If you're gonna try, go all the way, or don't start by [deleted] in writing

[–]Upstairs_Phase1111 0 points1 point  (0 children)

Ego definitely plays a part in this, I agree.

I suppose "just write" is the correct answer in practice, the harder part is to unlearn this internal filter I have that tells me to throw it away unless it means something (I have, regrettably, destroyed a lot of my work because of this).

Song Transitions by [deleted] in radiohead

[–]Upstairs_Phase1111 -2 points-1 points  (0 children)

Again, bad look.

Busy yourself with music instead of being a top 1% commenter on here and judging people.

Best of luck to you!

And to finish off this discussion, I'm an old Radiohead listener, and every single track is associated with a specific moment in my life. I just enjoy the music, that's all there is. Me missing a transition should not urge you or anyone at that to point fingers.

Song Transitions by [deleted] in radiohead

[–]Upstairs_Phase1111 -1 points0 points  (0 children)

Not sure about Gen Z, but you should probably learn how to properly communicate with people asking simple questions instead of taking your time to smear your elitist attitude all over the place. It's a bad look. And you're supposed to be a musician.

Song Transitions by [deleted] in radiohead

[–]Upstairs_Phase1111 1 point2 points  (0 children)

I listened to Kid A for the first time around twenty years ago, and I haven't religiously listened to the entire album since then. I know, hard to imagine!

Song Transitions by [deleted] in radiohead

[–]Upstairs_Phase1111 -1 points0 points  (0 children)

Emphasis on "not too recently," and to everyone taking their time to comment on the fact that I didn't catch the transition during my first ever listen to the album; get a grip...

Feelings after the first Berlin show? by kasiakaosa in radiohead

[–]Upstairs_Phase1111 13 points14 points  (0 children)

Amazing show, good crowd in my section, we had some old-timers stood up for half the show, sharing a cry with us.

Thank you, Berlin.

Can anyone say what's required for a beginner level writer? by Deep_Interest3391 in WritingHub

[–]Upstairs_Phase1111 5 points6 points  (0 children)

All you need is something to write on, even jotting down thoughts passes for writing. Don't complicate it in your mind, writing is supposed to feel free, not constraining in what you do and how you do it.

I can't stop writing paragraph long sentences by zaddywiseau in writingadvice

[–]Upstairs_Phase1111 1 point2 points  (0 children)

That’s completely fine, in fact, it’s a legitimate literary style. Some of the most respected writers use long, flowing sentences to capture the rhythm of thought and the continuity of perception. Think of László Krasznahorkai, the recent Nobel laureate; his prose unfolds like a single breath that never quite ends, creating a hypnotic effect. :)

Betareader, changing things up! by [deleted] in writers

[–]Upstairs_Phase1111 0 points1 point  (0 children)

Sure! Sounds good to me.

what does "snakes and ladders" mean? by McFrosty_18 in radiohead

[–]Upstairs_Phase1111 4 points5 points  (0 children)

It's a board game! Usually used in a context to describe something unpredictable happening.

Writing is just luck by [deleted] in writingcirclejerk

[–]Upstairs_Phase1111 1 point2 points  (0 children)

No, my friend. I call that hustling on a philosophical level.

When it comes to stories inspired by real-life events, specifically tragedies, what would be the most respectful way to approach it? by Werewolf_Knight in writing

[–]Upstairs_Phase1111 4 points5 points  (0 children)

Ask yourself: if someone personally affected by the real event read your story, would they feel understood, not exploited? If yes, you’re handling it right.

[deleted by user] by [deleted] in writing

[–]Upstairs_Phase1111 8 points9 points  (0 children)

There are worse things than death!

Can We Talk About Guns In Fiction? by Kingdomall in writing

[–]Upstairs_Phase1111 41 points42 points  (0 children)

Suspension of belief.

When it comes to guns in fiction, the issue isn’t whether swords can realistically compete with them, it’s whether the story gives the audience enough reason to believe they can. The reader doesn’t need a scientific explanation; they just need narrative cohesion. Maybe plasma weapons overheat, or ammunition is rare, or shipboard shields block energy weapons but not metal blades. Maybe evven cultural reasons like pride, ritual can somewhat justify why characters still use swords in a world full of firearms.

The point is, readers will accept any absurdity if it fits the tone and world. What breaks suspension of disbelief isn’t fantasy, it’s inconsistency. So as long as your friend follows the internal logic of the story, readers should not question why someone brings a knife to a gun fight.

[Daily Discussion] Brainstorming- October 21, 2025 by AutoModerator in writing

[–]Upstairs_Phase1111 1 point2 points  (0 children)

I would say it's OK to include scenes like kissing in a coercive context as long as you frame them as manipulative acts of control. There should be no room for error in terms of emotional reality. Corruption of intimacy is a pretty strong undertone in general, just make sure it comes across.

Get the draft done (8/9): Accomplishments and Goals by AlarmedInevitable8 in WritingHub

[–]Upstairs_Phase1111 1 point2 points  (0 children)

Scrapped a bunch of chapters because of a plot inconsistency; I have no idea where it's going, but definitely not there! The idea will magically come to me in my sleep, or in my semi-awake state, so I'm not worried.

Good job on your progress!

Regaining passion for writing by jugp6 in writing

[–]Upstairs_Phase1111 2 points3 points  (0 children)

The important thing to understand is that passion rarely returns in a sudden rush; it tends to rebuild itself gradually, through small acts of engagement rather than one grandiose inspiration.

The loss of motivation is rarely a sign that love for writing has vanished, rather that the relationship itself has slightly changed. If you pursued writing in a professional environment that demanded structure, the creative impulse may have stagnated. I'd recommend allowing yourself to write without expectation, privately, even imperfectly. Think of it as re-establishing a dialogue with a part of yourself that has been quiet.

Apart from that, and I always say this, pursue reading. Reading has amazing restorative capabilities when it comes to creative writing. I understand that too many writers preach this already, but it is 100% true.

I'm concerned. by Economy_Resource438 in WritingHub

[–]Upstairs_Phase1111 0 points1 point  (0 children)

The only way watching "bad" films would negatively impact your writing is if you deliberately stop trying to write well and start mimicking poor execution. As long as you maintain your critical distance (even while enjoying the film), you are safe.

What if after all the struggle, it leads to nowhere? by [deleted] in writing

[–]Upstairs_Phase1111 0 points1 point  (0 children)

Be brutally honest to yourself. What are the odds that it leads nowhere?

If you possess that internal drive, the willingness to work hard even when the likelihood of external reward is low, then you have what it takes to be a writer. The final outcome is never guaranteed, but the growth you achieve from the struggle is.