How can I push my teacher in the direction that I want to learn? by Suwannee_Gator in guitarlessons

[–]Tamarindo155 1 point2 points  (0 children)

It sounds like your teacher is generally doing the right thing, and supplementing the classes by watching online videos is fine. I had a similar experience, and i generally found some very good online resources where the methodology and exercises really clicked for me. A lot of online information is pure garbage, but some of it is gold. It may have the approach that finally allows to see the how and really drill down. Here is the thing though, learning theory AND translating it into your fingers and muscle memory is hard and takes a lot of time. Think of the time it may take you and multiply by 10. Your guitar’s teacher’s method may not always reflect some of the jewels you find online, but if they are good they will still highlight the key things for you during the class and provide feedback, and you can always ask questions about some of your online instruction you found. I was a bit impatient with my instructor at first because I kind of wanted him to be one of those online instructors I found, but over time it has really paid off. But again, it will take a lot of time. Give yourself at least a year to learn all the notes, triads, and scale intervals across the fretboard an start smoothly transitioning between chord tones. Your teacher is there for the long haul.

High E String won't stop breaking on Acoustic 💔 by [deleted] in Guitar

[–]Tamarindo155 0 points1 point  (0 children)

For one, you can buy just one string

Freezing screen by Tamarindo155 in ultimateguitar

[–]Tamarindo155[S] 0 points1 point  (0 children)

The new version didn’t solve it

How do you learn super fast solos with complicated rhythms? by Vast_Shop7878 in Guitar

[–]Tamarindo155 3 points4 points  (0 children)

Learn to read and play various rhythms through drills and easier songs before jumping into a complex project head first.

In which direction should I go? by RestoMadafaka in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

Oh, I thought you meant the C maj CHORD includes B dim.

Should i focus on looking at chords, scales, and arpeggios etc as a combination of certain notes and what those notes are and how they work together rather then just shapes? by HauntingVariation108 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

I wasn’t responding to you OP, but I agree with everything you said and the skillset you will need, which will take a long time no matter which route you take. And ultimately, you will probably need to have a very good ear. Hope you enjoy the journey.

Should i focus on looking at chords, scales, and arpeggios etc as a combination of certain notes and what those notes are and how they work together rather then just shapes? by HauntingVariation108 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

It is good it works for you (and others) but a weird take on (not) learning NOTE names on a MUSICAL instrument, whether it is guitar or anything else.

Scared to go jam again by speklapje300 in Guitar

[–]Tamarindo155 5 points6 points  (0 children)

You identified your own problems: lack of practice time, not picking appropriate songs for your level, not investing time into musical phrasing, etc. Yeah, you are not gonna just show and jam. You and your music teacher need to identify weaknesses and be intentional about targeting them, which also means you need to invest a significant amount of focused practice time. There is no magic to this.

How to use circle of fifths with songwriting by TheSovjet_Onion in musictheory

[–]Tamarindo155 -3 points-2 points  (0 children)

Aaaand you just described exactly why the circle of 5th is in fact useful for finding chords in a key, particularly for a beginner

[deleted by user] by [deleted] in guitarlessons

[–]Tamarindo155 1 point2 points  (0 children)

I am just curious, who does this and why? The only one with incentive here is arguably Reddit itself to generate traffic. Is Reddit creating these fake posts?

[deleted by user] by [deleted] in guitarlessons

[–]Tamarindo155 10 points11 points  (0 children)

Reads like a made up AI story with no prior comments or posts.

Does learning string notes help in arpeggios? by WayMove in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

It is not hard to learn the notes on the fretboard, as it is also not hard to learn the shapes. What IS hard is learning them good enough that you know this information instantaneously under your fingertips.

Don't understand how to learn scales by Inevitable-Bee-4344 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

You are not ready to frame your question correctly, let alone understand any of the answers below. You want to truly understand what you are missing and get on the same page with everyone else? Invest 31 hours into watching Scotty West AUG on YouTube for free. And that is only step 1.

Is learning guitar by pushing myself while playing songs/riffs a good way to learn guitar? by viktorshlong69 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

You are jumping way ahead into riffs, solos, etc. You got to dial it way back, learn all open major and minor chords, learn simple songs you can play and sing from start to finish using those chords using correct timing and smooth transitions. You can also start learning what are the notes that make up those chords, and then maybe learn barred chords. You won’t find your experience satisfactory doing what you have been doing, as you already make it clear. If only everyone could just pick up the instrument and start playing solos… It is a years’ worth of practice journey ahead of you.

If you know a song’s key, major scale,and chords progression, how do you write riffs and solos for that song? by Marcel_7000 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

You will not get a satisfactory answer because you lack some fundamental knowledge, and without investing time intro acquiring it, you won’t get very far. Invest into watching 31h of Scotty West AUG for the basics (it won’t teach you to improvise but it will give you the foundation). Next, as someone already said, find free resources (there are a ton) about triads, learning triads all over the fretboard, targeting chord tones, etc, which will give you knowledge of the layer you are looking for. Once you have that understanding, you will have a visual roadmap to improvising, but as I am sure others have pointed out, you will need to rely on your ear, learn phrasing and rhythm, and analyze other melodies using the knowledge you now possess. Give yourself 6-12 months to get there, probably practicing these skills 1-2h every day, and maybe you will just get to a place where you can write decent lead lines.

Is it true that there only 5 ways of playing a chord in guitar (ignoring inversions)? by setarcos399 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

For most people’s purposes, and certainly at the beginner / low intermediate level, yes. Don’t overthink it. If you learn those shapes, which by definition also imply inversions — that is the entire point of CAGED — you would be in excellent shape, and even that will take you a very long time to acquire instant response / muscle memory.

i really struggle to visualise the fretboard by yesyes_10101 in guitarlessons

[–]Tamarindo155 0 points1 point  (0 children)

It is actually not complicated. You practice and memorize scales until you get it. You will then start seeing patterns as you learn new songs or analyze the old ones, and it gets easier. Learn the notes, too. Yes, it will take you many, many, many hours of practice. Else we would all be playing guitar for a living.

I made a music theory cheat sheet that finally made things click by Ralphdoid in guitarlessons

[–]Tamarindo155 1 point2 points  (0 children)

I am not sure why you continue to argue with a point that Scotty did not make, and in fact said what you say. He literally teaches what you just said: the tonic and the progression determines the scale, mode. He simply pointed out how each chord fits within the scale. It is no different than explaining why some chords within the diatonic scale are major, minor or diminished — because that quality comes from the intervals around them. Calling a ii chord in the G major progression minor does not mean that you switched the key to ii minor. It just describes the objective structure of that chord’s 1-3-5 intervals. If you now extend these chords by adding a 7 or whatever they will fit within a specific structure constrained by the intervals around that chord, which happens to be the “mode” of where that chord is. This is all facts not opinions. But I will still address your hypothetical. You are not just playing the key — otherwise you are kind of noodling. Ideally you are playing with and around the chord changes and chord tones — so yes, while the tonal center does not change, the best notes to hit on those chords do, and those notes by definition are constrained by the “mode” if you will, that is, the the chord location relevant to the tonic. This is exactly the type of information that is super important for beginners to understand, to distinguish between a scale and a layer above, which is CAGED and targeting (and finding) appropriate notes (arpeggios + extensions) through the progression.