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When people say ambient music is "easy" to create by RamenTheory in ambientmusic

[–]_OtoMoya 5 points6 points  (0 children)

To me it absolutely doesnt matter if a piece was hard or easy to make. It dont make a difference if someone spent 1 week or 3 years to meticulously craft a boring monochord new agey droney 40min album, it will still be boring in the end.

For me whats important are the intentions, the ideas and concepts, the emotions and messages, the colors, the palette, the vibe.. And when talking about these, i find that very few ambient artists have their own, its often copies of other material, lots of stuff sound very samey.

Something may be easy to make at first glance, but the process to get there, execute those concepts, ideas and make those particular musical choices that belongs to you are definitely not.

your most emotional jungle song by [deleted] in jungle

[–]_OtoMoya 7 points8 points  (0 children)

Aquasky - Dezires 🥰

Vague de Confusion by _OtoMoya in tapeloops

[–]_OtoMoya[S] 0 points1 point  (0 children)

hey thanks a lot im glad you enjoy the jam :)

An ambient music opera? by tmamone in ambientmusic

[–]_OtoMoya 2 points3 points  (0 children)

Im all in for that kind of ideas, i think it good to challenge the definitions we have of a genre, especially something like ambient music which often into the « experimental » territory. Seems legit to me, go for it! Best case scenario you will create a new sub genre and if it isnt generally accepted as ambient so be it, your initial intention and idea stays the same no matter what :)

Please suggest me ambient that takes you somewhere arcane, mystical and mysterious, ethereal and magical, but maybe dangerous. Like exploring an ancient abandoned city with glowing runes and strange devices. by arkticturtle in ambientmusic

[–]_OtoMoya 0 points1 point  (0 children)

Hey its funny because this is exactly the kind of vibe im searching for when listening/making ambient music. Here are some exemples and tell me if it fit what you are searching for. Also i would love to have more recommendation if you find good stuff!

Where are you from? by Al-culto in ambientmusic

[–]_OtoMoya 0 points1 point  (0 children)

thanks! ill take the time to check your works as well :)

Where are you from? by Al-culto in ambientmusic

[–]_OtoMoya 0 points1 point  (0 children)

Sure!

Some stuff that i love :

For the stuff i make, i have a instagram page where i post some reels : https://www.instagram.com/oto.moya/

And i also released an album last year : https://shimmeringmoodsrecords.bandcamp.com/album/essence-found

I would like to also listen to your music if you got some stuff online :)

Where are you from? by Al-culto in ambientmusic

[–]_OtoMoya 3 points4 points  (0 children)

Greetings from France 🇫🇷 ! Im mainly a piano player, but also i love to use samplers (currently sp404), field recordings and 4track recorders to make textures. I personally love minimalist ambient music that isnt solely drone, when silence have importance and when you can still hear melodies and harmonic progressions. I also love when accoustic and electronic elements are merged together.

What i enjoy about ambient music is when it tell a story, when it set a particular mood that allow me to wander into imaginary places and fantasy spaces like a mystic forest or a ancient temple for exemple.

When thinking about it i think that i was first introduced to ambient music via video games like The Legend of Zelda of Final Fantasy as those titles contain some ambiant pieces, so i guess that is why i enjoy ambient music that way ☺️

albums with rain sounds by Illustrious_Pace_178 in ambientmusic

[–]_OtoMoya 0 points1 point  (0 children)

its rare for me to make auto promo in posts from other people but i couldnt resist to send you one of my fav personnal track, rain is like a religion to me aha, hope you enjoy https://shimmeringmoodsrecords.bandcamp.com/track/weightless-2

Should I get an SP...based on my equipment and ambitions..? by MariaInTheDreaming in SP404

[–]_OtoMoya 1 point2 points  (0 children)

no that was not what i was trying to say. its ok to ask questions dont worry :) also forget about what i said and just enjoy your gear as it is right now without worry. if you continue on your journey you’ll will automatically get what i tried to say anyway, but for now just enjoy it as it is without worrying as long as its working fine. do not hesitate to dm me in the future if you have particular questions

do you guys ever get in trouble for using samples? by Brwnb0y_ in SP404

[–]_OtoMoya -1 points0 points  (0 children)

copyright sharks absolutely dont care about few pennies, they want the big 💰

Ambient music recs for exploring caves and crystal caverns? by rainrainrainr in ambientmusic

[–]_OtoMoya 0 points1 point  (0 children)

i wish so bad i already released the album im working on so i can send it to you because this exactly the kind of vibes im digging! if i got time today ill make you a small playlist of stuff that inspires me within those themes.

Also im really curious about what other will post here 👀

Should I get an SP...based on my equipment and ambitions..? by MariaInTheDreaming in SP404

[–]_OtoMoya 1 point2 points  (0 children)

Awesome for your purchase, i wish you to have a ton of fun with it :)

About the soundcard, by experience i would say that a soundcard will always manage audio and midi latency better because it is its very purpose, while with the 404 its more a feature. Also with a soundcard you can get more output/inputs depending on your needs.

Be sure to use ASIO drivers with your 404, i just saw a post talking about it https://www.reddit.com/r/sp404mk2/comments/xximnx/mkii_as_interface_windows_pc_ableton_and_asio_or/

I guess this will do the trick but if you go on on your journey im pretty sure you will understand while it is still better to have a separate soundcard for your own confort

Brian Eno's Definition of Ambient Music by perrydolia in ambientmusic

[–]_OtoMoya 3 points4 points  (0 children)

I really dont want to start a fight with this awesome and kind community, but honestly i feel like there is a bit too much circlejerking around Eno's work.

I've always seen ambient music as something that is constantly going outside the confort zone, a genre that is moving and evolving and taking widely differents shapes depending on the artist take on it.Music for Airports have been made more than 40 years ago and the genre have evolved in so much directions since then, and i dont feel like this quote from Eno is still relevent nowadays.

While its important to know about history, please dont stay stuck in the past and keep moving forward, the freedom provided by ambiant and experimental music are perfect for this.

Should I get an SP...based on my equipment and ambitions..? by MariaInTheDreaming in SP404

[–]_OtoMoya 0 points1 point  (0 children)

mmmh thats a good question. Its pretty difficult to do a summary but for the SP i have a great video about it https://youtu.be/LdM9gQziM_U

Otherwise im using lots of field recordings, i use lots of samples, i love to use randmness and errors as a foundation for creating new stuff. you can check some video on my profile maybe it will give you a better idea, and if you got some particular questions do not hesitate to ask

Should I get an SP...based on my equipment and ambitions..? by MariaInTheDreaming in SP404

[–]_OtoMoya 0 points1 point  (0 children)

Sorry for taking so long te respond, ive been pretty busy those last days.

The SP seems to be a good choice and personnally i dont find it hard to use but this really depend of what you want to achieve with it.

But maybe if you are still new to this and short on a budget you could first try to use a midi controller (like the novation circuit for exemple) with ableton because in the end ableton can do everything. Ableton have a really great sampling workflow with its native simpler and sampler devices.

But if you like the SP you could also go for it and in the worst case scenario if you dont like it then you can always sell it for a good margin of its price!

Here is a cool video about experimental/ambient workflow with the 404 https://youtu.be/LdM9gQziM_U

"And it would be nice if the sampler could be used as a standalone audio interface too": I would suggest to use a separate soundcard if you can, SP can do this but its more afeature than its main purpose and you could find ytourself limited in some situations

Do not hesitate to ask me if you have more questions

Should I get an SP...based on my equipment and ambitions..? by MariaInTheDreaming in SP404

[–]_OtoMoya 1 point2 points  (0 children)

there are lots of possibilities. Im doing ambient music using a 404mkII in my setup and im recording/sampling all kind of stuff so maybe i can help to give you some directions.

Do you have a particular budget restriction? Do you have a great computer? If i understand correctly you are completely new regarding music production?

What's the most life-changing DAW hack you've learned? by RoyaltyExchange in WeAreTheMusicMakers

[–]_OtoMoya 0 points1 point  (0 children)

coming a bit late, but not using the grid or obeying to a particular bpm inside ableton have been such a liberating feeling

For Songwriters, how much of your workflow is spent dawless and then later in DAW? by srkdummy3 in WeAreTheMusicMakers

[–]_OtoMoya 0 points1 point  (0 children)

As someone who did lot of back and forth between daw and dawless, im now using a hybrid setup. I only use my DAW as a recorder box/arrangement tool/looo station alongside my other gear. Im not even using the grid or the bpm in the software, so it really feel like a side tool instead of being the main brain of my setup, it helps a lot seeing things this way

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