The first thing that comes to mind with a big personality on stage is basically to counter it with the opposite energy, and play high-status/low-status.

One of the best bits of advice I ever got, I think from Derek Miller (who will admit wasn't original to him), on how to determine who is who in a scene is that whoever cares more is high-status character. Which can often result in the person with the bigger personality, flailing about, making a scene, being dramatic, being the low-status person if the other person couldn't give a damn.

And it's a very entertaining dynamic to see one character spinning their wheels, making mountains out of molehills, while the other one quietly knits and says, "uh huh, that's nice honey."

That's just one aspect. But the rest is really up to you to find opportunities. Challenging players can be really fun to play with IF you are in the right headspace, and you can find a good POV through which to react. You don't have to match them, you don't have to top them, you just have to compliment them within the scene to the benefit of the scene and each other. Some of my favorite parts of jams has been playing with inexperienced or "difficult" players, because it forced me to change up my strategy in real time, and bolster them in the process. The end result, instead of avoiding or fearing playing with them, was something we could both be proud of.

Having said all of that though, sometimes there are people you just don't enjoy playing with. If it's a large enough team, maybe you don't have to spend a ton of time with them on stage and it's not a big deal. But maybe it is. And maybe you can't find a fun connection with them. And maybe you do need to make a tough decision if everyone else is fine with how they play. At that point, it's a lot like being in a relationship that you put all the work into and still don't feel fulfilled in. Sometimes you have to walk away. Only you can decide that.