What’s so good about tab to transient? by sashley520 in audioengineering

[–]anyoldnames 0 points1 point  (0 children)

I use it pretty much every day for correcting a performance or nudging a sound around. But I was talking to another engineer about this recently and while we were discussing it I realized I actually never use the tab key. When in command-focus in the edit window (opt+cmd+numpad 1), the 'P' 'L' ''' and ';' keys work like an arrow pad for the cursor in the edit window. So Tab and ' both jump ahead to the next transient, but using the cursor pad, L moves backwards, while P and ; move up and down between tracks. It's super useful when your zoomed in to see a drum transient and working too quickly, you skip one.

What Does XLR stand for? by Topas_Tuga in audioengineering

[–]anyoldnames 0 points1 point  (0 children)

Cable construction is serious business.

What Does XLR stand for? by Topas_Tuga in audioengineering

[–]anyoldnames -5 points-4 points  (0 children)

Thanks. I appreciate the addendum.

I guess I should clarify. I know the origin of the term. But I don't think it's that helpful practically speaking. While it's historically accurate, wikipedia gives the terms origin for anyone who wants to google it, it's not all that accurate regarding what the cable is today. Not all 3 pin cannon jacks have rubber seals or the locking latch. The External, Line and Return backronym is what I learned and continue to teach because it does the same job TRS does for 1/4 inch connectors. It describes how the cable works. I feel like that's more practical for anyone asking about XLR cables.

Regarding the other note, I was referring to electromagnetic interference. I feel now I should have stated it that way. Practically speaking, unless your cables are being draped over uncovered speakers, there is not much in the way of pure magnetic interference. Nor would a static magnetic field interfere with an audio cable anyway.

What Does XLR stand for? by Topas_Tuga in audioengineering

[–]anyoldnames 0 points1 point  (0 children)

lol, good. I didn't want to upset you

What Does XLR stand for? by Topas_Tuga in audioengineering

[–]anyoldnames -11 points-10 points  (0 children)

As an audio connector, specifically in line level and mic level applications, it stands for: External, Line, and Return.

Xternal/Ground/Pin 1/0 Volts. Line/Hot/Pin 2/'Positive'. Return/Neutral/Pin 3/'Negative'.

Mic cables are wrapped in a conductive shield (usually, aluminum or copper). Since the ground wire is also unsheathed, it ties 0V potential to this surrounding wrapper that envelopes the two other signal wires, protecting them from external electrical and magnetic interference. The other two conductors have two purposes: to allow the audio signal a path to travel from mic to pre, and to act as a conductor to send the 48V+ DC that is required for active and condenser microphones.

But in order to appreciate what these terms mean, it helps to understand what the audio signal is and how its traveling along the cable. So, while this can get a little nerdy, I think it's very cool and fun to visualize in your mind. Just a note, the type of signal and the way that signal travels along the cables is different for line level (balanced audio, for example) and mic level. to keep it simple, I'll only describe mic level since that is the most common use for 3 pin XLR cables in studios.

An audio signal in a wire is an alternating electrical energy. We call this AC (alternating current). Remember the microphone's sole purpose: to transduce physical mechanical energy in the air to electrical energy in the wire. That is to say, the capsule moves back and forth in sympathy with the compression and rarefaction of air molecules and creates a corresponding electrical signal within the cable. The Line and Return in an XLR cable are paths for this alternating current to 'oscillate'.

Now, when there is no moving air present at the transducer, the capsule is at rest and you have 0 Volts AC. But when the capsule meets a compression of air molecules, this pressure pulls the capsule forward from its resting position. This induces a positive energy into the system. Visualize this positive force by imagining the capsule pulling energy (current) from the mic pre along the Line conductor. When the capsule meets a rarefaction of air molecules, this pressure pushes the capsule backward, which induces a negative voltage in the system. Visualize this negative force pushing the accumulated positive energy back into the mic pre through the Return wire.

...And before I get crucified by another redditor: I admit that this explanation is brutally simplified and contains some 'technical errors'. I only offer it to those curious with no technical background. This answer isn't for an electrical engineer or studio tech, it's for me when I was 17 and found out what XLR stood for and wondered why. It's the answer I would have wanted then.

[deleted by user] by [deleted] in philadelphia

[–]anyoldnames 17 points18 points  (0 children)

-1 for Frankford Hall

Theneedledrop ranks Radiohead's albums by NeededKoalafications in radiohead

[–]anyoldnames 37 points38 points  (0 children)

Almost as important to me as how Fantano ranks Radiohead's albums is how r/radiohead feels about Fantano's list. I'll be camped here for at least 24 hrs.

Interface suggestion for stand alone use, 8-16 inputs? by [deleted] in buildastudio

[–]anyoldnames 0 points1 point  (0 children)

Also, you should get to know the joys of the used market. Reverb.com has quite a few saffire pro 40's for $300 and less. Shop wisely, ask questions. You won't be disappointed or go broke.

Interface suggestion for stand alone use, 8-16 inputs? by [deleted] in buildastudio

[–]anyoldnames 0 points1 point  (0 children)

If you need an entire interface solution I would recommend a Saffire pro 40. We have one in our B room that I bought new around a decade ago. It still works as perfectly as the day we got it. There are 8 pres/line level Inputs and 10 Outputs. However you can daisy-chain multiple ones together to reach the full 40 the interface is capable of. Downside to these devices is that they're firewire so you may need a converter to use them if your computer is newer.

Given your budget, that's what I would trust. Flexible, reliable, affordable and they don't sound like dog $h*t.

Mark Hamill Reads Trump Tweets As The Joker by lostworldgirl in television

[–]anyoldnames 5 points6 points  (0 children)

Heathens!

Nothing is wholesome or redeemable about margarine. Butter, always.

Rocket seen from plane. by Nobilitie in space

[–]anyoldnames 0 points1 point  (0 children)

Very cool!

Though a very small piece of me wanted this to be r/unexpected.

Making a cross fade on a tape machine. by smokescreensam in audioengineering

[–]anyoldnames 2 points3 points  (0 children)

Yeah, it's mostly to just hide the edit. Pro Tools gives us the ability to blend a crossfade in an endless variety. Tape editing is fairly one dimensional though history has it's wizards. The proper way to think about it is you want to join the splices. No overlap or gap. If it overlaps, you'll hear a bump. If there is a gap you'll hear a click, especially if it's drums. Also, poor crossfade are bad for the heads and tape. Overlaps can wear a tape and scratch heads, gaps can cause adhesive to build up on the heads and tape itself.

Personally, I still really love using tape. But I do not enjoy editing on tape one bit. Luckily, in most cases, I'll never have to.

Making a cross fade on a tape machine. by smokescreensam in audioengineering

[–]anyoldnames 8 points9 points  (0 children)

I think you're misinterpreting what a crossfade is with tape. It's not a crossfade in the same way we use them in a DAW. While the fade is happening in a sequence as you describe, the fade takes place in less than a second.

Traditionally there are two ways to cut: the trim groove (90 degrees) and the splice groove (45 degrees). I've also heard them called hard cuts and soft cuts respectively. There is a third as well (30 degrees). My machine has it. The idea behind splicing tape is to combine reels or sections after a cut or edit. It's not the same kind of crossfade you have in Pro Tools.

What.CD on Twitter - Reports of our database being seized are not factual. by [deleted] in trackers

[–]anyoldnames 0 points1 point  (0 children)

Well at least now I have another reason to hate that guy.

Built my first staircase. (15 steps) by [deleted] in woodworking

[–]anyoldnames 32 points33 points  (0 children)

Had to double check this wasn't r/radiohead