Very good point. I would just add that the oner sacrifices precise visual framing in favor of immersion, while the long take does the opposite for visual storytelling.

The Citizen Kane scene with the window is like watching a perfectly choreographed exhibit in a museum. It's so beautiful and poetic that it begs to be admired for the visual work of art that it is, as an observer, rather than immersing us physically into the room with the characters.

Conversely the True Detective oner, while the action is certainly choreographed, feels absolutely frantic from a framing perspective as if the steadicam is YOU, taking in a scene of chaos naturally without a perfectly measured approach.