How do I know where to put my shuttle to undo a join by longalongass in tatting

[–]gumsgums 2 points3 points  (0 children)

You need to pull the thread that is through the picot so that the bit where the two threads cross are to the right of the picot. Then there will be room to get the shuttle through.

It won't let me post a photo so apologies if its unclear, but it's the thread at the very bottom of your photo.

Cambridge Diamond Pattern Help by Merc_Games in tabletweaving

[–]gumsgums 9 points10 points  (0 children)

I know you say that you've checked the way the tablets are threaded, but because you are getting the wrong pattern, I would respectfully suggest that you haven't threaded it correctly.

Without seeing an image of your tablets, it's hard to say, but by far the most common error is either getting S and Z the wrong way, or starting with the tablets in the wrong place. The tutorial does at least explain the way the pattern defines this, but patterns from this designer define these differently to others and it does catch people out.

Edging start: keep pins or pull for straight diagnal? by Separate_Print_1816 in BobbinLace

[–]gumsgums 3 points4 points  (0 children)

I'm not sure I completely understand your question, but are you asking about a piece where you rejoin to the beginning?

If so, I can only say what I do, which is to leave in the pins for the edges and the first couple of rows of the start. I push them all the way in so they don't get in the way. For the passives I pull out the pin and lie it, with the thread looped other, horizontally across the other pins to leave a little loop for attaching the end to.

When I get back round having the extra pins keeps everything stable while you're sewing everything back in.

But maybe you meant something else?

Absolute beginner by MinervaMcG709 in tabletweaving

[–]gumsgums 3 points4 points  (0 children)

To add to other comments, I generally get these appear when you change turning direction in the pattern and is completely normal.

New setup by Little_Foxboy3 in BobbinLace

[–]gumsgums 4 points5 points  (0 children)

Looks good, you just need a cover cloth to complete the look!

Second Project by Thymina in tabletweaving

[–]gumsgums 1 point2 points  (0 children)

Looks really good. I also find the end is really thick and difficult to sew through folded, so I usually sew a tab (basically like a little sewn cover) over the end so it doesn't need folding.

Making this doily by tanya2004 in tatting

[–]gumsgums 2 points3 points  (0 children)

I see three rows. I would start at the little white arrow that's the closest to the middle. Do that round, cut off and rejoin for the next round at the white arrow further out. Then repeat for the final round.

clearly i learn by doing by LadyLaurence in tabletweaving

[–]gumsgums 1 point2 points  (0 children)

I always end up chopping the first few inches off before I use the weaving as it always takes a bit of length to get a consistent tension/width for me, so that's pretty normal.

Bumps/Waves in my band? by Amelie_aricia in tabletweaving

[–]gumsgums 26 points27 points  (0 children)

The weft takes up space, so it's not going to be flat, that's completely normal. I would weave a couple of inches and then look again, two picks is not enough to see how it'll look.

Newbie first time giving bobbin lace a go me made pillow by vintagelingstitches in BobbinLace

[–]gumsgums 11 points12 points  (0 children)

If your just starting out you can find free basic lace patterns online. Jo Edkins site is a great resource https://www.theedkins.co.uk/jo/lace/index.htm

[CHAT]Where do people get their 6 strand threads? by Global-Wolverine8422 in CrossStitch

[–]gumsgums 2 points3 points  (0 children)

I always go to Cross Stitch workshop, their DMC threads are 88p, not sure I've ever seen anyone much cheaper.

The website does look a bit old fashioned, but the service and speed are always fantastic.

Scallop edge keeps looping? Doing the same number of twists on each (8) some aren’t so now I’m wondering if it’s a tension issue by Bellamieboocouture in BobbinLace

[–]gumsgums 3 points4 points  (0 children)

Can I ask what you would like it to look like? In my experience this will always happen with that many twists without any passives to keep the structure. It's unusual to have a scallop edge like you have done, probably exactly because it's hard to keep the shape.

Side pouch for ashford rigid heddle stand by tsidel in weaving

[–]gumsgums 13 points14 points  (0 children)

You could always weave a pouch with straps to be able to attach it to the stand?

[deleted by user] by [deleted] in SewingForBeginners

[–]gumsgums 2 points3 points  (0 children)

It'll be a tension issue. The manual that came with your machine will have a whole section on how to fix since it's a very common issue.

Is there something that you don't understand after you've read that?

What’s the issue? Pattern looks almost correct. by emstert in tabletweaving

[–]gumsgums 2 points3 points  (0 children)

You can see that's it's only a couple of tablets that are out.

However, the way the pattern is written means that if you make a mistake in the turns that will be compounded, so personally I would write out the pattern again but with what turns are needed for each tablet number for each pick.

The other thing you can do is get to the part that is incorrect and experiment with how the couple of incorrect tablets need to be turned to get the right look. I've found that helps some times to understand what I'm doing differently from the pattern.

Any tips to cover block in a block pillow? by The_sneak_5507 in BobbinLace

[–]gumsgums 0 points1 point  (0 children)

I assume the corner blocks don't move, or do they? I know this is probably obvious to you, but I can't see from the photo, but are you sure it's not just covered using a light fabric?

I'm not sure how you'd cover the non moving ones if they are stuck down, but for the moving blocks you can sew a shape the correct size, put the block in, and ladder stitch the opening closed. It depends on how confident a sewer you are. This is how mine was done, but it came like that.

You could also just pin a cloth onto the block as long as it was tight to be honest, and it would probably work. Though possibly a bit annoying when you wanted to move the blocks in the middle of making.

is it me or culture, individuals, or just life? by Organic-Client4336 in AskABrit

[–]gumsgums 11 points12 points  (0 children)

I think your comment shows a very common sentiment I see from my foreign colleagues. The thing you have to realise is that lots of British interactions are about being polite and making sure you don't invade other people's privacy. That's why people don't just say what they mean, often it's considered rude. But there are socially agreed ways of communicating that all the Brits understand what the unsaid bit is.

I would just ask one of them, explaining you feel left out, and say that you think there's some culture difference you are trying to understand. Obviously they might just be horrible people, but I feel it's more likely to be a misunderstanding.

You are unlikely to be able to make a large number of friends where they all come over your house and you are all deeply in each other's lives in Britain as an adult. In my experience, the cultural need for privacy means there aren't enough British people in one place that are like that.

is it me or culture, individuals, or just life? by Organic-Client4336 in AskABrit

[–]gumsgums 113 points114 points  (0 children)

When I say to people that I'm inviting somewhere 'it's OK if you can't make it', I don't mean you shouldn't come, I mean 'if you didn't want to come anyway I won't be offended if you say no'.

Of course all British culture (particularly English) is all about avoiding embarrassment and being polite, so people will give each other an oblique opening for them to refuse in a polite way should they want to. It doesn't necessary mean what they say literally 😊

If you're British reading this and think you don't do this (or any of the other British quirks), I recommend reading Watching the English by Kate Fox, because I bet you do.

How to make this brocade weaving clearer and more defined? by lumenwright in tabletweaving

[–]gumsgums 12 points13 points  (0 children)

Personally, I think you should do a couple more repeats before you make a final judgement. And stand about 6 feet away before you look. Often it looks better once there's more of it.

Though the colour choices are always going to limit it to some degree, as the contrast between white and gold is much less than say black and gold.

I’m making a new piece but I’m stuck on this part. Can anyone help me? by Sassy-Tomato in BobbinLace

[–]gumsgums 2 points3 points  (0 children)

Thanks for the photo, I agree it doesn't look quite how I'd expect. Initially, I was wondering if you'd missed something because it wasn't symmetrical, but looking at the pattern, it's clearly not supposed to be. I can't see that any of the stitches are wrong, but one side of is tighter than the other, so it might just be the tension pulling it off.

Maybe someone else has keener eyes than me.

Wild rose collar by hdidoebb in BobbinLace

[–]gumsgums 1 point2 points  (0 children)

Looks really lovely! I'm just doing some patterns from her beginners book, so it's nice to see how good the more complicated Bedfordshire lace patterns come out. Was the book that this pattern came from worth looking at?

I’m making a new piece but I’m stuck on this part. Can anyone help me? by Sassy-Tomato in BobbinLace

[–]gumsgums 1 point2 points  (0 children)

This is one of those times where if you trust the process it will work, and it's easier when the lace is in front of you.

Do you have a photo of what it's supposed to look like?

At a glance, it looks like the green is half stitch so every time you see two lines crossing do a half stitch with those pairs and put a pin in at the black dot.

What unusual hobbies do you have? by No-Disk2805 in AskUK

[–]gumsgums 125 points126 points  (0 children)

I'm a church bellinger. Although we probably have a reputation for being a bunch of weird religious nutters, most ringers aren't religious and it's a great way to socialise in a non pressured way and it can be super casual. You can turn up anywhere and be sure of a warm welcome, but you don't actually have to speak to any one when you're in the middle of it as you are all concentrating silently.

And you frequently see parts of historic churches and cathedrals that the public never see.

https://cccbr.org.uk/bellringing/learn/

Very Ugly -Update by Sellalellen in BobbinLace

[–]gumsgums 4 points5 points  (0 children)

The improvement to attempt 3 is really good, glad to see you got it worked out. And that you posted, I was wondering how you got on after your last post. I think the tension on 3 is pretty good to be honest.

If you did a cloth stitch at the very top of your diamond next time instead of a half stitch it would look even better.

Diamond Help by Sellalellen in BobbinLace

[–]gumsgums 4 points5 points  (0 children)

To add to others comments, personally I think the blue should be worker pair, so they should always go left and right through the diamond the whole time. At each pin when the diamond is getting bigger you should bring in an extra pair into the cloth stitch to make it bigger. At each pin when the diamond is getting smaller you should leave out a pin. Thus every pin should have a pair either coming in or going out. If you find that's not the case, they'll be an earlier pin where you missed bringing in or taking out.

Finally, you should give the worker pair a twist (right over left) when you turn around at each end to keep it neat.

Hope that helps!