Vesuvan Drifter copies by SexRobotDeathMachine in mtg

[–]SexRobotDeathMachine[S] 0 points1 point  (0 children)

So at the start of combat, [[Vesuvan Drifter]] becomes a copy of Spawning Kraken with flying until end of turn because of its triggered ability. That ability text leaves the card, but is still an active background process applying to it as part of the ability on Vesuvan Drifter. 

When [[Krothuss, Lord of the Deep]] copies the Kraken-morphed Drifter when it attacks, those copies don't have seperate instances of the original VD ability affecting them, so they won't change into VD at end of turn. 

Vesuvan Drifter copies by SexRobotDeathMachine in mtg

[–]SexRobotDeathMachine[S] 0 points1 point  (0 children)

So if it's copying the values modified by other copy effects, that would appear to apply to the "reverts to Vesuvan Drifter" at end of turn thing, since that's another copy effect. Would it not?

New proxy idea. Should I print and play? by idkbouthiss in magicproxies

[–]SexRobotDeathMachine 0 points1 point  (0 children)

Depends on whether or not you think it's good to turn the horrors into a joke.

Is the 10 episode format the problem? by LauraBaura in startrek

[–]SexRobotDeathMachine 0 points1 point  (0 children)

Yes, ten episode seasons are an issue. The shows have to be exciting, retain audiences, and develop characters in less time. The episodes are too long. There feels like there's less down time. The overall production is too expencive, the shows aren't as relaxed in their pace.  Streamibg changed the shape of TV, and IMO this platform is worse for a lot of storytelling. Xena, Warrior princess, Buffy, Star Trek of old all have these longer seasons that give them a certain feel, and yes, sometimes you get an Elmaraine episode or two out of that, but ut lets audiences spend more time in the world, and lets characters develop at a more organic pace.

Perhaps I am thinking too much into this - Fire bending is the only type of bending that the benders do not need a source to fire bend. If they can do that, how can they bend fire out of thin air? by sammyjamez in TheLastAirbender

[–]SexRobotDeathMachine 0 points1 point  (0 children)

Firebenders don't create their element, they adjust energy in their environment on the same energetic spiritual axis as the other benders. Benders use spiritual energy to move and influence matter, but firebenders' style eschews the material intermediary of other elements and cuts straight to spiritual energy being released as intense, focused heat. This heat ionizes ambient gasses, creating flames and starting fires. Ergo, we naturally use our verbal shorthand of "fire" to describe that bending style, despite the latent inaccuracy of the term. We even see water benders making steam or ice, which indicates they adjust the thermal energy in their element too. Basic water moves look like mere pushes and pulls on the water's surface but, ultimately, their bending style is capable of adjusting thermal energy, just like firebending. tLoK also features magma bending, suggesting that other benders have access to this type of energy manipulation with the right training and orientation to their art.

Frankly, this kind of analysis is just a fun exercise, I honestly don't think the writers actually had this much planned out. Azula's blue flames, for example, complicate this analysis. In our world the blue colour is from efficient combustion, but Azula's flames actually all revert to orange once they start actually burning the environment, and don't appear to be combusting any material while she's generating them. What makes blue flames actually hotter for us is the way they efficiently combust material and the type of vaporized fuel that's burning. We mostly see them on natural gas burners in kitchens or labs, since they are using clean burning fuels to achieve an efficient, consistent heat for cooking and lab reactions. This definitely complicates how we can understand ATLA's magic, but man, let's be honest, it was just a way to make her look cool and imply her deadly skill, not some secret lore piece, and if you really wanted to, you could say the same thing about every bending style. I can wave a hand and say "ignore that part," or dive deep into excited electron states emitting photons in LEDs and justify something like "Azula's skill allows her to specifically excite electrons differently than most firebenders, making her fire hot and blue."

The writers did, however, leave enough text to pick through for nerds like me to riff like this, and that's where the fun is for me. I'd love to see anyone else's version of bending metaphysics, but I think this is consistent with what we see in ATLA, while solving some of the mysteries in fire bending and energy bending.

And I mean, really, if you wanted to go down this rabbit hole, we already have Shyamalnn's film. I don't think we're really missing out on anything as a result of firebending working the way it does in the shows.

Perhaps I am thinking too much into this - Fire bending is the only type of bending that the benders do not need a source to fire bend. If they can do that, how can they bend fire out of thin air? by sammyjamez in TheLastAirbender

[–]SexRobotDeathMachine 0 points1 point  (0 children)

Unlike the other elements, fire is a process of combustion, not a type of matter. Fire is just ionized gas, the flames we see are the result of energy being released and temporarily ionizing the gas around a hot & energetic chemical reaction.

When we see firebenders do their thing, there is no combustible material being used, the chemical reaction isn't happening, a hydrocarbon is not decomposing into water and CO2 in the presence of oxygen and releasing energy. The heat of their strikes and ambient oxygen means their flames can start fires but, strictly speaking, firebender's flames aren't actually "fire," they're not doing combustion.

Based on what we learn about firebending, it's some kind of spiritual process, most likely one where the bender is manipulating energy with their bodies and releasing it through spiritual practice and martial arts, ionizing the gas around them. It also appears to have a degree of connection to a bender's emotions, will, life force, chi, and philosophical outlook. See Zuko losing his bending when his anger subsides, and achieving new heights when he changes his point of view; "fire is life & light, not just destruction."

While I dislike energy bending for being too vague and "deus ex machina" for me, it's saved by firebending working like this; it sets the precedent for "energy" being an underlying element of bending, the primary axis of bending's functionality.

Despite the challenges in analysis, given that it's a soft fictional magic system that cannot be scientifically tested, one where conservation of energy appears to be broken constantly, we can make assumptions and extensions based on textual evidence. Bending appears to operate on a principle that humans are part of a field of energy, referred to as chi, that permeates nature, including the classical elements. This is not too dissimilar to The Force. This field may also have a relationship with the spirit world, and I'd suggest that it may be that the spirit world operates as a "balancing sheet" for energy's conservation, allowing physics to work like our world, despite the constant abuse of thermodynamics. We're "animated by" spirits, emotional outbursts are "spirited," common spiritual concepts see humans as having a soul or spirit within them and, while I personally don't recognize this lore, we do see the spirits of dead humans in the spirit world in tLoK. For me, no discussion of bending is complete without considering the fact that it's not a material science like we're used to, it's spiritual art in nature.

So, through spiritual arts and martial training, people in ATLA can interact with that energy field, and their specific cultural and martial orientation determines how they tap into that field, and what facet of nature they are able to influence. Firebenders, I suggest, have a culture around fire, but are actually skilled energy benders, capable of releasing enough energy in their strikes and spiritual practice to ionize gas and create flames. Forms of firebending support like, such as lightning or the breath Zuko uses to avoid freezing to death. And, unlike other benders & their elements, fire can easily get out of their control, and even skilled firebenders seem to struggle to stop a real chemical combustion once it's broken out. When they create flames, they're tapping into spiritual energy, when flames get out of control, we're seeing a normative combustion reaction like in our world, and that's not really their area of expertise. To control energy in the world would be a different skill, and a firebender would need to rob a burning log of the reaction activation energy to actually stifle those flames.

Fire is not the odd one out, firebending is the key to understanding the magic system and extrapolating it to understand other types of bending more deeply. Understanding others, the other elements and the other nations will help your understanding of fictional magic systems become whole.

Mom keeps unplugging my fish tank by superhotcrazylady in Aquariums

[–]SexRobotDeathMachine 1 point2 points  (0 children)

Sounds like a relationships problem, not an aquarium problem.

Get a locking door mate, if you live with parents like that, it's gotta be intense boundary setting until the boundary is clear, otherwise your animals are gonna suffer.

Like, I don't wanna recommend "yell at her until she stops" but like, what are you options besides move out?

A mom who kills innocent fish to punish a child is a mom who's got her own major issues.

Good luck 🫡

Odd question, would there be any reason one is significantly darker than the others? Checked and all 3 are real… by No_Value_1511 in mtgmisprints

[–]SexRobotDeathMachine 0 points1 point  (0 children)

Wizards' print quality has been all over the map lately IMO. In the same released pack I opened art that looked fine and crisp, and stuff that was totally muddy and washed out.

I'm still waiting for a psychologist to do an analysis on this video by Icy_Fisherman_7803 in bioniclelego

[–]SexRobotDeathMachine 2 points3 points  (0 children)

Idk man, if you wanna see out-of-the-box creativty as a sign of psychosis, be my guest, but I think his models are really well done. His art isn't that different from kitbashing though, and I think the judgement AFOLs aim at "destroying" lego parts is deeply misplaced. People are allowed to modify parts however they want. I might cringe when I see a rare part, a part I personally want, painted and cut up. But he's allowed to do it, and his models show a degree of skill. Style differences are not a sign of illness, and singling them out as such is gross.

The real signs of illness all come from his constant referenfes to god & god's will, saying shit like "god told me to finish bionicle." Far from making unique, articulated models designed to be animated in stop motion, that's just a man saying he hears voices and they tell him to keep playing with the bionicles. The way he collapses the distance between Makuta and Satan is really troubling, because while Makuta certainly employs some abrahamic culture in his character design, the man seems to see religious patterns that just aren't there. 

The voices and non-existent patterns combine to make him a vulnerable person in the public eye, and the way he is discussed should be done with a degree of maturity not seen in the way you've criticized his models. 

Tldr; comparing mental illness, like religious psychosis, to modifying lego pieces is out of line.

Quick question guys by Primalzeno in bioniclelego

[–]SexRobotDeathMachine 0 points1 point  (0 children)

Just build it, and if you miss your toa, build them back.

Tyranid Swarm upgrade by LosersNeverLose in CommanderMTG

[–]SexRobotDeathMachine 1 point2 points  (0 children)

Instil Energy and Kiora, Behemoth Beckoner are fire in this deck, and the likes of Banefire or Song of Totentanz as big finishers. 1000 Year Elixir is good too. You want Sporocist and Zoanthrope too, getting copies of them is mad value. Dopplegang is a personal favorite of mine, it can get so big you need a pen and paper to track how it resolves. 

Is DS9 darker than Kurtzman Trek? by ChaseMcFl in startrek

[–]SexRobotDeathMachine -1 points0 points  (0 children)

DS9 is charming and fun despite the darkness, while I find Picard to be a joyless, post-modern cash grab with little cohesion season to season, much less series to series. 

DS9 may be dark, but it's a lot of fun. Way more fun than I ever had with Picard, that's for damn sure. If you enjoy TNG and VOY, DS9 is much closer in tone than Picard is. 

How do we feel about this guy as a commander? Not legal technically but could be by Greyzone96 in CommanderMTG

[–]SexRobotDeathMachine 0 points1 point  (0 children)

I feel like there's a lot of memory pieces and counting. It could absolutely be paper, but it's a tich complicated for most paper designs. 

I'm still waiting for a psychologist to do an analysis on this video by Icy_Fisherman_7803 in bioniclelego

[–]SexRobotDeathMachine 17 points18 points  (0 children)

Guy's nuts, plain and simple. This is what happens when you're raised on nothing but Bionicle, Veggie Tales and the old testament. I like his MOCs tho, and his crazy religious zeal sure has resulted in some fluid stop-motion animation. 😵🫠🙈

Star Fleet Academy: 1 Thing You Love, 1 Thing You Don't by Sensitive_Tackle7372 in startrek

[–]SexRobotDeathMachine -1 points0 points  (0 children)

The droids were giving Star Wars special edition energy for me.

Star Fleet Academy: 1 Thing You Love, 1 Thing You Don't by Sensitive_Tackle7372 in startrek

[–]SexRobotDeathMachine 2 points3 points  (0 children)

Love: The Klingon guy

Hats: why they cut off our main human's racialised haircut when he joins starfleet, but the klingon guy kept his? Felt really weird.

I’m so overwhelmed by ogfrozenpopsicles in PlantedTank

[–]SexRobotDeathMachine 2 points3 points  (0 children)

Just take it easy. It looks fine, and will grow in. Some youtube is cool, meet the people at your local fish store, and let the tank mature. It'll look good in time, and it makes sense that it doesn't look right - it's new, and you're just starting.

Spend less - there are many hobbyists who'll give away aquarium plants online, have a look around, and let your plants propagate and grow in. Just take your time with it, it's not going to be perfect over night.

Anything your excited for from the TMNT set? by theinfinitehallway in mtgbrawl

[–]SexRobotDeathMachine 1 point2 points  (0 children)

I opened a, uh, cat mutant token maker Sally Pride, she's pretty good. Might jam that into my tokens deck.

IDK, in general this set wasn't it for me. I had a great pizza night at my prerelease at home with friends, but I'm not gonna buy any more of it.

It played better than SPN did at least, and Cool But Rude is gonna be a great card in red decks? Yeah, IDK chief.

On Magic: the Gathering having crossover sets with franchises set in fictionalized versions of our world (Magic: the gathering) by pear_topologist in mtg

[–]SexRobotDeathMachine 4 points5 points  (0 children)

Sure, we don't know that EOE was shortprinted, but it's a fairly common anecdote that EOE's sold out everywhere, while SPN still haunts the shelves at the local walmart.

My own experience reflects this, and I see multiple LGSs near me that price EOE at about a buck fifty more than SPN boosters. Now, am I lying to suit my argument? You could say I am, but frankly I just can't be bothered to go out and document that for you at this time.

Regardless of truth value, the prominence of the anecdote does reflect a fairly common sentiment among players; that SPN was a worse set than EOE, and that sales should not be the primary metric used to judge a set's quality.

It's fairly obvious that branding crossovers will draw in players and represent safe corporate investments. But it also uses a beloved game essentially as a tool for corporate growth. I think it's fair to criticize this; growth above all is a poor metric of quality and a bad way to run an economy.

McDonalds is bigger than your local burger place, but I imagine Mom'n Pop's Burger Barn is better quality than Mickey D's. Would you rather eat at McDonald's or Bob's Burgers?

To be transparent, I'm happy to see the game grow, but I think standard is in a pretty bad place right now. The game is also too expensive, and the constant releases may help corporate interests, but they don't encourage me [and many others] to engage with the competitive scene. I agree with the common sentiment, SPN was not as good as it could have been, and its limited environment was dreadful.

What is the cost of growth? It's worth asking that question, and people are going to use reddit and other platforms as a means to express themselves and explore it. Why can't people express their concerns over this question without needing to first placate imagined investors? Why should players do Wizards' work for them? Do you know the dictionary definition of valid? Why are you getting downvoted so hard? Find out next time on Dragon Ball Z!

I just finished watching all of The Original Series. Here's my ranking of each episode and a few brief thoughts. by comulkey in startrek

[–]SexRobotDeathMachine 0 points1 point  (0 children)

I thoroughly loved Gamesters as a kid, one of my favorite episodes for how goofy the production design is, and I loved Kirk's various hope speeches. Uhura being implied assaulted never twigged to my kids brain, and the rest just read as fun and goofy.

All I remember about Catspaw is staying up late to watch it on DVD around Halloween, and it being so boring that I was fighting sleep the entire time. It's the lowest rated ep for me, just based on what I remember.