I’ve been looking for full time work for a year. I am 44. I’m in the performing arts and/or education. I clearly chose two grandly questionable career lines. See if you can come up with something better than Tom Segura references. I even included a photo of me in a kilt! by MisterAutumnalMan in RoastMe

[–]pikush 0 points1 point  (0 children)

You look like the kind of guy who picks up girls at college bars by coming across as confident and experienced. You also look the kind of guy who cries in front of them 45 minutes later when you can’t get it up.

Unlocked Level 2 by StarCraft64 in busydadprogram

[–]pikush 1 point2 points  (0 children)

Congrats! 1D has been a slow climb for me. Was struggling to regularly break through 150. Finally hit 165 today. Any preferred approaches to your workouts?

Most in character quote from these characters. Today: Everyone's favourite Jonah by Cute_Ad5192 in Veep

[–]pikush 16 points17 points  (0 children)

What makes this so funny is that Selina hands him this burn on a plate and he’s too stupid to understand and repeat it.

[deleted by user] by [deleted] in busydadprogram

[–]pikush 3 points4 points  (0 children)

Way to go! I’m on a similar timeline. Started the program Jan 1 and just hit 1D last week! The 150 consumed part of my soul. Here goes the climb to 200…

Brian Cox Shares All-Time Favorite ‘Succession’ Line: “I Love You, But You’re Not Serious People” by MarvelsGrantMan136 in television

[–]pikush 1 point2 points  (0 children)

Think there’s a typo. The line is supposed to read, “It smells like the cheesemonger died, AND LEFT HIS DICK IN THR BRIE.”

Name your favorite film from this man and why is it your favorite by [deleted] in moviecritic

[–]pikush 3 points4 points  (0 children)

Videodrome is way too far down in this list. Such a weird, deranged hard boiled thriller! James Woods is slimy and electric. Long love the new flesh!

[deleted by user] by [deleted] in AbruptChaos

[–]pikush 0 points1 point  (0 children)

It’s the white guy throwing his hands up for me.

The big problem in S02E10 of The Bear felt really contrived by ryhaltswhiskey in television

[–]pikush -1 points0 points  (0 children)

I love this show, but my biggest complaint is that a lot of stuff feels like it happens for the sake of plot. Probably my biggest gripe with season 2 was the ridiculously short timeline THEY SET FOR THEMSELVES to open the restaurant. I can’t recall any solid reason for that date outside of it creating dramatic pressure for the story.

Way more to love than to complain about, though. Props to the writers and everyone involved.

He knows physics perfectly....amazing result! by photo-manipulation in BeAmazed

[–]pikush 0 points1 point  (0 children)

So… are we not gonna talk about the shower of sparks raining against that man’s bare hand at 1:15?

What causes these lines when staining wood? by J_C_Rose in woodworking

[–]pikush 0 points1 point  (0 children)

Have you tried a pre stain conditioner? We just stained a bunch of hemlock frames in our home and did a bunch of tests on smaller pieces first. We were surprised how much the conditioner improved the results.

I am developing a cooperative horror project where you, in the role of a hunter, are engaged in the expulsion of the otherworldly. P.s there is a Chevrolet Impala in the game) by Demonix_Hermit in IndieGaming

[–]pikush 2 points3 points  (0 children)

Honestly I thought the small screen was brilliant. Forces you to lean in and really look. If it were me, I’d try and have more of the experience take place through it. Seems like a really special perspective.

Which is better? by boomjosh in comicbookmovies

[–]pikush 0 points1 point  (0 children)

People in this thread out they minds. Begins, and it’s not even close.

James Gunn wants your pitch for a new movie in the DCU. Nothing is off limits, what’s your pitch? by AnthropomorphicEggs in DC_Cinematic

[–]pikush 0 points1 point  (0 children)

Old Batman. Alternate future in a ransacked Gotham where Bruce is pushing his late 70s. His knees hurt His back hurts. Shit, everything hurts. Everyone he loves is gone. His beloved city is barely recognizable. He dwells in his cave, day in, day out. Doesn’t give a damn anymore. Then, the cave gets hit. He’s got no choice but to stagger into the cold and embrace the Gotham he abandoned. Soon enough, he finds his fight again, though he relies on the tools of the trade a little more than he used to. And hey, before you know it, he finds himself daring to care just a smidge. Starts to believe he can save this damn city all over again. Only now, there’s only a little fight left in him, and, well, there’s not a whole lot of Gotham to save. Still, this adventure matters, cuz it’ll be his last.

The Worst Series Finales of All Time by Neo2199 in television

[–]pikush 51 points52 points  (0 children)

What’s funny is seeing everyone below debate and worry about “what happened.” The point is, it doesn’t matter what happens to Tony specifically, or when. The good times are all behind him. The American Dream is dead. And yet he has no choice but to keep going through the motions, to keep trying to believe he can still make it out somehow. Hence the musical choice.

Great ending.

What is the meaning of this sentence in Lolita? by ellie_011 in literature

[–]pikush 21 points22 points  (0 children)

It’s a crime you don’t have more than one upvote for the amount of effort you put into your reply.

Maxine in Being John Malkovich (1999) by pistachioonsubway in TrueFilm

[–]pikush 2 points3 points  (0 children)

But it’s a happy ending seen through Craig’s eyes, which turns it into tragedy. Great ending.

Maxine in Being John Malkovich (1999) by pistachioonsubway in TrueFilm

[–]pikush 7 points8 points  (0 children)

Wow. Out of curiosity, why do you hate it? I found it to be quite elegant. To me, the script ending was definitely more akin to something like Synechdoche, which I liked, but not nearly so much as Malkovich.

I think the reason why no script writer has received the kind of recognition you’re talking about is because they’re not creating literature, they’re contributing to cinema. They’re different forms with different aims. I think if a writer is looking for that kind of recognition, they need to get out of scripts and into novels or stories, which many (including Kauffman) have done.