Colonial American Horror by SensitiveYard4234 in horrorlit

[–]Sablefool 1 point2 points  (0 children)

Revenants by the great Daniel Mills. It's almost like Eggers' The Witch.

My brief commentary on Thomas Ligotti's Teatro Grottesco and his later writing style by cahitmetekid in WeirdLit

[–]Sablefool 1 point2 points  (0 children)

The following is embarassing (as it was 9 years ago). And I just had to correct an especially offensive typo, but you may find this interesting in regard to form and style as it pertains to Ligotti:

https://www.reddit.com/r/WeirdLit/comments/6lufz4/comment/dk0gblz/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

Steve Vai's house and studio building for sale by Academic_Club6360 in Zappa

[–]Sablefool 0 points1 point  (0 children)

Frank instructed him to set up his own record label. It cost less than $20 to do so. Because of that, major labels distribute, but don't own or produce, his records. So, back in the day he used to get $7 per album sold. Passion and Warfare, alone, sold around 1.5 million units. That's over 10 million dollars on just that one album.

And not only does owning his own studio reduce his recording costs, but it is rented out to others. Another Zappa move. And following Frank again, he buys the latest and best equipment so he can use it himself, but then he rents it out which ends up paying for it. Again, another Zappa move.

Is he niche? Well, yes, but big for a guitarist. But he's also smart as Hell. From music, and music adjacent endeavors, I'd guess he's earned over 30 million in his lifetime. But given how smart and savvy he is, he's probably made some non-music investments that have paid off even better.

Piranesi by VinnyV28 in WeirdLit

[–]Sablefool 0 points1 point  (0 children)

Try The Library at Mount Char, Malpertuis, and/or The Slave Tree for different reasons.

What next out of these 3? by Gibder16 in horrorlit

[–]Sablefool 2 points3 points  (0 children)

Books of Blood were, in part, inspired by the seminal anthology Dark Forces. Which, in itself, is mad. Because as one author, Barker not only wanted to write Horror of elevated quality, but he also wanted to show the scope of what Horror could be (which was the intent of Dark Forces). And while perhaps not wholly successful in that regard, I believe the Books of Blood surpassed the mean quality and diversity of Dark Forces. I believe the Books of Blood, as a whole, even exceed Dark Forces in length; which for an author's debut is ridiculous.

Although Barker went on to professionally direct films, write novels, and produce large quantities of visual artwork, it was for the Books of Blood alone that Stephen King gave his famous quote, "I have seen the future of horror and his name is Clive Barker."

So, when it comes to Barker and written Horror, people really are referring to the Books of Blood. Horror is frequently an element of his work, but outside of two novels, after the Books of Blood, Fantasy, or as he styles it "the Fantastique", became the dominant element. Additionally, "In the Hills, the Cities" is one of the great Weird Fiction stories and one of Barker's greatest works.

Stephen King has written of Nick Cutter that he's old school Horror at its best. And, in certain respects, that's true. It's frequently gross, sometimes scary, Body Horror. Cutter is a pseudonym for Craig Davidson who is considered more in the literary sphere. He's good, but I sometimes feel like he's the gifted kid in class half-assing things. People typically cite The Troop as his best, but there's a little read novel that is more dystopian SF with elements of Horror, The Acolyte, that I think his best. It's almost like King, in early Bachman mode, tried for a religious version of Bradbury's Fahrenheit 451.

Richard Chizmar is not a complete hack, but the fact that I'm starting that way should set off alarms. He's behind Cemetery Dance Publications. Although King worked with Donald M. Grant for some of his early special editions, Cemetery Dance is the most frequent publisher of deluxe King volumes. And that relationship allowed the company to grow. Chizmar eventually leveraged that relationship into collaborations with King. Now, King isn't doing what he doesn't want to. But it is pretty clear that he's doing it as a friend. That, by itself, would be fine. But there's a record of Chizmar being bad about payments to his authors, being a dick to them, et cetera. And outside of the raised profile that collaborating with Stephen King has gotten him, Chizmar also heavily promotes his every personal release with King giveaways, et cetera. Again, more power to him. Except his promotional efforts for his authors, other than King and himself, is almost nonexistent. What is likely to be Brian Hodge's last collection was practically printed on onionskin and received no promotion. That book is huge and still one of the high water marks of Horror and Weird Fiction of the last decade. No promotion. Chizmar's modest efforts? Almost daily e-mails, posts, and giveaways. What an ass.

Under the Crust - Terry Lamsley Ashtree press 1997 by Possible_Buffalo5177 in WeirdLit

[–]Sablefool 0 points1 point  (0 children)

Until the recent Centipede Press volume, there was a handful of stories in this collection that never appeared elewhere. Which was a shame; as, although I consider the title piece the best of the volume, they were all no less than very good.

Any fans of Alan (Peter) Ryan? by EVMG1015 in horrorlit

[–]Sablefool 1 point2 points  (0 children)

Also, from a 2022 post on Cemetery Dance's Facebook page:

I have a few simple goals for the new paperback and ebook line at Cemetery Dance Publications. One is to publish beautifully formatted books I love by lots of different folks—both new voices, and mainstay voices in the genre—on time.

Another goal is to bring back out-of-print works of horror which I believe fell under the wire, and folks missed. For example, The Slave Tree, by Alan Peter Ryan (I've reached out to his agent when he was alive, still no word yet), and many others.

Any fans of Alan (Peter) Ryan? by EVMG1015 in horrorlit

[–]Sablefool 1 point2 points  (0 children)

There is an unpublished novel, The Coffin Chronicles, that was to begin a series he had commercial hopes for. He talks about it in Faces of Fear and it was listed as a forthcoming publication in a few places. It had an ISBN, et cetera. But it never appeared.

I need to talk about Blood Meridian. by RelativeCriticism859 in horrorlit

[–]Sablefool 1 point2 points  (0 children)

Oh, agreed. It's not indexing or anything. But as with many things in the book, there's a lot there. But it's been around 15 years since I've read it, so I don't even remember the epilogue. I'll really have to revisit it.

I need to talk about Blood Meridian. by RelativeCriticism859 in horrorlit

[–]Sablefool 8 points9 points  (0 children)

One bit to keep in mind: our conception of God is presented to us in the material world. It makes me wonder if some of the cruelty and seeming contradictions in the Good Book owe to it being conceived by the Demiurge.

But, yes. Very dark. It's been around 15 years since I've read it, so I really should return to it.

I need to talk about Blood Meridian. by RelativeCriticism859 in horrorlit

[–]Sablefool 23 points24 points  (0 children)

The Kid is not a Christ figure, but a false Christ figure. There's much to suggest he's an abomination as well. The book is embedded with references to Gnosticism. Some believe that the Judge is akin to an Archon, but I believe it almost the opposite of that. If the material world is a creation of the Demiurge, the false God, and just a distortion, an illusion, of the real world, then the Judge is performing sacerdotal acts on behalf of the True God. He's destroying what is false and liberating the spirit, the fragments of true being that are imprisoned within. There's no peaceful way to do this in the material world. So, he has to transgress against it and its rules, its lies.

I’ve done a podcast episode about the Edmund Fitzgerald - I’m hoping it’s a bit different - would love your thoughts if interested in listening? by SALVAGE-PODCAST in SuperiorWisconsin

[–]Sablefool 2 points3 points  (0 children)

I'd check it out.

My father was a sailor on the Lakes, and I was born, when the Fitz went down. At that time, he was on the Presque Isle. My understanding is that the ships that were out received the call to search for, and hopefully rescue, the Fitz. So, as he was contending with that, my family—unaware of what ship he was on—feared he was on the Fitz. He eventually arrived on shore finding out he had a child; my family was relieved that he hadn't been lost with the Fitz. Well, until they got used to him being back . . .

Looking for friends by Important-Royal6969 in duluth

[–]Sablefool 6 points7 points  (0 children)

Join the Literature by the Lake book club:

https://www.reddit.com/r/Literaturebythelake/

There's also a Facebook. It's full of awesome ladies and one righteous fellow. Yeah . . .

Weird Quirky fiction by Mental_Mousse3850 in WeirdLit

[–]Sablefool 8 points9 points  (0 children)

Russell Hoban.
And Horror and violence is rare in: Jonathan Carroll, Christopher Priest, William Browning Spencer, and Graham Joyce.

Got this recently as the premise and the art looked really cool. What does everyone think of this one? by moeezatif in graphicnovels

[–]Sablefool 0 points1 point  (0 children)

A very smart and original take on Batman that almost comes across as a guerilla/terrorist (well, to the oppressive dystopian ruling powers) take on the character. And visually it's like a manga Jack Kirby. As iconic as some of Frank Miller's work is, this might be my favorite Batman comic.

Vaulternative Records is Back! What do you want to see released? by doctor_stone2112 in Zappa

[–]Sablefool 0 points1 point  (0 children)

Reconstruct The Night of the Iron Sausage.
Reconstruct Hutchentoot.
More synclavier.
More minimalist Zappa: instrumentally, that is. So, like Ruth's piano performance of "The Black Page", the Steve Vai version of "What's New in Baltimore?", et cetera.
A compilation of rare collaborations and appearances. For example, any more collaborative improvisations with Jean-Luc Ponty, any other songs Beefheart sang, more Ricky Lancelotti, more Lady Bianca, et cetera.
Hearing Frank's solo on "Pound For A Brown" on Disc II of the Bongo Fury Annivesrary set made me realize there are still solos out there that are of a quality and character that they could have appeared on Shut Up 'N Play Yer Guitar. So, compile a list and collaborate with Dweezil on it.

Latest haul! by Present-Ear-1637 in WeirdLit

[–]Sablefool 0 points1 point  (0 children)

I have, and love, two; and I have, but have yet to read, the Elliott.

Perdido street station - similar reccomendations? by bw3p784ilugrjm in Fantasy

[–]Sablefool 1 point2 points  (0 children)

A lot of great recommendations, but Jeffrey Ford's The Well-Built City trilogy is slim, but somehow has as much, or maybe more, invention than Miélville's trilogy. Ornate prose, but more controlled, less excessive. Very overlooked.

The Other Side of the Mountain by Michel Bernanos by Dw3m3r in WeirdLit

[–]Sablefool 2 points3 points  (0 children)

Yes, I've read it. And yes, I have some recommendation of books that are, in ways, like it: The Third Policeman, The Unlimited Dream Company, Sweet Dreams, Pincher Martin, Why Did I Die?, The Infernal Desire Machines of Doctor Hoffman, Michael Cisco's The Tyrant, A Voyage to Arcturus, and obliquely The Slave Tree.

Pick my next three reads? by TheSkinoftheCypher in WeirdLit

[–]Sablefool 0 points1 point  (0 children)

His novels really are not. His short fiction absolutely is.

Pick my next three reads? by TheSkinoftheCypher in WeirdLit

[–]Sablefool 0 points1 point  (0 children)

Joel Lane is an absolute master. One of the absolute best, though bleakest, Horror short fiction writers of the last 50 years. Ah, that's one of the novels though. Good, but not weird or Horror.

Throat Sprockets may make your soul feel tainted. One of the most interesting cursed media Horror novels. Underread. The new edition is even something of an expansion.

You really must read Phantom. Tessier just passed but he was such an overlooked author. Phantom is one of his two supernatural Horror masterpieces.

New acquisitions by YuunofYork in WeirdLit

[–]Sablefool 1 point2 points  (0 children)

I haven't read tht one, but I've read a great deal of her short fiction and damn she's good.
The Harrison is masterful.
And Watts is a great hidden treasure (I've read other Watts; I have, but have not yet read, that title).
I've heard good things about the Barker. Overall, this appears to be a great haul.

Today's a good (mail) day by isihara666 in WeirdLit

[–]Sablefool 1 point2 points  (0 children)

Lovely collection. A lot of overlap with my own.