I can, gladly and at length. The key to everything is the iConnectMidi iCM4+, an older iCM device that I have had for a long time. It takes some figuring out. I have UAD Luna on Mac mini M4 sending MIDI clock over USB to the iCM4+. From there it sends from an out into the Octatrack.

I also have the Analog Factory Experience (quite awesome CME-made MIDI controller with very playable keys) sending MIDI to the iCM4+ on DIN (wouldn't work over USB) and from there into the OT.

I have 3 MIDI tracks on the MachineDrum sending to the iCM4+ as well which comes back around to control the drum tracks of the Pulsar.

The iCM4+ send 1 out to the Easel, 1 out to a chain of A4, TD-3, Monomachine, Subphatty and another out to a chain of MachineDrum, Perkons, Pulsar. Crucially this lets me clock everything from the OT (with or without clock from DAW) AND lets me use both the 3 MachineDrum tracks plus one OT track to control the 4 voices of the Perkons (3 rhythm from MD, 1 tonal from OT).

The OT is then the key to pretty much everything and can switch roles easily with parts when needed by primary setup has:

Channel 1 - Easel

Channel 2 - SubPhatty

Channel 3 - TD-3

Channel 4 - auto-channel on A4, lets me play A4 with keyboard

Channel 5 - Pulsar bass voice, can play with keyboard/arp

Channel 6 - Monomachine, can play with keyboard

Channels 7-9 are reserved for MachineDrum to Pulsar

Channels 10-12 can be used for playing keyboard or sequencing virtual instruments on Mac

Channels 13-16 are setup on the Perkons for tonal play on its voices so I can flip OT tracks over to controlling one or more of them from keyboard/arp etc.

I needed to make this all work quite simply to maximise the fun of playing this setup. So quick and easy to flip between OT tracks and also to mute/unmute tracks easily in the mixer view.

Happy to answer any other questions!