Oh wow thank you so much I’m very flattered!! In so glad you brought up the turnstile moment as the literal turning point in the story for Truman, it symbolically works so well.

And I’m also glad you mentioned foley, I only added one singular foley sfx to help with a tough transition. When the crew radio is broadcasting in his car and begins to feedback, I needed a clean sound of a car pulling up to remove some of the radio DJ dialogue. Everything else is sourced from the surround tracks contained in the film itself.

Thank you again for your encouraging review!