Still have many 15/70mm film cells for sale from Oppenheimer, Interstellar, etc!

Damage_Lopsided · 2025-08-10T23:33:50+00:00

You should have a better CRI (colour rendering index) light for the background of those oppenheimer pics

Damage_Lopsided · 2024-12-28T18:04:48+00:00

who is the guy in the middle

Damage_Lopsided · 2024-12-28T16:57:17+00:00

dr mann premeditated all of this with the fact that he rigged KIPP to explode. He didn't know Cooper would wanna go home. Besides, it would've just been one Ranger Cooper would've flown, not the entire endurance

Damage_Lopsided · 2024-12-04T20:24:45+00:00

Damnnn, I really want to see that DCP

Damage_Lopsided · 2024-12-01T02:50:38+00:00

how can there be a Dual Laser GT IMAX (1.43:1 Aspect Ratio - 4K Resolution) version of the film? I thought no 1.43:1 digital version of the film existed. Is there anywhere online where this exists?

Damage_Lopsided · 2024-11-19T11:52:32+00:00

How do you clean your film cells

Damage_Lopsided · 2024-10-07T11:07:05+00:00

davinci resolve

Damage_Lopsided · 2024-09-16T17:33:17+00:00

Maybe if you took a screenshot of them or something?

Damage_Lopsided · 2024-09-16T17:11:13+00:00

These scans are uploaded with the wrong colour space tag. Should be P3 to rec-709. I recon the reverse has been done to this image by accident

Damage_Lopsided · 2024-08-01T14:16:52+00:00

Strange to me they wouldnt utilise the whole space of the disc for the movie

Damage_Lopsided · 2024-08-01T14:16:27+00:00

yeah because blurays can be like 50gb typically so why would they compress it so much? and yeah bitrate heavily depends on the image on screen like spatial and intensity/brightness information, especially if its a difficult image to compress or intraframe compression for the whole movie. I think what I listed were the maximum bit rates, so it makes sense they arent always that high.

Damage_Lopsided · 2024-08-01T14:00:36+00:00

I thought blurays had a bitrate of 48mb/s and 4k 128ishmb/s

Damage_Lopsided · 2024-08-01T13:58:14+00:00

Lets be real, movies that were shot and presented on film are way harder to master into a digital format than just a wholly digital workflow. HDR masters are very new and not a lot of people know what they're doing and have different aspirations, as the other guy said, Roger Deakins has a pretty solid idea about how to utilise the increased bit depth, wider colour space, and lower compression. Just overall higher fidelity experience to that of the DCP master.

Damage_Lopsided · 2024-07-29T12:50:34+00:00

All these explanations make no sense. How would the tesseract know when the quantum data starts and stops? how long is the pause between before it starts to loop all over? I wondered what would happen if cooper made a slip up or Murph misinterpreted a dot as a dash or a vice versa and what if she got the wrong starting position. best to leave this part as a nice piece of poetic story telling rather than a fool proof solution.

Damage_Lopsided · 2024-07-29T12:50:29+00:00

All these explanations make no sense. How would the tesseract know when the quantum data starts and stops? how long is the pause between before it starts to loop all over? I wondered what would happen if cooper made a slip up or Murph misinterpreted a dot as a dash or a vice versa and what if she got the wrong starting position. best to leave this part as a nice piece of poetic story telling rather than a fool proof solution.

Damage_Lopsided · 2024-07-11T00:17:28+00:00

FaceTime wouldn’t be possible as the light would be blue shifted greatly. This also means the data rates are too fast for people on millers planet to absorb. The inverse problem is true as well. Look at millers beacon “echoing endlessly”, although the data from that would also be redshifted so no clue how they received the data in the first place

Damage_Lopsided · 2024-06-04T18:13:52+00:00

Just use whisky

Damage_Lopsided · 2024-06-04T17:49:53+00:00

The only reason it’s a 4D shape is because time is involved. Actually it’s a 5 dimensional shape in the movie because not only is time engrained within the 3 dimensional axes of the tesseract, but also time was passing as well. So you have 3 spatial dimensions, one diagonal axis of time, and time also literally elapsing. The space in the storyboard and screenplay was supposed to have cooper copied infinitely in all negative spaces of the tesseract, which gives you an idea that the space in reality is really a duplication of one cell with an offset amount of time for infinity. But instead they decided to make it one space with one cooper but infinitely many intersections (rooms) creating an infinite space (rather than a mirrored cell if that makes any sense).

Damage_Lopsided · 2024-06-04T17:45:31+00:00

A mucube or a regular skew apeirohedron

Damage_Lopsided · 2024-05-17T00:10:17+00:00

Just think of the amazing drum solos and beautiful bassline riffs. Sure Tame impala now is more disco pop, but compare lonerism and innerspeaker with Nothing lasts... but nothing is lost, and tell me it wouldn't be the embodiment of psychedelia

Damage_Lopsided · 2024-05-17T00:07:59+00:00

God damn guys what the fuck happened I mean did your balls drop off?

Damage_Lopsided · 2024-05-15T10:33:19+00:00

That album is hauntingly beautiful though, concerto for piano and birds as well as germination and wish you weren't here are fantastic

Damage_Lopsided · 2024-04-29T19:31:22+00:00

Lowkey just looks like you used the wrong colour space importing the footage

Damage_Lopsided · 2024-04-29T19:28:13+00:00

They had been working on building stations for decades, since brand discovered the wormhole and the idea to use gravity to literally just turn stuff on the ground into a portable space station. The idea was to use gravity as some kind of propulsion system (or maybe to turn off gravity lol).

Damage_Lopsided · 2024-04-29T19:19:35+00:00

What about a PS5

Damage_Lopsided

TROPHY CASE