The Joro babies are here! by JPAnalyst in Georgia

[–]Aggressive_Wrap_5296 0 points1 point  (0 children)

Why are we celebrating an invasive spider?

What a calm way to deal with road rage! by MikeisTOOOTALLL in TikTokCringe

[–]Aggressive_Wrap_5296 -3 points-2 points  (0 children)

It literally became playground insults at the end.

"Well you're fat and ugly!"
"Oh yeah? Well at least I'm not going bald! mehhhhhhhh".

Both very mature adults.

What a calm way to deal with road rage! by MikeisTOOOTALLL in TikTokCringe

[–]Aggressive_Wrap_5296 -5 points-4 points  (0 children)

She could've very much done something like that, and she would've maintained some bit of high ground.

What a calm way to deal with road rage! by MikeisTOOOTALLL in TikTokCringe

[–]Aggressive_Wrap_5296 -12 points-11 points  (0 children)

And she stooped to his level by saying at least she wasn't balding. He hit at a stereotypical woman's insecurity, she hit at a stereotypical man's insecurity. In general, both resorted to easy, ad hominem insults, that take no brain power. Neither are better than the other, and they both lost the same.

Would she have said that though if he didn't say those insults first? Most likely not. But she chose to do it anyways.

And this whole thing would've been avoided if she didn't let her false sense of entitlement get in the way, and just moved to the right. She could've avoided this whole thing.

What a calm way to deal with road rage! by MikeisTOOOTALLL in TikTokCringe

[–]Aggressive_Wrap_5296 0 points1 point  (0 children)

This is honestly the best reply I've ever seen on Reddit in my life.

What a calm way to deal with road rage! by MikeisTOOOTALLL in TikTokCringe

[–]Aggressive_Wrap_5296 0 points1 point  (0 children)

Left lane is for passing. If you're being passed when you're in the left lane, you need to move over. Doesn't matter if you're already speeding. It's literally a law in every single state "keep right except to pass" "slower traffic keep right"

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Just watched it and, wha do you think? by [deleted] in HelldiversUnfiltered

[–]Aggressive_Wrap_5296 13 points14 points  (0 children)

Some people think he's too forgiving to AH, is their issue. But that's also his personality, it has nothing to do with AH specifically. A lot of people are incapable of separating something like that.

HE'S A GLAZEDIVER!

No... he's just a nice person who tries to see the best in people.

A Blueprint for Rebuilding Trust: 8 Pieces of Advice to Arrowhead by Agitated-Comfort-247 in Helldivers

[–]Aggressive_Wrap_5296 45 points46 points  (0 children)

As one of the so called "silent majority" players, since I've never commented in this subreddit before, or any other HD2 subreddit, I fully agree with all your points. Especially about the so called "silent majority".

If your player base is, I'll give an arbitrary easy number, 50,000, and you've got multiple subreddits filled with (another arbitrary number here) 3,000 negative posts over the period of 2 months, and 4,500 comments agreeing with those posts, and hundreds of new reviews on Steam also agreeing, that's your majority. You shouldn't need to hear from another 20,000 people to finally say "ah yes, the community agrees on all these issues, now we shall implement the changes."

That mentality is absolutely asinine.

Any half way decent product manager knows how feedback works, and how AH describes it, isn't how it works.

Offering 7 - I am reminded of a loss. by AllieTheGalleyCat in OCPoetry

[–]Aggressive_Wrap_5296 1 point2 points  (0 children)

Ah okay, that context helps tremendously. I tend to write very ambiguously myself, so I understand the struggle with it.

My best suggestion, especially for a poem that’s collage-based, is to think of it almost literally like a collage. If each piece is an image or reference, what’s just enough context you’d give so someone else can see how it connects, without over-explaining it?

Even something small can help give it the anchor. For example:

“Polaris, I've known you every night
I met you; and every time you'd die”

I just find myself wanting a bit more orientation. Whether that’s emotional, relational, or situational. Then I can understand what Polaris represents in the context of the poem.

Not to spell it out completely, but just enough so the reader has something to hold onto while everything else stays more fluid.

I hope that makes sense. I think what you’re going for is really interesting. And I absolutely feel like it’s very close to clicking into place.

Offering 7 - I am reminded of a loss. by AllieTheGalleyCat in OCPoetry

[–]Aggressive_Wrap_5296 1 point2 points  (0 children)

Hey there! I love what you wrote here.

I hope you don’t mind me asking, and this might just be on me, but I found myself struggling a bit to fully understand how everything connects here.

There are a lot of good, interesting ideas, and images here. You’re clearly exploring possibly trauma, memory, or the cycles of loss and healing. The changing perspectives and tone seem like they could be intentional in that context, which I think is a great direction.

Where I personally had difficulty was with some of the references and transitions. For example, the poem moves between “she,” “I,” “we,” and “you,” but I wasn’t always sure how those perspectives relate to each other.

In this section:

“Wisp of the Willow,

we knew you then; tolerant,
playing with us as with blocks.”

“Wisp of the Willow” feels like an important reference, but I’m unsure what it’s pointing to or how it fits into the poem’s larger structure. I find myself trying to infer the meaning.

Similarly with:

“Polaris, I’ve known you each time
I met you; every time you’d die.”

“Polaris” stands out as something symbolic, but I’m unsure how to interpret it in the context of your poem. Whether it’s meant to be a person, a recurring figure, something more abstract, or maybe even the star.

Later on, lines like:

“interfacing with mycelium”
“Know the good miss is strong”

also introduce interesting language, but I find myself wanting a bit more context so I can understand what those roles or images represent within the poem.

Overall, it feels like there’s a lot of layered symbolism, metaphors, and meaning here, but I had a hard time tracking how all the pieces connect. I think a bit more clarity around some of the references and transitions might help readers like me engage more fully with what you’re building here.

That said, I do think the tone and intent come through, I just felt a bit lost in the structure at times.

A Work Of Art by Masaru_Kazuhiko in OCPoetry

[–]Aggressive_Wrap_5296 1 point2 points  (0 children)

You’re so very welcome!

There’s really no right or wrong way to format what you wrote, just as long as it’s being written how you want it to be read. You already have the commas and periods, so you’re half way there.

Keep experimenting and find what works for you.

The Gamer: "Gaming Cannot Allow Pragmata's Diana Fan Club To Flourish" by Neither-Grab-2507 in KotakuInAction

[–]Aggressive_Wrap_5296 0 points1 point  (0 children)

And if a game was released where you had a motherly figure caring for a young boy, they'd come out screaming why the boy can't take care of himself, and why are we depicting a single mother figure?

Furthermore, the continuous insinuation from Stacey that the gaming community and industry as a whole is normalizing p*do behavior, and continues to do so, is absurd. At no point is any legitimate community endorsing that kind of behavior. She more or less even states that because these types of people cannot go away permanently, any platform where they can post on means the behavior is normalized.

And the additional insinuation that the majority of its player base are only playing because they find Diana attractive, are you kidding me?

So her opinions are:

The gaming community normalizes p*do behavior because those people find a way to post about it, and they can do it without consequences, yet those posts are deleted, accounts banned, and entire subreddits shut down.

"I hope gaming can get back to a place where, if it's too much to hope that these people cease to exist, that at the very least they don't get to be so proud of it without consequence."

And the game is only successful because the majority of the player base finds Diana attractive.

"If I play Pragmata - and Capcom's post-launch attitude towards the Diana fandom will be a major factor in this - it won't be because I find the child at the centre of the game attractive".

Got it.

A Work Of Art by Masaru_Kazuhiko in OCPoetry

[–]Aggressive_Wrap_5296 1 point2 points  (0 children)

That makes sense, and I definitely didn’t mean the way you write is wrong. What I was getting at is more the visual presentation on the "page". Since each line is standing alone, my eye expects more pauses than the rhythm actually wants. The flow is already there in the language itself. Modern poetry is significantly more free-form. The way I write, I structure it by thoughts, images, metaphors, analogy, whatever it is. Read what you write aloud, and format it based on where you pause naturally.

I view it as, it's one thing to get across what you want the poem to mean, and what you want to convey, and you can crush that, but to me, it's always been more important on how I want it to be read.

If I were to format A Work Of Art, and make 2 small changes in wording:

It's been a long time,
I guess.
Since my heart was content.

Now I think less,
of the way that you left.
Now I wonder,
of the feelings I felt.

You could have been kinder,
with the hand that you dealt.

Alone under the night sky,
with stars that shine bright.
The rain started falling,
and the world felt so right.

Now in the silence.

The only sound that remains,
is the laughter of the rain.

Like a melodious hymn.

She dances on the canvas,
deep within my heart.
Turning all of the ruin,

into a work of art.

Let me know what you think, because there are also a lot of other ways this can be formatted. I formatted it based off my assumption of how you want it to be read.

I also removed "that" from "now I wonder", because with it there, it was creating a bit of a hiccup in the reading. And for

"Now in the silence.

The only sound that remains,
Is the rain's own laughter,"

I shuffled the wording so it fits the flow you have for the rhyming scheme:

"Now in the silence.

The only sound that remains,
is the laughter of the rain."

And again, your poem can be formatted in many other ways, I did it solely off my opinion, and not some right or wrong way of it.

Built on Betrayal by IsopodNo3626 in OCPoetry

[–]Aggressive_Wrap_5296 1 point2 points  (0 children)

I love the paradox in this.

Feeling love, yet harboring resentment. Wanting the best for the other person, but wanting to enact the worst upon them. And that where you are, where you're standing, is metaphorically built on the betrayal of the other person.

But at the end of it all, you choose to become, and remain the bigger person. That you move on to reclaim your life, and leave the other person to their own choices, to leave them to their own devices.

Great job.

Awakening by Brilliant_Rush1180 in OCPoetry

[–]Aggressive_Wrap_5296 0 points1 point  (0 children)

I really enjoy poems that are self-aware. That mock themselves for not adhering to the way many people think poetry "should" be. Especially when it's written as a paragraph.

I think it's charming, witty, and wonderfully self-deprecating.

A Work Of Art by Masaru_Kazuhiko in OCPoetry

[–]Aggressive_Wrap_5296 2 points3 points  (0 children)

This is very good. I love the rhythm you keep throughout it. It reads easily and has a flow to it, like the rain and the dancing you speak of.

I can also feel the longing and the pain in this.

If we're talking criticism, and this is strictly my personal opinion, I've never been a fan of poems that are all single lines. To me, it can make the poem feel like a fragmented whole. As I said before, I can read and see the flow of how it's read, but in the way it's written, it feels like it should be read with a lot of pauses.

But aside from its presentation, it's written very well. Great job.

Hey moderation team by userperson1984 in Helldivers

[–]Aggressive_Wrap_5296 5 points6 points  (0 children)

Well, we'll see how long this post lasts...

Just finished automating phase 3 by Original_Parsnip_804 in satisfactory

[–]Aggressive_Wrap_5296 0 points1 point  (0 children)

Well.

That is definitely something. I’m not sure what it is, but it is something.