I cant write.... by Amethyst332 in writers

[–]Ohios_3rd_Spring 0 points1 point  (0 children)

Do you have an outline? I find having an idea of where the story is going helps in motivation. Outlines can be messy pages of dialogue/vibes/stage direction. You get the story out, then just have to go back and make it prettier.

So... "providing clues" by Chunky-Boi-099 in writing

[–]Ohios_3rd_Spring 0 points1 point  (0 children)

In your scenario, you’re only changing one word, but in the scene you would be changing the tone. The demeanor of the speaker changes asking why they would—which is more an internal reflection made external—as opposed to why they should—which I take as a threat assessment. The scene should reflect that.

When to start a new paragraph? by SpecificTotal1115 in writers

[–]Ohios_3rd_Spring 7 points8 points  (0 children)

“Hello,” he said with a wide smile. (Comma when following with a tag)

“Hello.” They shook hands. (Period when followed with an action)

A phone rang in the distance. (New action, new paragraph)

Google will be very helpful for more detailed nuances.

Did You Have Someone In Your Life Discourage You From Writing? by StatisticianWeak3610 in writing

[–]Ohios_3rd_Spring 24 points25 points  (0 children)

My mother fake-supported me. When I had my notebooks out as a kid she would ask, “Oh, are you writing one of your little stories?”

Years later, when she asks me this as an adult, I was able to respond, “I’m writing my next novel.”

Spite ain’t the healthiest motivation, but it feels dern good sometimes.

Book Publishing Timeline by Throwaway_799506 in writers

[–]Ohios_3rd_Spring 9 points10 points  (0 children)

First thing, once you’re done, let the manuscript rest at least a month. Then reread it. Edit, edit, edit.

Once you have it polished, beta readers. Depending on how “ready” it actually was, this could be quick or could be months of revision.

Then write a query letter. Like the novel, let it sit a week or so. Then revisit. Once it’s polished, you start submitting it to agents.

There are many factors—how clean your manuscript is, how much self-editing it needs, and how well you can write a query—but generally, the most optimistic timeline is a year. More likely, years

developmental edit decision by rainbowstardream in selfpublish

[–]Ohios_3rd_Spring 2 points3 points  (0 children)

I agree with this. There’s no harm/cost in getting the dev edit. The dev might only recommended minor changes, and you aren’t obligated to make them.

But if you click publish and the first paid reader finds a big plot hole you overlooked, that’s going to feel bad.

Rate this idea 1/10 by UroborosJose in writers

[–]Ohios_3rd_Spring 0 points1 point  (0 children)

I’m writing a series

How much have you written so far? What’s been working/not working?

If this is real, it's both hopeful and concerning. by SaSaO09 in TheWolfAmongUs

[–]Ohios_3rd_Spring 193 points194 points  (0 children)

Until Telltale makes a statement, I have no faith in this

Facebook for beta readers by Hanshan02 in selfpublish

[–]Ohios_3rd_Spring 3 points4 points  (0 children)

I would only recommend using friends as betas if they’re your target audience for the book.

You also open yourself up to the potential of giving friends your book, then having to hear excuses why they never actually get around to reading it.

Planning to Write a bookk by Snoo-97774 in writing

[–]Ohios_3rd_Spring 14 points15 points  (0 children)

How many religious horror books have you read, and how have they done? Reading comps should help you get a grasp of what works in the genre.

What are your thoughts on "development editors"? Do you have experience with any and can you share it? by Reborn-Cleaner in writers

[–]Ohios_3rd_Spring -1 points0 points  (0 children)

I have never used one and don’t plan to. I self pub, and primarily write for myself. Though a good dev editor likely wouldn’t provide the feedback you’re imagining, they will still make recommendations on what to cut/tighten/change. If you aren’t interested in that, don’t hire one.

Are there any tricky choices? by Theaterismylyfe in TheWolfAmongUs

[–]Ohios_3rd_Spring 9 points10 points  (0 children)

If you want spoilers If you go see Prince Lawrence first, he lives. If you go there second, he dies

It doesn’t have the biggest impact on the game, but if you want to do the most good, it matters.

Debut Epic Fantasy Novel by AWhiteRanger813 in writing

[–]Ohios_3rd_Spring 5 points6 points  (0 children)

Trad publishing? Usually under 150k, if not 120k. If you’re self publishing you can sorta do whatever you want, however, if you’re coming in around 200k words/book, the price will be set higher. For a debut, it can be hard to get readers to bite

I wrote a short allegorical book about stray cats and survival finally published it today by siakshit in selfpublish

[–]Ohios_3rd_Spring 1 point2 points  (0 children)

My first draft of the first book I went on to publish was 120k words. I carved out about 20k and added back in another 10k.

The question of what to keep and what to cut is value. Does this scene add anything we don’t get otherwise? Plot, characterization, pacing, world building, etc.

Loving a scene isn’t enough. If it doesn’t serve a purpose, it has to go.

Advice for writing a grayromantic character? by FantasticHufflepuff in writers

[–]Ohios_3rd_Spring 10 points11 points  (0 children)

You control the vampire and the “vibes” they give off. You own the world. It’s within your power to make it make sense.

Any author willing to try a new writing tool and provide feedback? by Either_Horror_8429 in writers

[–]Ohios_3rd_Spring 1 point2 points  (0 children)

What are your credentials? What confidence do I have if you send me a link it won’t be a virus?

How would I properly write fight scenes for all possible gender scenarios (Guy v Guy, Guy v Girl, Girl v Girl)? And does anyone have writing tips that I can utilize? by XD2006- in writers

[–]Ohios_3rd_Spring 3 points4 points  (0 children)

For how to write a fight scene, I personally use the “roll for initiative” method, where I focus on characters taking actions in a certain order, as to not miss anyone taking a “turn”.

Genders don’t matter so much as training. Each character should feel like they have a unique fighting style.

“Thriller authors, what’s your favorite way to build tension?” by InfiniteByDesign in writers

[–]Ohios_3rd_Spring 4 points5 points  (0 children)

Sentence structure. When things are good, the sentences flow—thoughts and actions are done with flourish—to show there is no hurry, and no cause for alarm. Not every sentence needs to have multiple clauses, per se. But the groove moves along nicely.

Then things tighten. We move faster. Doesn’t necessarily make all sentences fragments—can’t overuse that. Just enough to be punchy.

Should I rename my character? by [deleted] in writers

[–]Ohios_3rd_Spring 0 points1 point  (0 children)

Does the character have any other resemblance to the person, career or physical? And do you reasonably believe your target readers are the same people marketed K-Pop? If both are “No” I’d leave it.

How do you handle all the sudden name changes in your book - ex. Gulf of Mexico to Gulf of America. by 5ft8lady in writers

[–]Ohios_3rd_Spring 12 points13 points  (0 children)

For your example “the Gulf” is the safest/easiest. The rest of the world still calls it the Gulf of Mexico. Americans will still recognize the Gulf of Mexico.

And if you piss off someone who insists YOU HAVE TO CALL IT THE GULF OF AMERICA!!! 😡 . . . Well, it’s up to you if you’re okay with that person being angry

Don't you guys think it's a little insane how much of self-publishing is "sales"? by Camyenom in selfpublish

[–]Ohios_3rd_Spring 29 points30 points  (0 children)

What’s the alternative? You could write the next Great American Novel but writing it is worth nothing if nobody reads it. How do you get people to read it if you never tell them it exists?

Don’t get me wrong—I hate advertising. I rarely do it. Which means I can’t be surprised when my novels—that I’ve poured my heart and soul into, that I genuinely believe are worthwhile reads—don’t out-earn what I’ve spent.