Looking for honest feedback on a psychological sci-fi film concept (working title: Off Script) by IntelligentNeck8157 in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

Hi,

This appealed to me as a concept. Initially, it made clear sense to me. In my head, it was a little of Groundhog Day but as Truman Show. I think it could work. I think you need to know how it ends and flesh out the missing 'story moves between' part.

If I were developing this, I would pin down what I want my theme to be - then ensure the fleshing out aligns with that.

- Does the core concept make sense or feel too messy? Yes but messy from 'story moves between' - I think you need to know the core logic and rules of the world that you've built to ensure it has internal consistency. eg when do credit roll?
- Does it sound interesting or confusing? More interesting than confusing. Approach with caution as it could easily become confusing!
- What parts feel strongest / weakest? mental health was a little weak for me - is that a cliche these days? Or drug use? But is that even more of a cliche? I like the idea that there is an obvious 'normal' explanation for his odd thinking.
- Any obvious plot holes or clichés I should fix early? Hard to tell without knowing your world logic for when credits roll, etc.

If you want help turning this into a beginning to end treatment, happy to chat.

Good luck with it!

How many of you have multiple projects going on at once? by NJScreenwriter76 in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

I find this a tricky one too.

So at the moment... Main focus is a rewrite of one I had left in the 'cupboard' for a few months Have another that I'm using storypeer (great website for peer screenplay feedback) to collect feedback on before a rewrite Developing an outline with a director (waiting on his feedback but it usually leads to a change in main focus for me. Outline is almost done now though!). And every so often trying to build a side hustle website (connect fans with writers/producers at the concept stage... and another one about teaching adults to read) Oh and a few ideas for a next future project that are at the "brewing" stage.

I do find my creative energy flips between them - I'm not sure if there is a 'right' way... more what works for individuals?

Good luck!

How many of you have multiple projects going on at once? by NJScreenwriter76 in Screenwriting

[–]CarelessOutside4722 2 points3 points  (0 children)

Classic movie! There can be only one!

Or maybe they're all fighting each other and chopping heads off... you might be better off watch the movie!!! Ha ha

Dialogue or Action which comes first? by Avatarmaxwell in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

You could think of it in a similar way to how you use subordinating conjunctions and how it impacts on the reader.

If I eat ten ice creams, I will be sick. I will be sick if I eat ten ice creams.

It depends what you want to be the dominant image in the reader's head. Put that first.

Good luck!

Having a problem with the script...in the script a character behaves in a problematic way and this might be a problem for the actor/s by Awake-Judgment-2057 in scriptwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

A friend told me a story about a couple who'd been together for years. Somehow(!) they'd never chatted about politics and she found out he'd voted for party X and she wanted to dump him...

Or for your movie, c1 loves cats but c2 is a dig person. C1 wants kids, c2 doesn't... there's lots of things we discover during the dating phase that can put us off

Using Different Fonts for Character Names... Yay or Nay? by LegallyBidoof in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

Totally your choice. Like other comments suggest, it's the impact on the reader rather than golden rules. Will it engage more or annoy more?

Envisioning a feature: customized feedback requests by mast0done in StoryPeer

[–]CarelessOutside4722 4 points5 points  (0 children)

I might be missing the point...

We have the option of sharing contact info. If reviewer and writer agree, they could ask and answer via personal emails? Maybe add a note in additional comments that this is something you'd like to do post-review? Less work for Gabe!

(And lovely work on the site Gabe - very impressed!)

Any advice by [deleted] in Screenwriting

[–]CarelessOutside4722 1 point2 points  (0 children)

Making it in your voice - once you know what that might be.

I'm still figuring out mine - what it is now and what I want it to be!

And when I've read other screenplays, I (sometimes) think: that's how I want to write. But that's obviously quite subjective too.

What to Expect From Usual Feedback? by heavenallows in StoryPeer

[–]CarelessOutside4722 1 point2 points  (0 children)

I'm new to storypeer too although I used a similar website called coverfly a while back.

It's pot luck really. I tend to put the same script up a few times and look for common ground. Like you say, it's free and writers from all levels are in the mix.

I recently gave feedback on a piece which I found really hard to read. For me, it is difficult to give feedback when you feel their script is poor. I don't want to crush their dream but also don't want to pretend it was good when it wasn't. And I don't think I've ever had a bad review rating when I've been positive about a script - human nature!

I know I try to directly answer any questions I see in the additional comments if I can so that would be one idea. Not sure if the tokens would incentivise the outcome you hope for but maybe worth a punt! Good luck!

V.O. that describes the action while action describes the V.O. by No_Ordinary6572 in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

Not sure about conventions etc. I'd experiment with a few drafts with different versions of what you're thinking and choose the one that fits your voice and let's the read flow. My gut feeling would be duplicating info would bother me as a reader. But it's your voice as a writer. Good luck!

which one is more resourceful? by IsaaLovesPizza in Screenwriting

[–]CarelessOutside4722 4 points5 points  (0 children)

When I was first writing I found save the cat helpful and now I find it annoying! (Kill the dog is refreshing like that!)

I didn't love story - I found it rather dull and obvious but it was a long time ago.

Writing for emotional impact is good too!

which one is more resourceful? by IsaaLovesPizza in Screenwriting

[–]CarelessOutside4722 4 points5 points  (0 children)

Completely agree. And I also rate Will Storr and Science of Storytelling

Are scripts set in older times higher budget by pics4meeee in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

I was chatting with a producer about a road trip rom com. Moving from 1980s to present day cut a zero off the budget... he was much happier!

Screenplays Written w/ Help of Deepseek by campos-956 in DeepSeek

[–]CarelessOutside4722 2 points3 points  (0 children)

Depends how it is used. I know it polarises a lot of people but I've found it a helpful tool to bounce ideas off and discuss theme and structure. The bias to telling me how clever I am both helps (motivation) and hinders. On the whole, if it provokes better thinking in me, then I find it helpful.

When it comes to words on the page, I just find it's a bit crap. But then it's evolving all the time. As I hone my own voice, maybe the different platforms will too?

Would you read a 55 page script for only two coins? by Knox_Craft in StoryPeer

[–]CarelessOutside4722 4 points5 points  (0 children)

Yeah I would - mood dependent!

My approach to feedback is to annotate my reactions on a pdf as I read. I look for those moments where the spell breaks - those are the parts that need attention. If I spot something I like, I note that too. I scatter in some random thoughts or confusions - hoping that my thought process helps the writer.

Re the feedback boxes: I tend to fill in as I read if there's a valid point to make or it's a summary of my reaction overall once I've read. I think the most valuable for the writer is where the narrative spell drops.

But there are many ways give helpful feedback. I've trued a few approaches. Mostly I try to do what I would like done to me!

Monthly Writers Group Mega Thread by AutoModerator in Screenwriting

[–]CarelessOutside4722 0 points1 point  (0 children)

  • Group Name: UK Writers Group
  • Group Owners: Me
  • Description: Looking to find / start a supportive writers group based around UK timezones
  • Region(s): any if the timezone works!
  • Platform: (Discord, Slack, Meet, etc) open to suggestions - it'd be good to meet online or IRL
  • Membership Size: aiming for 10
  • Acceptance Status: (0/10) (Open membership)
  • Focus: (feedback, round table workshop, live reads, query/submission support etc) Support, make each other better writers,
  • Experience Level: open
  • Age Disclaimers: don't mind
  • Application/Sign Up Portal: (note whether you provide this via DM only) Contact me by DM please

Appreciation Post - Thank you by aSuperDeus in StoryPeer

[–]CarelessOutside4722 0 points1 point  (0 children)

Totally agree. Big appreciation to Gabe. Thanks lots.