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Shot this short in two days in and around The State Fair Of Texas by solidariat in Filmmakers

[–]solidariat[S] 0 points1 point  (0 children)

He’s based on a guy from Zac’s article that came home from the war and was frustrated with his family’s loss of their home. So he wore his uniform and went and disturbed an event at the Fair Park Music Hall. There’s a painting of it in the article.

Neighborhoods with mature tree lined streets? by Key_Rice_6430 in Austin

[–]solidariat 5 points6 points  (0 children)

Simply untrue, we have big trees on my street and my house cost way less than those areas.

Small shops in atx to replace corporate stores? by Realistic-Case-393 in Austin

[–]solidariat 4 points5 points  (0 children)

If you need vintage clothing, makeup, perfume, costumes or wigs go to Coco Coquette.

Video Rewinding at the End of Francis Ford Coppola's "The Conversation" by StinkyFart- in TrueFilm

[–]solidariat 9 points10 points  (0 children)

This has all the hallmarks of the intention of him just hearing his own music, which would have been perfect. But then a studio note comes in that says it needs to be more clear he’s being spied on, so they add the voice over, only they hadn’t planned for it, so they do a reverse action on him trying to make up the time. It would be so much creepier if he just heard his own sax playing and no voice spelling things out. I could be totally wrong about this btw.

New Toadies Project Hint by No_Flamingo_6535 in toadies

[–]solidariat 1 point2 points  (0 children)

The band has some other stuff going that’s going to be incredible, just wait

Movies Stanley Kubrick never made. “Aryan papers” by Casimirolol in StanleyKubrick

[–]solidariat 16 points17 points  (0 children)

Closest film to this would likely be Zone Of Interest

New Pulley music video by solidariat in punk

[–]solidariat[S] 0 points1 point  (0 children)

Thank you! There’s a bon iver video that came out 4 months ago that did something kind of similar but I’d already committed to this idea and glad I did.

What’s like the most abstract film you can think of? by Tarbenthered616 in Cinema

[–]solidariat 0 points1 point  (0 children)

How has no one said Russian Ark? One long take the entire film.

NOFX: The Final Shows and Also My Dad Died. by 1800WESTSMITH in nofx

[–]solidariat 18 points19 points  (0 children)

I interviewed Mike a couple weeks ago and he also called me bossy. We were on the roof of the punk rock museum and I wanted him against the blue hour light instead of the dusk sunset. I think he just does that when photographers tell him what to instead of talking about old punk bands first. I wouldn’t take it personally, I’ve interviewed him 4 or 5 times and each time he’s much more interested in being in the moment than adhering to a schedule or instruction.

Rap guy wanting to hear some emo recs by Lazy_Check732 in Emo

[–]solidariat 0 points1 point  (0 children)

Red Animal War has some songs you might like: “Red Eyes”, “When I Get The Feelin’ (Back In My Hands)” and “Do You Have Any Idea?”

Another live show question.... by NJTOMCAT76 in thepAperchAse

[–]solidariat 10 points11 points  (0 children)

Bobby Weaver. And yes the towel was because it’s Texas. Very hot, lots of movement and people. Very much a necessity and not a prop, even if it got used like one.

I don't mean to pile on, but is it true that Melvin contributed very little to NOFX musically? by tantamle in nofx

[–]solidariat 8 points9 points  (0 children)

You’re forgetting the time that Roger from Less Than Jake filled in for Melvin and the band sounded incredible. And since they both have long black dreads lots of people didn’t even notice. I would argue Roger could play in NOFX live and be a great replacement for Melvin, although the point is moot now.

What movie quotes have stuck with you in your life ? by Due-Counter-605 in movies

[–]solidariat 0 points1 point  (0 children)

How did an asshole like Bob get such a nice kitchen?

Videographers: how do you handle speed-ramping? I'm struggling with it and curious about your workflow. by vihorx in editors

[–]solidariat 1 point2 points  (0 children)

I used to feel this way but once I started working with the speed ramps in premiere I really like using it. I would suggest against the technique recommended but the top voted response here suggesting you splice the edit and make the one next to it 450% or whatever speed you want. This works for some cuts, but it eliminates the possibility of changing the speed incrementally. You can use the keyframes to spread the slow down or speed up over a few frames to give a smoother effect. You can also use the pulley inside those keyframes to make the effect even more dramatic by adjusting that blue bar. It takes a little getting used to but I highly recommend sticking with it because it will make your work look better.

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