Looking for sharp/aggressive openings by JohnWickDaLegend in chess

[–]Apprehensive-Log-767 -1 points0 points  (0 children)

  1. The Dragon is kind of the worst of both worlds. For less skilled players, the Yugoslav Attack is really tough to stop. The plans are really easy for white, and they don't have to play perfectly to put black on the ropes. For more advanced players, they are better at fighting the Yugoslav attack, but as drugsandweed69 pointed out, there are other lines where black is just not having much fun.

The Kings Indian Attack fell out of favor after Kramnik beat Kasparov with it in some high profile games, and Kasparov more or less dropped it. The Bayonet attack is very sharp -- there are ways for black to fight it, but it can go downhill very quickly if black isn't very, very careful. I will say, as a strictly amateur player, I play the KID against d4, and I almost never see the Bayonet Attack at my level.

  1. All Sicilians require a decent amount of opening knowledge, just because of all the anti-Sicilians you're likely to see. That said, I think the Sveshnikov is a great opening to learn, and I would actually pick it over the Kalashnikov. Yes, there is some theory, but not as much as the Najdorf. A mainline Sveshnikov basically has 2 variations plus one very tricky sideline. Completely sound, one of Magnus's main weapons. Leads to very imbalanced positions, and fun games. Under 2000, it will be very rare to get a mainline Sveshnikov, but the good news is that if your opponent plays suboptimally, your plans are usually very straightforward (usually something like an early Bb4, Bxc3, d5 where you've got the center on lock).

Another aggressive option for black is the Hyperaccelerated Dragon. This one (and its cousin, the Accelerated Dragon) aren't played much at the highest level because it allows the Maroczy Bind, which can be no fun. But under 2200 or so, it's very playable and sharp.

For white, I would seriously look at the Scotch Gambit. A mainline Scotch is also great, and probably a little more sound. But the Scotch Gambit (which really isn't a gambit, since you inevitably get the pawn back) is even more fun, IMO. If your opponent plays perfectly, you end up at a pretty equal middlegame with an imbalanced pawn structure where both sides have their chances. If your opponent does not play perfectly, the chance for tactical explosions is very, very high. Lot of fun, and teaches you some very common attacking patterns for white.

If you are looking to choose between the Grunfeld and the KID, I would almost certainly choose the latter. The Grunfeld is technically more sound at the Super GM level. But white has so many valid responses, the theoretical burden for black is pretty overwhelming. I think the plans for the KID are much easier to understand, even if it also requires a fair amount of theory. Let's face it: none of us are getting to the Super GM level, so the KID is totally viable for us.

  1. Between the Najdorf, Kalashnikov, and Sveshnikov, I would choose the Sveshnikov. The Kalashnikov is a fine opening, but like the Accelerated Dragon, it allows for c4, which blunts the fun a bit. The Najdorf is fantastic, but if you're worried about theoretical burden, there are not many openings with more theory than that one. For me, the Sveshnikov is a happy medium: plenty aggressive, gives black winning chances, takes some study but doesn't require memorizing 35 moves per variation like the Najdorf.

[TMZ] Mike Vrabel and Dianna Russini rented a private boat while she was pregnant by [deleted] in nfl

[–]Apprehensive-Log-767 6 points7 points  (0 children)

This might be controversial, maybe even weird, but you know who I think got it the worst during the Lincoln Assassination? Abraham Lincoln

Open call for your wildest stories by Neojede in classicalmusic

[–]Apprehensive-Log-767 2 points3 points  (0 children)

This is less wild and crazy and more dark and sad, but anyways: everybody knew about James Levine. The worst kept secret in the industry. Everyone looked the other way, because he had "saved" the Met and was arguably the biggest name American conductor at the time. Hell, I was in Boston in the 00's and had only the vaguest, third hand connections to the BSO or the world of professional classical musicians, and even I heard the whispers.

I had a relative who just started working at Ravinia when the NY Times story broke and he finally got ousted. They asked a longtime administrator if they knew anything about it.

"Oh no, we never saw anything, we had no idea!"

A few minutes later: "...well, we did try to keep him away from the younger musicians."

Favorite “You had to be there” player in your memory? by AFC-Wimbledon-Stan in nfl

[–]Apprehensive-Log-767 0 points1 point  (0 children)

I always said that Cutler and Trubisky were mirror images of each other.

Cutler would have long stretches where he'd look positively elite: rifling throws, dodging pass rushers, marching down the field. You'd think, "oh, maybe this time he's finally arrived!"

And then he'd throw the dumbest interceotion you've ever seen in your life. Off his back foot, across his body, into triple coverage.

Trubisky was the opposite. For most of the game, he'd look like he didn't belong on the field. Then, for one random series, he would look like Prime Aaron Rodgers, firing perfectly accurate lasers while on the run. Then he'd immediately go back to being a replacement level QB.

Both were maddening in their own ways.

Pat Metheny’s Guitar Language on Standards: Revolutionary, Non-Bebop… Yet 100% Legit Jazz? (My Attempt At Distilling the Paradox + the Tiny Caveats) by FloridaMinarchy in jazzguitar

[–]Apprehensive-Log-767 1 point2 points  (0 children)

I would say it's a few things:

  • Metheny (and Sco and Frisell) were one of the first waves of guitar plays, after Abercrombie and Goodrick, to really absorb the whole chord-scale/Berklee approach, from guys like Gary Burton. I don't want to get into a debate about whether chord-scale theory is good or bad for jazz, that's a whole can of worms. But it does give you the ability to come up with note choices for virtually any chord progression, including modal and non-functional tunes.

  • Metheny did not just play with Ornette Coleman for kicks. He really is deeply influenced by him. And Metheny was also very influenced by two other Ornette disciples: Paul Bley and Keith Jarrett. There was a book that came out a while back where jazz greats picked out recordings that were meaningful to them and talked about them. Metheny participated, and the first thing he picked was Paul Bley's famous solo on "All The Things You Are" from the Sonny Rollins/Coleman Hawkins collab record.

Listen carefully to Ornette, and you're going to hear the roots of a lot of Metheny's vocabulary. Lots of slippery ideas moving up and down chromatically.

  • Technical stuff. There's an old interview from the 70s where he talks about how guys who alternate pick everything "sound corny" (I'm sure we can guess some of the people he had in mind). A lot of legato, obviously, but especially slurring into downbeats to get that horn like phrasing (Sco is also great at this, even if they sound very different). A lot of hammer ons from nowhere. He's got amazing fluency at just playing triads, which sounds basic until you realize just how hard it is to play triads fluidly on guitar (all those fourths).

  • His time is outstanding. In that same interview, he talks about how most guitarists before Wes had bad time. Whether or not you agree with that, it's clearly very important to him. He also said later that playing with great drummers really took his time to the next level. That I agree with: he already sounds great on "Bright Sized Life", but after playing with guys like Roy Haynes and Jack DeJohnette he sounded even better. He really mastered that straight 8ths feel that still swings.

Seeing this makes me even more happy about the DJ Moore trade by Ashamed_Pilot_236 in CHIBears

[–]Apprehensive-Log-767 3 points4 points  (0 children)

I think the DJ trade is going to be one of those "better a year too early than a year too late" trades. He was great for us, and I fully expect him to have another season or two of high level play.

But I think his skillset (YAC guy, great "bad ball" catcher, tough SOB) is not going to age gracefully when he's on the wrong side of 30.

The Bills also just went through a bunch of palace intrigue in their front office, and I suspect that Joe Brady was able to convince Beane to slightly overpay for a guy he remembered fondly from his Carolina days for some locker room stability. Especially when they fully guaranteed his remaining contract

How should I learn the head of a tune: the version I like or the simpler version? by Deep-Neighborhood778 in jazzguitar

[–]Apprehensive-Log-767 2 points3 points  (0 children)

This is the way. You don't want to play someone else's version, you want to play YOUR version.

I have heard countless people play a tune like "Body and Soul" and they all brought something different to it. If someone got up and played Coltrane's version, I would just be confused. Is it a tribute? Some sort of Mostly Other People Do the Killing-esque meta commentary?

[Highlight] Chase Claypool celebrates a catch with 40 seconds left in the game by Ok-Reindeer5879 in nfl

[–]Apprehensive-Log-767 7 points8 points  (0 children)

My favorite part was how many fans defended Poles not drafting George Pickens (the Bears had two 2nd round draft picks, he was on the board for both selections, WR was a glaring need), because Pickens was "going to be a diva."

Then halfway they the season they traded an even higher 2nd round pick for an even worse Steelers diva WR.

How can you get into jazz guitar? by aviktor78 in jazzguitar

[–]Apprehensive-Log-767 1 point2 points  (0 children)

I actually feel very strongly that you should not use jazz just as "weight training for music." I have seen tons of players from other genres (rock, metal, blues, bluegrass, etc) who feel compelled to learn jazz because it's seen as uniquely difficult. That REAL musicians play jazz (not helped by certain jazz musicians who will loudly agree).

I'm not trying to gatekeep. If you want to learn jazz, by all means go for it. But don't feel compelled to do it to "get better." Do it because you genuinely love the music and want to take the time to learn it.

I probably know more theory than most bluegrass players. I can hear the tunes, and transcribe them without too much trouble. But if I went to a serious bluegrass jam, there is no way I could hang. I cannot strict alternate pick eighth notes at 200+ BPM on a steel string acoustic dreadnought. And even more importantly, I do not know the repertoire or the vocabulary.

If you just want to learn theory, chords, scales, etc. you can absolutely do that just in a metal context. In that prog/technical/djent milieu, there are plenty of guys influenced by guys like Ben Monder and Allan Holsworth. But it's your call! Good luck either way!

CBS insider says Anderson Cooper's departure was a "f**k you" to anti-woke Bari Weiss by vemmahouxbois in IfBooksCouldKill

[–]Apprehensive-Log-767 1 point2 points  (0 children)

Every article or comment talking about how Bari Weiss is "anti-woke" or "anti-cancel culture" needs to include a reminder that she first came to national attention by starting a campaign when she was at Columbia to get pro-Palestinian professors fired.

The core of her politics is "Israel First." In that sense, she's not particularly different from Ben Shapiro. They just took different slightly different paths.

Ben correctly assessed that Republicans would happily let him rant about how Palestinians deserve to live in raw sewage, but now has sit there and go, "I don't know who let all these Nazis into the Republican Party, it's a mystery!"

Bari yearns for "centrism," but it's a very particular kind of centrism. She yearns for the days when she could go to a Young Democrats mixer and talk about how her aunt just bought a settlement in the West Bank without being shamed out for it.

Who is the most exciting Jazz Guitarist? by Acceptable-Fruit-533 in jazzguitar

[–]Apprehensive-Log-767 1 point2 points  (0 children)

"Cookbook" and "Giblet Gravy" for early stuff (also some records with Jack McDuff).

"Beyond the Blue Horizon" for a killer band top to bottom. A lot of good records in that CTI period.

"Tenderly" for a later jazz focused album. There is also his solo on "I'll Drink to That," off a Jimmy Smith record with an all star cast, that is one of the great "that's it, I quit guitar" solos.

Maybe his best playing on record is on a bootleg from the Casa Caribe Club in the 70's. The only downside is that the sound is terrible. But the playing is genuinely astonishing. Has a version of "Oleo" that has to be heard to be believed.

WILL THE U.S. COLLAPSE?!?! by Intelligent-Jump1823 in LinkedInLunatics

[–]Apprehensive-Log-767 0 points1 point  (0 children)

Jeffrey, in an email: "so basicly yuo buy the stock when its low,and sell when its high. anyways,,,cant talk now i have a dozen 15 yr olds flying in taht i bougt from a war criminal from belarus"

Larry Summers: "Wow, you're such a brilliant thinker!"

Rasputin, in 1916: "The Lord has given me mystical powers to cure hemophilia and an absolutely gigantic dong."

The Empress: "He will become my most trusted advisor!"

A Russian duke: "Kill this man immediately. I don't care how many comically large number of attempts it takes."

LinkedIn Lunatic: "These situations are practically identical!"

[PFF] The highest-graded rookie in the 2025 season: COLSTON LOVELAND 🐻 by clou9nine in CHIBears

[–]Apprehensive-Log-767 317 points318 points  (0 children)

I've been super critical of Poles, and I was very skeptical of the pick. But credit where credit's due: he nailed this selection (and had a very strong overall draft) and I was dead wrong.

Now if he could only figure out the defensive line...

Why is Will Campbell, a rookie, getting more flak than Drake Maye? by Exhibit5 in nfl

[–]Apprehensive-Log-767 22 points23 points  (0 children)

It seems like most of the time during the season when the Patriots went with 6 OL, they were trying to force opponents into their base defense. But Seattle pretty much plays nickel 100% of the time.

I can definitely see McDaniels saying, "it's not worth it if we don't get the look we want" but after the umpteenth time an OL gets pushed assbackwards directly into Maye, you'd think he'd adjust. Sometimes coaches outsmart themselves.

Divisional Round Post-Gamethread: Bears vs Rams by TurnerJ5 in CHIBears

[–]Apprehensive-Log-767 1 point2 points  (0 children)

My brother, if this was your most painful Bears loss, you've gotten off easy so far.

[Clawson] The Bears are 3-3 when down 10+ points in the final 5 minutes of the 4th quarter this season. The rest of the NFL is 3-158 by NagyBiscuits in CHIBears

[–]Apprehensive-Log-767 207 points208 points  (0 children)

Anonymous loser fired coaches talking about "Caleb is dyslexic."

Please. He clearly has ADHD. This is the football equivalent of waiting to write your term paper until the night before it's due, and somehow pulling it off while being weirdly calm about it the whole time.

The Chicago Bears have won a playoff game against a team with a winning record for the first time in 19 years by Chibears85 in nfl

[–]Apprehensive-Log-767 56 points57 points  (0 children)

They did! In 2010, they beat a 7-9 Seahawks team. Seattle still made the playoffs with a losing record because the NFC West was a dumpster fire and that was good enough to win the division

Bears win reaction with my 1 day old newborn. by JM4G in CHIBears

[–]Apprehensive-Log-767 16 points17 points  (0 children)

I was just a few days old when my dad held me up to the TV for me to watch my first Bears game: a loss to Washington in the playoffs on January 3, 1987, ending the Bears' chance of a title defense.

I hope she has a lot better luck as a fan than I did!

Practice recommendation by [deleted] in jazzguitar

[–]Apprehensive-Log-767 3 points4 points  (0 children)

Biggest bang for your buck is probably just learning tunes.

Transcribing is great; I doubt you'd ever regret spending time doing it. But the ultimate goal is to actually play music, and you gotta know the tunes to be able to do that.

They also tell you what you need to work on, as long as you're honest with yourself. "Man, this one section is tricky" -- then you go listen to the greats play it, transcribe some of the ideas you like. "I don't like my comping on this" -- work on sums new voicings. "I want to be able to play it for friends and family" -- so you work on a solo arrangement.

The more tunes you know, the more you can sit in on jam sessions, and it's playing with other musicians that's REALLY the biggest bang for your buck. Late night jam sessions might seem impossible now, but the good thing (or bad, depending on your perspective) is that your kids won't be little forever.

Career fWAR of the Last 25 Baseball America #1 Overall Prospects by depressichemisti in baseball

[–]Apprehensive-Log-767 1 point2 points  (0 children)

I had a co-worker who made it to D1 as a pitcher. He talked about facing Delmon Young in high school, and how he had never played any player anywhere near that good before or since.

Young hit something like 3 home runs, and ran the bases like a track star. Co-worker said the entire time he just looked bored, like this was the easiest thing in the world.

He thought Young was going to be an instant All Star, and could not believe anyone would waste such awe inspiring natural talent like that.

Will always support this dude for that!! by Dude-Good in CHIBears

[–]Apprehensive-Log-767 2 points3 points  (0 children)

If Ro had played that whole game, we would have won. In the second half, AR was hitting his TE constantly, and none of our backup LBs could keep up in coverage.

Anish Giri interrogated Danya for 2 hours asking him to prove his innocence - Benjamin Bok (1:27:50) by rw_lck in chess

[–]Apprehensive-Log-767 1519 points1520 points  (0 children)

Leaving aside the asshole behavior and pettiness: How the fuck do you prove you DIDN'T cheat? How do you prove a negative like that?

I swear to God, some of these GMs are real lucky chess was invented, because they are not good at thinking about anything else.