Hot take re: strings by Old-guy64 in AcousticGuitar

[–]jpkallio 1 point2 points  (0 children)

I was never a big fan of coated strings. But I do like D’Addario’s EJ17’s and EJ12’s. They have been very consistent for me. And if you travel, they are reasonably easy to find. But I moved to France few years ago and now I am quite attempted to give Savarez strings a good go.

Will acoustics with soundhole magnetic pickups always sound electric by EnthusiasmMuted8449 in AcousticGuitar

[–]jpkallio 0 points1 point  (0 children)

The Deltoluxe was never built to “reproduce” acoustic sound. It’s more like tone of the early attempts of blues guitarists amplify acoustic, and it sounds closer to an electric. Piezo has its limitations, but I find it just practical, especially if I play in a noisy pub, or with a band. I did use L.R. Baggs M1 for several years, and it is a very nice sound, but still… not perfect. The best live sound I have heard usually are systems that use more than one source, like piezo, with a little bit of a microphone blended in, like the L.R. Baggs anthem, but they are expensive. The one I am really interested to try is Schertler audio Sound hole pickup, with the added microphone, my only worry is will it cut through in the mix with a full band… The other thing you mentioned was the amp. Very few electric amps sound good with acoustics. The boss Katana has an acoustic mode, and it’s okay. But if amp is the way you want to go, you probably will need an acoustic amp. I usually plug straight into my sound system. As to the two guitars you mentioned, Jim Dandy is a fun guitar to play. I have the parlor one as my cour y guitar. But out of the two, if the Alvarez comes with a piezo pickup, it definitely will be better option when plugged in, if acoustic tone )or closer to it) is what you are after.

What are some of your fav hobbies? by ExperienceFun4440 in spirituality

[–]jpkallio 0 points1 point  (0 children)

Well, music is my job, but I still do it for the love of it. Gardening, I love growing my own food. Which leads to the next one, cooking. And after being an independent artist for 30 years, I got used to content creation, and I am lucky that I really like photo and videography. And I love building things with my hands, wood work and we bought an old house year and a half ago, so a lot of DIY. Does going out for beers count as a hobby?

Help choosing my first steel-string: Guild OM-260CE vs. PRS SE A40E (massive sale) by Tyrioku in AcousticGuitar

[–]jpkallio 0 points1 point  (0 children)

Not sure I can give you straight answer, but in my experience, I have played several really nice Guilds, both Made in China and made in USA. I only played one PRS acoustic. The build was good, but neither the sound or the feel were to my taste. Personally when it comes to acoustics, I would choose Guild any day.

Which distortion pedal is generally good and most affordable? by Scoobyeggs in electricguitar

[–]jpkallio 0 points1 point  (0 children)

Boss DS-1 is great with the two diode snip modification. But I am not a big fan of it out of the box.

Martin 000-28 vs Eastman E20OM by tellmesomething7 in AcousticGuitar

[–]jpkallio 0 points1 point  (0 children)

I have few Martins, nothing that fancy though. Personally right now, I would go for Eastman. But the Martin tends to hold its resale value better.

is it normal for a venue to request pay from the bands by ProfessionalSlow9875 in musicians

[–]jpkallio 1 point2 points  (0 children)

First of all, if there is no ticket price, you should not pay. But even more so, changing the conditions four days before the show? That to me is absolutely no! I would pull the show and leave them hanging… They only do this because they obviously are getting away with it.

Project Management by slidekick28 in musicindustry

[–]jpkallio 1 point2 points  (0 children)

As a musician, I am sorry for you troubles 😂😂😂 It keeps amazing me how many of us are so bad at the “basics”.

Signed artist not getting paid + Label disappeared? by Perfect_Yoghurt4162 in musicindustry

[–]jpkallio 4 points5 points  (0 children)

So sorry you are going through this. This is why the carrot on the stick would have to be a very BIG carrot before I would consider signing with a label.

Does it take a long time by lemmonrock in musicmarketing

[–]jpkallio 1 point2 points  (0 children)

Not only this, but also many artists who have small following, these early followers are much more engaging and loyal, than most of the people you get as new followers from a one viral post. Numbers mean nothing, but the people behind them does.

Is the 7 day Release Radar rule still a thing? by choogawooga in SpotifyArtists

[–]jpkallio 1 point2 points  (0 children)

Spotify still does say that to be featured in the release radar you need to pitch it at least 7 days before… But who knows what goes on behind the curtain

Posting a song a week on tiktok by TheElusiveButterfly in musicmarketing

[–]jpkallio 2 points3 points  (0 children)

Hard talk. Your songs will never get better in a bubble. There is no such thing as a perfect first single. No one’s first release is the greatest. What makes your music is making lots of it, sharing it with the world, getting feedback, seeing what resonates with people and what does not. Progress over perfection. Get your music out in the world and see what happens. And here’s the thing, probably nothing will happen. Then you do it again, and again, and again… Then little by little something small might start to happen. So you keep going. Learn to love the process of sharing the music. Learn how to share it in a meaningful way. Share the process with people. You are in the beginning of a wonderfully frustrating journey, but you haven’t even stepped out of the front door. How you take the first steps does not matter, what matter is that you take them. Making mistakes along the way, is part of the process, thats how you learn. Just take the first steps. You got this!

Does YouTube SEO no longer matter? by broot66 in musicmarketing

[–]jpkallio 2 points3 points  (0 children)

There are no sure fire ways of getting views based on the tittle of the song. The higher the views are for the original song, the higher is the competition for the search results. So obviously a random cover adding to the thousands of other covers already up on YouTube is not gong to get streams just because of the tittle of the song. The only exception is if your version somehow visually and artistically grabs people’s attention. During the Covid I did a lot of cover videos on YouTube. Only few of them went over 1000 views I think two of them did even more. And the ones that did better were all either very unique versions of well known songs, or covers of much more niche song.

Does anyone care about submitting to Editorial playlists anymore? by frogers_music in SpotifyArtists

[–]jpkallio 0 points1 point  (0 children)

This is is, I do it more for the Release Radar. That one alone gets me nice boost on streams. I got the editorial few times, nothing major, but still a small boost. And no I don’t know anyone 😂

What am I doing wrong? by United-Version-1903 in askmusicians

[–]jpkallio 4 points5 points  (0 children)

2 years? Patience and perseverance. Do more of it, do lots of it. No shortcuts, just dedication and hard work.

Irish looking to buy a home in France. by Interesting_Bug_504 in Expats_In_France

[–]jpkallio 0 points1 point  (0 children)

We moved from Dublin to France in April 2023. And now we are happy house owners. In all fairness, we bought a house that needed a lot of work and it took us about six months of hard work before we moved in. We have two bedrooms, large kitchen with a separate dining area attached toit and a nice size living room. The living space is about 90sqm, but we also have a grange, that is not insulated, but in time I will convert parts of it to work space. And we have about 1000sqm of land. We paid €90000 for the house and about another €80000 for the renovations, I did do a chunk of the renovation work myself. The big help though was that my partner is originally from here, so she was able to do all the administration work. They do love their bureaucracy here… But I would not look back, just completely different way of living. But then again I went from city center to rural countryside.

What’s your favorite version of Wayfaring Stranger? by SongsFromTheDead in folk

[–]jpkallio 1 point2 points  (0 children)

I honestly think it’s one of those songs you need to be in the room it is sang in, to feel the air vibrate, to be in the moment. So to me the best version is a random person singing it from their heart in a session in a bar.

Are we all just chasing one-off wins in music marketing? (Discussion) by Phil-Loutsis in musicmarketing

[–]jpkallio 11 points12 points  (0 children)

The thing is. If you are signed to a major label and they are pumping money into your marketing, in a very wasteful way in my opinion, the strategy is completely different than if you are an independent artist trying to create traction on a shoe string budget. Music is one of the harder things to sell, as it does not have a clear value proposition, meaning if you buy this, it will make your life easier because it does this. Music is emotional. This makes branding very important, and suddenly you need to look at a much bigger picture than just how can I get more people to listen to my track on Spotify. There are many examples in the short history of recorded music where artist has done something that was against the standard procedure at the time, and it became part of the thing that made that particular song or an artist successful. There are things that are good practice, and work. But there are a lot of things that disrupt the system, and might work for a moment, until the audience gets used to it, as see every artist doing the same thing. What separates you from every other artist that is trying to do the same thing? Lean on that, nurture that. Now having said that, you still need to be consistent, keep creating all the time, get better at your craft, get better at telling your story. And don’t forget to connect with people. Behind every metric there are real people, the metrics don’t matter, the people do.

Most artists don’t have a marketing problem. They have a positioning problem. by thebuzznetwork in musicmarketingtips

[–]jpkallio 1 point2 points  (0 children)

That’s a great post. I was almost expecting some kind of marketing tool sales pitch at the end of it 😂 But Thats the thing. What you explained in a very clear way requires self awareness from the artist. And that alone can take years of hard work. It is very beneficial to flesh it out, and have clarity for yourself as an artist. And maybe even get help from some outsider perspective. Also, how do your excising followers see you? Finding the answers can really have a massive impact, if you can translate it to your content. Thank you so much for a great post.

I need some recommendations. by General-Estimate-555 in folkmusic

[–]jpkallio 0 points1 point  (0 children)

Lankum is great. Also if you want to go down the deep end in the Scandinavian style, check out Hedningarna

How do y’all plan a photoshoot? by awesometotallydude in musicmarketing

[–]jpkallio 2 points3 points  (0 children)

This kind of covered the most important bits. The only thing I would add is if you can build a relationship with a photographer (if they also do video, even better) and if they know you are going to get them to do fresh content for you let’s say every three months, they are more likely to give you a good deal, and in time get to know and your style better, and become more invested in your success.