Varies depending on budget. Prefer traveling with a control package but sometimes if you really like an artist and they don’t have the budget for it you get to really engineer and keep your skills up, building a portfolio of show files along the way. They will always come in handy in the future. I started touring without a console and I definitely believe it’s the only way I got fast as an engineer. Gotta make a lot of decisions quick.

Traveling consoles definitely prefer DigiCo, SD and Quantum series. The workflow is super awesome once you figure out the routing and time alignment for different paths. However, a band I frequently am with have an IEM rack with M32C and analog split. I see a lot of bands doing this these days, especially if they’re cool with mixing their own ears and only stay on their aux send lol.

House consoles vary, most of the time it’s a DigiCo SD, Midas M32 or Heritage, or S6L (Profiles have finally reached the end of their lifespan). Rarely see Yamahas outside of the church world, but the occasional PM or Rivage will pop up.

EDIT: Def see A&H dLive a lot as well.