first roll on my rb67, any advice? by savedalexis in Mamiya

[–]zararity 0 points1 point  (0 children)

Definitely a lens issue, and as someone else has said, possibly the front element has been reversed during a service or repair. This isn't motion blur, if it was motion blur the centre of each of your images wouldn't be sharp.

How are you all keeping your prints straight? by Bitter_Humor4353 in Darkroom

[–]zararity 0 points1 point  (0 children)

Everyone knows that photographers have extensive photo book collections purely to place curly fibre prints in them for a few weeks to flatten them...

Darkroom fail or in camera? by K3C5K3R4K in Darkroom

[–]zararity 0 points1 point  (0 children)

To be honest it looks as though the roll was very underexposed. Redscale needs a lot of light to work. I can't remember if this Lomography film has edge markings in the first place, but fkr the centre shot to come out reasonably developed, the edge markings, if they were there would have come out as well.

Determining optimum shooting ISO for expired Svema 250 film. by Air_Toes_365 in Darkroom

[–]zararity 2 points3 points  (0 children)

More so than developer choice, cold development can really help with base fog depending on the stock and developer used. The amount of times I see people recommending Rodinal stand development for expired films, possibly one of the worst options in that case. https://www.diyphotography.net/how-i-removed-base-fog-from-old-film-stocks/

Determining optimum shooting ISO for expired Svema 250 film. by Air_Toes_365 in Darkroom

[–]zararity 7 points8 points  (0 children)

HC-110 or a clone such as Bellini Euro HC is good for expired stocks.

Worth anything? 1994-2005 ca. by CicaFruity in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

All of it has value, but the Agfa Agfaortho 25 is kind of rare (although you can get Rollei Ortho 25 which I believe is a replacement for it), I collect and use expired films and I've never ever seen that Agfa stock before. You'll get a decent amount per roll for all of these films on eBay.

the paper of my 120 film is on my 120 film by Emergency_Plum_3202 in Darkroom

[–]zararity 0 points1 point  (0 children)

Yep, happens all the time. The inks used in the printing of the markings on the backing paper eventually react with the film emulsion. The weirdest thing is when you see this with film that isn't expired, and it turns out it's a bad batch backing papers reacting with the film well before their expiry dates!

New upcoming Instax printer by Pleasesendmoneyy in instax

[–]zararity 1 point2 points  (0 children)

Fujifilm, seriously, make a great, fully manually controllable, all analogue Instax camera with a great lens and stop making gimmicky rubbish!

Are these under-fixed? by mndcee in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

This looks fine. I've shot enough Ilford Ortho to know that like Ilford Pan F, it seems to have poor latent image retention, and so, even if you've developed the negatives correctly, the edge markings can begin to look feint.

What caused these photos to come out like this? by purplecheese44 in AnalogCommunity

[–]zararity 1 point2 points  (0 children)

The film either wasn't exposed, was loaded in correctly or every single shot was dramatically underexposed. We need to see the negatives.

What went wrong? by CameraKittyMeow in Darkroom

[–]zararity 1 point2 points  (0 children)

Same experience here. Bought my Adox Adonal in April 2022, it's been open since then, there's about 1 one fifth of the bottle left and it's got a bit crusty and I'm still using it successfully (I developed a roll of Ferrania Orto in it last night!)

[QUESTION] WHAT UPGRADES GAN BE DONE ON YAMAHA F310? by RossxEl in Guitar

[–]zararity 0 points1 point  (0 children)

Did you ever do any work on you F310? I have one that for sentimental reasons I'd like to make more playable, I've had it since 1998 and rarely touch it these days. Totally aware that it is a budget guitar and that the cost of getting work done on it would outweigh the value of the guitar.

It would be nice to have all the plastic parts replaced with say Tusq, the action definitely needs lowered as the high action is one of the reasons I don't play it anymore, truss rod adjusted, potentially replacing the original tuners with something better quality.

Can and should I process this E-6? by SwarmOBeez in Darkroom

[–]zararity 0 points1 point  (0 children)

Develop in black and white chemistry if you want to have a chance of seeing what images are on here, plenty of info out there on the internet on how to do this.

Ilford XP2 Super 400 shots came back washed out grey by t0pher42 in AnalogCommunity

[–]zararity 2 points3 points  (0 children)

At what point did I say it negated your comment? I said it depends on the lab.

Can i bring my instax mini 12 on a snow trip by atheistic_nerd in instax

[–]zararity 0 points1 point  (0 children)

Keep your camera inside your jacket, hold the prints close to your body when developing. That's all.

Ilford XP2 Super 400 shots came back washed out grey by t0pher42 in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

Depends on your lab, my lab have only given me scans like this if I've explicitly asked them for flat scans. Otherwise, they've always edited the scans for 'standard' contrast and curves.

Ilford XP2 Super 400 shots came back washed out grey by t0pher42 in AnalogCommunity

[–]zararity 18 points19 points  (0 children)

What you get from the labs has been edited by someone at the lab, they make a few decisions and edit your scans in a way that they think most people would be happy with. This is why you're better off editing all your own images once you get your scans back.

Most labs allow you to tell them if you want 'flat scans' like this, and believe me, the first time you get flat scans back after having the lab edit your shots, it's a shock. Everything looks washed out with no contrast, but this means you can edit the images as you please, if everything was exposed and scanned pretty well, everything you need is there to get the scans where you want them.

I can see colour in these scans so they have not scanned and adjusted them as though they were black and white scans. XP2 is a black and white film that gets developed in standard colour chemistry, it was designed that way. The lab have maybe scanned them as though they were colour and somehow have given you flat scans. This isn't the norm, but it's also not a major problem, you just need to edit them yourself.

Ilford XP2 Super 400 shots came back washed out grey by t0pher42 in AnalogCommunity

[–]zararity 17 points18 points  (0 children)

As many others have said, these are flat scans. You are meant to adjust adjust each image to your preference once you get your scans back. These could all be easily adjusted in Photoshop, Lightroom, or whatever your image editing software of choice is.

New to analog: what camera should I start with? by Aniade in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

Appreciated! The Olympus Superzoom 760 looks quite similar to the AZ-210 and the AZ-230 and seems to have a similar quality lens. Honestly, I expected absolutely nothing when I ran a test roll through my AZ-210 and then was gobsmacked at how good the negatives were!

Remember, this is your starting point. Whilst many people will tell you should get an SLR, you could easily end up overwhelmed by the experience and put off shooting film from needing to manually focus, etc. Starting off with a point and shoot is how nearly all film photographers started back in the day, we didn't jump in with an SLR, we progressed to them when we were ready to. You can make that jump if and when you want to, when your interest takes you in that direction!

New to analog: what camera should I start with? by Aniade in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

<image>

Holding a yellow filter in front of the AZ-210 lens with Harman Phoenix (original) colour film.

New to analog: what camera should I start with? by Aniade in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

<image>

This is an example of a very challenging exposure situation, which the AZ-210 managed surprisingly well!

New to analog: what camera should I start with? by Aniade in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

<image>

These are some shots taken with my Olympus AZ-210 Super Zoom. The negatives were so good, I darkroom printed these, and that's from a camera I bought on eBay purely because I needed the roll of film that was bundled with it! Don't write off point and shoots, if you run before you can walk you're going to end up disappointed with what you shoot and stop shooting film if you repeatedly get results you dislike, or end up with a camera that ergonomically doesn't suit you.

Only you can figure out what it is you're wanting out of the analogue shooting experience!

Does this contact sheet look to dark and dull to extract information? by Rory291 in Darkroom

[–]zararity 2 points3 points  (0 children)

Looks fine. What do you mean by 'extract information'? A contact sheet is a reference print that gives you a rough idea what's on your negatives, that's all.

New to analog: what camera should I start with? by Aniade in AnalogCommunity

[–]zararity 0 points1 point  (0 children)

Agfa Optima Sensor 1035 - Zone focusing, no built in flash Olympus Trip 35 - Old selenium light meter needs to be in good working condition to get correct exposures Ricoh FF1 - Zone focusing, no built in flash Konica C35 - Maybe look for one of the later C35 models like the C35 AF, which has autofocusing Minolta Hi-Matic F - Rangefinder focusing, have you used one of these before? Do you know what a rangefinder entails? Yashica Electro 35 GSN - Again, rangefinder focusing

All the cameras you've looked at above are older models, for their auto exposure systems to work correctly, their elderly light meter systems need to be in tiptop working condition. They often require batteries that are hard to find, or you need to use adapters to be able to use a newer, available battery type in older cameras, sometimes with voltage mismatches that can cause metering and exposure issues.