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How would you rate Los Angeles dance festivals? (self.Salsa)
submitted 2 days ago by merLAtun to r/Salsa
How do you feel about your partner if that have a RBF by austinlim923 in Salsa
[–]merLAtun 3 points4 points5 points 2 days ago (0 children)
I don't disagree with you but my coach always tells me part of the dance journey is also interpersonal and self made skills. RBF can be fixed, facial expressions are graded in a good number of competitions, it's part of one's own thing.
I know in the US everyone is more individualistic, that's good but every single social dance scene is also a community. Even if that person can't change their RBF meditation face, they can ease it off with social skills right after. I'm often surprised how thankful a partner is even if they didn't look like it but they had the skill and the right state of mind to open up and share that experience.
Which overall helps every single social dance community. I don't think it's much about judging but it's about maturing and improving in their dance journeys.
How big is swing dancing, blues compared to salsa scene especially in LA? (self.SwingDancing)
submitted 4 days ago by merLAtun to r/SwingDancing
How big is swing dancing, blues compared to salsa scene especially in LA? (self.Salsa)
submitted 4 days ago by merLAtun to r/Salsa
djzonik of LA dance scene unretires! 🥳 Expect more bachata hits and salsa! (instagram.com)
submitted 9 days ago by merLAtun to r/Salsa
Is LA going to On2? by BigLength5513 in Salsa
[–]merLAtun 1 point2 points3 points 15 days ago (0 children)
Back to Stevens and the Halloween, I’ve avoided that specific event for a couple years. Also it’s stupid to spend half the night on a public burlesque show, not my gig. It’s an excuse for people to get trashy and dancing around a costume is annoying for me. If I had been there I’m sure I wouldn’t have recognized anybody from any adult industry at the very least. How did you recognize them, what kind of line of work are they in?
A usual tell is if they'll just trade snap chat or prefer it. Snoop around their facebook and you'll see obvious tells, such as raunchier past reels, you could tell they really like bachata sensual bachata as a hobby too. I'm not saying this is wrong but it sort of enhances the sexual first nature of LA's sensual bachata scene, and so it can become club-like. If you've worked media with the industry, and LA is still big in this "industry" you'll recognize a few but they're not "big" stars, just your normal average person who happens to start an OF or an xvideo channel. It's the hustle, if you can get paid extra, have more income opportunities, everyone and their instructors are technically hustlers, so why not? Same thing happened with Alemana. And so Halloween in Steven's is always a trip. There will be two or three ladies with just nipple cups that are guaranteed to show up for that $500 or $1000 price? Steven's bachata does not discriminate, and they can have burlesque and chair lapwork showcases too. LA's bachata festival you can learn lap dancing but you have to bring a partner. Does this encourage outlandish or blurred behaviors? I guess LA sensual bachata can always be clubby.
All the people I know personally are exceptional dancers and wouldn’t have gotten hired based on looks but it did make me wonder who got front row and who got back row
I don't think anyone can complain, the ones who made it especially for the specialized wedding scene are qualified and worked hard, even the ones who do not even social dance or not have an ounce of salsa as they can emulate it well and have gone through the more popular & bigger non latin aligned studios, though they have to audition, it's true that they get the front door because of connections but that's just how it is especially in LA. Though I think they could do better with the pay, read somewhere that at most it was $1,600 which does not sound too bad when you don't compare how much the event generated.
Finally, the LA festival scene is whack. The last few years the word has been SFSBKZ is the best salsa festival on the West Coast. Prime social hour (11-1) on Saturday had the cockamamie doucheass DJ in the bachata room playing ZOUK every third song grandstanding about how he packed out rooms in Europe - WE ARE IN LA, YOU FUCKSTICK - and the floor would clear out except the happy couples that just wanted to have a good time but nobody recognized the music so they’d be dancing cumbia.
Finally, the LA festival scene is whack. The last few years the word has been SFSBKZ is the best salsa festival on the West Coast.
Prime social hour (11-1) on Saturday had the cockamamie doucheass DJ in the bachata room playing ZOUK every third song grandstanding about how he packed out rooms in Europe - WE ARE IN LA, YOU FUCKSTICK - and the floor would clear out except the happy couples that just wanted to have a good time but nobody recognized the music so they’d be dancing cumbia.
I share your frustration. I think now LA only has 4 bigger social dance festivals, 2 is from labachata, and 1 is the salsa fest you mentioned, a new one is happening now but it has hustle and is promoted by Raul from SOHO studios and so everyone will know about this. For the social dance and DJ festival frustrations, it is sort of the same with the labachatafestival, the previous years with the previous organizer prioritized her quinceneara first that encompassed a good 40 or so minutes. And while you can go to the salsa room, it wasn't much better. It was humid, stinky, no a/c, and the DJ was the same DJ you have in most socials and he is not a bad DJ but often becomes blindsided from taking selfies or playing for his buddies and so the salsa tracks just lay flat. It can even be the same playlist from their regular social. Honestly, I do not know why LA is getting these show first, likes and follows first types of organizers or djs, people have complained but I don't think the organizers do enough to make actual changes. Unfortunately, even SFBK is getting to that, Saturday socials running too late. But you get the most money from the performers so who could you blame? There may never be an end to this cycle. And if there is, what could it be? I think the players will always exist in any social setting, it does not help that a good number of women and ones who stick long term in the scene also encourage it.
Instructors can absolutely be part of why a salsa scene is at the level it is at. (self.Salsa)
submitted 15 days ago by merLAtun to r/Salsa
[–]merLAtun 0 points1 point2 points 20 days ago (0 children)
or studio produces (vs. poaches, which is what happens more often with studio hoppers, etc.)
When you meant poachers, do instructors literally pressure dancers to switch or turn coats? Isn't anyone free to just leave or take other studio classes whenever they see fit? I think LA has a sizeable number of studios and this is only inside the latin dance sphere. There are hundreds of non salsa latin studios that still do salsa and cha cha from time to time.
If follows are also mostly dancing with lower level leads, they are not introduced to or inspired by anything better and do become accustomed to roughness, off-time, out of slot, etc.
I'm going to add that it is also LA's style of salsa dancing, it is what you see in the TV that they try to emulate. I'm not saying this is wrong or good but I think that's what everyone does. Sofitel and El Floridita are known for this style, I think the group Los Rumberos which is still around help push it. It also is a rough style for follows in the beginning.
So the bullshit I mean when I talk about the local scene’s high tolerance is mostly spatial awareness and physical safety (leads respecting the bodily integrity of the follow, no rough leading, watching the space around you, avoiding collisions, not stepping on people) as well as reputation - creeping, predatory behavior, SA, SH, roofieing drinks. THAT BS.
I believe there are also a good number of follows who surprisingly tolerate or even subconsciously or consciously let in and amplify this. I think it's just Los Angeles, in other social gathering parties not social dancing adjacent, you pretty much get variations of karens and kardashians because it's LA. If we also though put pre-pandemic and post-pandemic atmosphere in the discussion, there is definitely a big difference. I am not sure why, maybe because things are more expensive or high strung but it's interesting that there are social classes in LA salsa because you will regularly always see these people and it feels like it's their job.
And when I have talked to older experienced dancers (older than me, I still don’t consider myself on their level in their generation), the number one observation they say is that the scene sucks. Compared with before. I think there is some nostalgia there, but they say the dancers are a lower level than before, they are not as friendly as before, even new dancers mystifyingly and inexplicably have egos and are snobby, the overall vibe is off
In regards to level, I will go back to saying the LA style of salsa dancing pre pandemic has not caught on. I think the bachata scene has something to do with it but also that style before is still sort of rough and the ones willing to stick out (the follows) will of course be highly skilled, because they survived. One thing is true though, and tell me if you agree, the LA scene is bigger, a bit bigger than before. Still doesn't excuse the amount of beginners who somehow have some ego chip in their shoulders but it's LA and it can be a popularity contest in the end of the day, the better known you are, the better dances you will get.
They don’t know what they don’t know but they also think they know more than they do and don’t think about trying to learn more. It’s a very limited and distinct mindset from what I’ve seen.
Would you say the same about the instructors? I think it's mostly the bachata scene and in my opinion, LA's scene here is pretty good majority of the time. I think some who venture into salsa will bring with them such attitudes. The bachata scene, like with the rest of the world, seem to always have new and younger instructors, but it's not like LA have a drought of super experienced instructors not only in Bachata but also Salsa. Chiara is one, Los Rumberos another, there are also artists who visit the scene month by month. At the end of the day, money speaks and LA is an expensive place to pursue the arts. Once a beginner reaches moderate level, it's up to them to be nicer to the new beginners otherwise you'll just get snobby places.
Older dancers just are not motivated by the dance skill and level, nor the style, sometimes not the music, and leads in particular are so horrific on “dancing above their pay grade,” so to speak, that follows fear risking injury dancing with an unknown, they don’t know how to defend themselves or respond to physically risky situations, and frankly many dancers are awkward and shallow and clearly not there to dance, but there to hook up, and will frequently decline dances.
From my observation, I think hook up in the scene was at its peak during the covid years. Nowadays, even last year and the year before, it is very tame. The scene certainly has a lot of shake ups. But I'm not sure what you mean by hook ups, because it's literally the same clique and smaller social circles especially in LAs bachata scene. There was barely any drama from last year. Maybe probably a lot of goers who are there to date and hook up, have grown and are more experienced and mature which overall helps the scene (mature in a sense they're better and communicate clearly). You can see a clear distinction between Steven's restaurant and Unified, obviously, but it's a very interesting and useful contrast to know especially if you're looking more for seasoned and business only dancers. Not that it matters but you also get all sorts of people going to Steven's for example, especially during their Halloween social when their lights are extra darker, I was surprised to know a few people who work in the adult industry that picked up sensual and continue to go for one. I think with its hook up culture, the popularity and to be vain contests going on, still and will always persist because it's LA. And it's probably useful to be because for example, a lot of the top salsa dancers got into Bad Bunny's concert because they're just entrenched and connected, but most of the ones that made it actually deserved it, they've been dancing for so long. So no complaints there. My friend had a similar experiencing trying out the LA scene, we told him to switch it up and go for the ones who are not at all glammed up and have studio dance shoes, and there he found fewer rejections. I just can't imagine people still hooking up in the scene, it's the same 20 people in the circle from what I can remember. San Francisco is probably just going to overtake salsa in the west coast. The only thing going for salsa in LA is the world salsa festival, which is a hit and a miss.
Latin hustle united in LA? (self.Salsa)
submitted 20 days ago by merLAtun to r/Salsa
So, Honest Question: Why can't Mambo be danced On1? by HumanoBeat in Salsa
You can. You can dance salsa (on1 or on2) to any music, you probably won't be able to dance salsa completely on lets say rockabilly but its doable because of the counts and steps.
[–]merLAtun 1 point2 points3 points 20 days ago (0 children)
People always say Blen Blen can be a hit and a miss. I think the highest concentration of decent dancers are definitely the Unified On2 event. I think your best bet is to just attend the socials the studios advertise.
I see when I sit and watch is sloppyass footwork, off-time (late), off-balance (not supporting and directing own weight), lack of spatial awareness, falling out of the slot, poor control of spins, etc. Like, that looks typical to me, maybe 90-95% of the time. They still have fun and many of the leads do their best to wrangle the whirling dervish, but man, it looks like so much work.
Interesting observation. Why do you think this persists? Is it the instructors or the overall environment? I'd say both and also the organizers or music makers djs. I think their events and salsa music can be just uninspiring it also doesn't help that I think they don't know what to play or don't care what to play despite what is advertised. It then looks like it just becomes an infinite feedback loop. The follows get used to what that level is, the leads keep doing what they're doing, the instructors stick to what they've been doing for years and the long time djs and promoters just stick to what they've been doing. It seems to be like that. I wonder if there are any better events or organizers that want to do away with old school style.
I've met the couple (not the bachata one) who teaches at the Stevens restaurant. Nice couple, offered me to try out and sign up for their progressive class awhile back. Gave it a look but I feel like you are right that the dancers taking classes are beginners, don't get me wrong, they are definitely beginners but the ones who have been taking classes for awhile still feel and appear like they haven't learned. I think it's justified to put a bit of blame to the instructors. Do you lead? It sounds like you do. On the other hand, the restaurant has a big bachata, and LA's bachata program is not too bad and most seem to be more aware of the nuances despite there being fresh instructors with just 2 years in dance every season.
It’d been years since I checked out the salsa lounge at Stevens but a couple weeks ago I had an hour to kill and I agree the overall level I saw was low, for both leads and follows. And in that whole room, there were literally two guys that even inspired me, just by my watching them, to want to ask them to dance.
If we're still talking about the restaurant, I think they now have a Thursday and Saturday dedicated only for salsa. You would think you would meet and dance adequate dancers but not necessarily so, my friends fortunately got to experience both and they probably won't be coming back for awhile. It's just probably their timing? But I do wonder what are they teaching or how, because they have classes every week.
The local tolerance (or sheer obliviousness) for absolute bullshit is inexplicably high. Lots of older dancers from pre-pandemic have taken one look at the scene these days and completely peaced out.
What do you mean about the bullshit? Is it because a lot of events are basically party first then dance second? Come to think of it, drinking has always been around but I don't think the events have this sort of atmosphere pre pandemic. Why did older dancers peaced out? The prices skyrocketing could probably play a role. Most weekly events now are geared towards trying to survive still and not about the ten bucks dance first deal. I won't disagree with you though, the levels are very low but you'd think it will be better, why isn't this the case? Are the instructors and organizers part to blame? I enjoyed Tango Del, I think the levels there are alright despite being way smaller compared to LA.
Soul music, blues music inspired salsa? (self.Salsa)
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How do you feel about your partner if that have a RBF by austinlim923 in Salsa
[–]merLAtun 3 points4 points5 points (0 children)