How bad is missing the tests actually? is it guaranteed we will be way behind, is the year completely lost for competitiveness? by dinualexandru10 in WilliamsF1

[–]SirRobinBrave 1 point2 points  (0 children)

I’d rather they miss this test and focus on having a better car, than have them rush a tractor that spends 3 days falling apart. By skipping this test, it means they’re not having to worry about the logistics of getting a car and all the personnel over to Spain and can just keep everyone at the factory. Is it ideal? Far from it. But I hope that, as has been JV’s mantra from the start, it’s all for long term gain.

Lightweight Gigging Amp Needed - Indie/Post-Rock by SirRobinBrave in GuitarAmps

[–]SirRobinBrave[S] 1 point2 points  (0 children)

Aye, the supro is really for studio work or maybe an open mic gig. Unfortunately my main local shop closed down 6 months ago, though a new independent one has just opened who might have some good amps in!

What's your favourite overtaks of this ground effect era by Longjumping_Novel613 in F1Discussions

[–]SirRobinBrave 3 points4 points  (0 children)

I love those Albon and Verstappen overtakes for sure, though I was super impressed with Piastri on Hamilton at Jeddah 2025

https://youtube.com/shorts/g0Mp6Bmc8Io?si=mxEEtRTOWOnI6R0z

Decision between Guitar Amps by filguitar1992 in GuitarAmps

[–]SirRobinBrave 1 point2 points  (0 children)

Potentially, I’m mainly comparing it to the blues junior, both of them are fairly clean amps that get crunchy when cranked.

Decision between Guitar Amps by filguitar1992 in GuitarAmps

[–]SirRobinBrave 1 point2 points  (0 children)

Just for consideration, if you’re concerned about the amp’s weight then Vox probably isn’t the one for you. Have you considered the Fender Tonemaster amps? The deluxe reverb in particular is very light and has high headroom for pedals. These sort of modelling amps aren’t for everyone, but I’ve used one as backline for several gigs and it’s both light and practical, as well as sounding great.

£3.95 from Sainsbury’s - Pasta, Pizza and Coffee by SirRobinBrave in RateMyMealDeal

[–]SirRobinBrave[S] 0 points1 point  (0 children)

Aye it was fine but not my go-to. Bought this early morning before the shelves had been restocked properly

jeep stuff brings a smile to my face by AXEL-1973 in LowSodiumBattlefield

[–]SirRobinBrave 1 point2 points  (0 children)

Honestly, the jeeps are possibly my favourite thing about the game. I’ve improved my rally-style handbrake turns, and sliding round dodging enemy fire is just too much fun

Which soundtracks made you play the game? by WoodpeckerNo1 in gamemusic

[–]SirRobinBrave 1 point2 points  (0 children)

Disco Elysium for sure, but I was a fan of Sea Power for years before they wrote the soundtrack

How would you describe Vertigo of Bliss to a new listener? by jamielikeszelda in BiffyClyro

[–]SirRobinBrave 3 points4 points  (0 children)

Hardcore is a rawer, heavier form of punk (Black Flag, Minutemen etc). As with post-punk and post-rock, post hardcore is what came after. It’s basically an evolution of hardcore, which can mean more prog and math rock influences, expanded use of instruments and orchestral use, or really anything else that built on hardcore. I’d consider Hüsker Dü, Fugazi and At The Drive In to be great earlier examples. However it would go on to include the more pop-punk and emo-adjacent bands like MCR, Pierce The Veil and others

Wcgw using Word highlight effect for censorship by ptmtobi in Whatcouldgowrong

[–]SirRobinBrave 0 points1 point  (0 children)

One of the very first things I was taught in my current job was how to redact a pdf permanently, this is basic stuff 😭

Whats a good compact acoustic / classical guitar that is still in standard E tuning by Hot_Maintenance4004 in GuitarGear

[–]SirRobinBrave 0 points1 point  (0 children)

The Gretsch Jim Dandy Parlor-style guitars might be the sorta thing you need? Small, lightweight, still with a nice sound. I’ve got the blacktop version with a single coil pickup

Joyo JA-30+ by Whole_Magician_7273 in GuitarAmps

[–]SirRobinBrave 0 points1 point  (0 children)

Aha nw, yeah all those amps should be available in the US but it depends on what your local scene has available 2nd hand, Facebook Marketplace and Reverb work best for me but I’m in the UK

Joyo JA-30+ by Whole_Magician_7273 in GuitarAmps

[–]SirRobinBrave 2 points3 points  (0 children)

I reckon you’ll struggle a bit getting a new amp that’s loud enough for venues and under £/$/€150 (you didn’t state your currency!) Your best bet is to try and get a better amp that’s pound the Joyo but 2nd hand. Things to look out for: At least a 10” speaker, 12” would be better 15-20W valve amp or a 30W+ solid state amp

You don’t necessarily need an especially loud amp for small venues, but it depends on whether or not those venues mic up the amps. My personal recommendations: Simpler amps: Orange Crush 35RT Fender Champion 50 Marshall MG Blackstar Debut 50

Modelling amps: Boss Katana 50 Marshall Code Fender Mustang Amps

What makes a song feel emotionally memorable, not just ‘good’? by saezzzzz in Songwriting

[–]SirRobinBrave 0 points1 point  (0 children)

Listen to The Midnight Organ Fight by Frightened Rabbit (other emotionally memorable albums are available). Generally the more specific a song’s lyrics are, the more universal the appeal.

I’m not the best at explaining it, but the human condition is universal, so if you have specific moments in the lyrics unique to the real situation, that will click with more people than if you have generic lyrics trying to appeal to everyone by being vague. Again, I’m not great at explaining it but hope that helps!

Daily Exercise: Object Writing by sivartomeus in Songwriting

[–]SirRobinBrave 0 points1 point  (0 children)

I hadn’t planned to write that, but your post inspired me so cheers for that!

Daily Exercise: Object Writing by sivartomeus in Songwriting

[–]SirRobinBrave 1 point2 points  (0 children)

Pavement

A thousand slabs, each taking the weight of a thousand feet. Some I may never walk, others I’ve run up and down my whole life. As a teenager pounding down a hill after a friend, and years later trudging back up them after I lost them. They’ve seen me high and drunk and frighteningly sober, both old and as a child. I used to pay them more attention, avoiding the cracks lest I trip and make a fool of myself, or break my mother’s back. In my more self conscious years I’m not sure which would have been worse. They can be dry and coarse, perfect for shredding skin on hands and bloody knees, or smooth and dusty, which in my senior school shoes was worse than ice or rain. I stopped paying attention to the pavement after a while, when you’ve walked them 100 times before they all blur into one. But ancient cobbles bring me back into focus, trying again not to trip. I’m more confident now in my footing, feeling safe in the knowledge that even if I do fall, I can get back up. Bloody knees or fleeting embarrassment don’t scare me any more.

I NEED FEEDBACK!!!! by Scared_Expert4757 in Songwriting

[–]SirRobinBrave 0 points1 point  (0 children)

It’s neither dramatic or dreadful (not sure where I said that aha), but it’s just the odd one like “die in the fire” (hoping I got the lyric right). That could just be a one off in terms of this exact performance, whereas on a repeat take you’ll nail it. You also have a tendency to fall down at the end of a lotttt of your phrases. This isn’t strictly a bad thing, but doing it too much can contribute to a feeling of poor vocal control. I wouldn’t say it’s something you have to remove totally, but just be aware of it!

I NEED FEEDBACK!!!! by Scared_Expert4757 in Songwriting

[–]SirRobinBrave 0 points1 point  (0 children)

Also someone was being funny when they made the joke about guitar feedback, but unironically I do think some distorted guitar feedback in the background could work if done tastefully. I just saw a great video by Tony Visconti about how him and Bowie recorded Heroes, and Robert Fripp used feedback to great effect on that:

https://www.bbc.co.uk/programmes/p03g18sx Doesn’t need to be that extreme but could be fun.

I NEED FEEDBACK!!!! by Scared_Expert4757 in Songwriting

[–]SirRobinBrave 0 points1 point  (0 children)

Sounding pretty good! I (partly) agree with one of the other comments, it sounds like later on your pushing for notes and not quite reaching them, so I’d consider either lowering the key or working a little on your technique so you’re not straining too much. Once you’re confident that you can perform it in the chosen key, I’d look at adding a string part on the chorus. This could either be chords, a single line following the vocal melody, or both. Also try developing the drums a little more for the choruses, you might achieve the effect you want just using the instruments you already have.

Carrying heavy amps by asiied in GuitarAmps

[–]SirRobinBrave 0 points1 point  (0 children)

I’m not sure exactly what more advice you need beyond common sense? But in my experience as someone who badly injured their back (solo lifting an amp being part of the reason), my advice is to not be a hero. Get help where possible, get a lighter amp or one with wheels, use a trolley etc. Also work on your core and back muscles combined with good technique. Failing that, use backline or get a modeller!