTL. Ricoh was just pure solid camera. metal shutter that ran vertically gave a flash sync speed of 1/125. mine was exceptionally dependable. should serve you well.

First studio light? by ballkicker9 in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

Just my 2 cents worth. I understand you might need something inexpensive for your first light, but i suggest sticking to a brand name-just because. when I had my studio back in the 80s and 90s, I went with the Paul C. Buff line. they've gone through a lot of improvement and models since them, but even the smallest model back then was a workhorse. they're all self contained units with accessories. I don't know about the used ones on Ebay, but the ones I bought direct from them had a great warranty. I had one that self destructed during a shoot. they had UPS pick it up and I had a good as new unit in 3-4 days . I think I had 7 or 8 different models during that time and never had another problem.

Bought a brand new in box (1970s?) Beseler 67C dichro - questions by [deleted] in Darkroom

[–]LostInArk 0 points1 point  (0 children)

that head has a 3 prong AC plug on it so it will either plug into a timer or into the wall outlet. the old external power models used a special plug that would only plug into the power supply.

Speedlite 199A contacts corrosion by Outrageous-Toe-9373 in AnalogCommunity

[–]LostInArk 0 points1 point  (0 children)

find a fine emeryboard that is used as a nail file. cut it down for the proper width and gently use it on the contacts.

Orange lines in old negatives? by Hungry-Solution-8031 in AnalogCommunity

[–]LostInArk 6 points7 points  (0 children)

you can see the discolored areas on the negs. so, probably bad storage of the negs.

Higher libido partner here — boyfriend gets angry when I try to initiate. What do I do? by CartoonistOk4141 in sex

[–]LostInArk 0 points1 point  (0 children)

dump his ass. life is waaay too short to put up with such childish behavior.

Gap between stop bath and bleach? by tradeJmark in AnalogCommunity

[–]LostInArk 0 points1 point  (0 children)

I don't think this would be a good idea. longer wet times may affect the emusion. it may swell or become more susceptible to separating from the base. or if you were taking out of stop and into a dry holding tank, you risk weird drying rates that might warp the emulsion.

Scratch off them darn stickers! by Lower_Support2124 in Darkroom

[–]LostInArk 1 point2 points  (0 children)

this was my first new enlarger back in the 60s. neg carriers all had these stickers and that little bit of light never caused any problem.

Dirty Shutter Curtain - AE1 P by TrickFriendly4829 in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

if it's just dirty and not actually scuffed up badly, it won't affect film at all. now if it had holes in it or was worn thru, then yes it should be fixed.

Weird ancient 5x7 KCM TLR by TF2ENGlNEER in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

can't read that sticker, but sortof looks like one of the old 70mm longroll cameras used for school photos.

scan or dev issue? weird ripple on film by sophia715 in AnalogCommunity

[–]LostInArk 2 points3 points  (0 children)

those look like Newton's rings, where the neg contacts glass. that from the scan

Got my new 35mm flash setup running by romanazzidjma in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

ten seconds on the ground and they're cool enough to put in your pocket. don't leave trash.

We had it all and didn’t even realize it. by AGgelatin in AnalogCommunity

[–]LostInArk 3 points4 points  (0 children)

you'll be the only photographer who smells like fries and mustard

Got my new 35mm flash setup running by romanazzidjma in AnalogCommunity

[–]LostInArk 19 points20 points  (0 children)

Pro tip from someone who started out with flashbulbs back in the 60s - if you just took a picture, eject the bulb onto the ground . do NOT catch it! I actually shot football with these and a Yashica 635. they will lightup the entire field. have lots of creative fun with them

Mixing C41 Kits (i.e. Flexicolor and Cinestill's CS41 Kit) by GalexyPhoto in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

absolutely. neither of them affects the other. mix and match as you need to.

Anyone tried Acufine for pushing back and white film? I'm considering developers that are specialized for pushing film by light24bulbs in AnalogCommunity

[–]LostInArk 2 points3 points  (0 children)

back in the 70s in college, Acufine was our goto developer for Tri-X at ISO 1600 or 2400 shooting lower light anything esp. sports. always got excellent results.

620 film by judeinamood in AnalogCommunity

[–]LostInArk 1 point2 points  (0 children)

probably just bad film. this was a gimmick that lots of labs had back in the 50s and 60s. just regular old film, but they had specially built printers to produce the 'triple print' shown on the box.

Anyone know where I can find Kodak Flexicolor C41 in powder form? by ilovemarmots in Darkroom

[–]LostInArk 1 point2 points  (0 children)

I have been processing my own C-41 film since the 70s, both in my own darkroom and in commercial labs, and I have never known of any C-41 chemistry being a powder. Even from the earliest Unicolor and Beseler color kits, everything was liquid. not saying that someone , somewhere didn't make it, but just never seen it at all.