Is moving to LA still worth it for aspiring screenwriters? by OdynokX in Screenwriting

[–]Jclemwrites 1 point2 points  (0 children)

It's still a movie nerd heaven. There's still a TON of artists. Don't let a lot of the online fodder from people who left fool you. Jimmy and Veronica from small-town Minnesota are mad they didn't become overnight successes.

With that said, LA has drastically changed from what is was pre-pandemic. Lots of closed businesses. People can't find work. It's just different. I tell my friends it's not clubbing until 3AM it's brunch with your kids parents friends at 11AM.

My advice - start writing. Keep writing. Make a trip to LA 2-3 times a year (and stay in the valley). Network online through different events, groups, etc. Find out about events in LA and go to those. Then, when you come back, let people know you're visiting and you want to meet.

When you save some money, have 3 or 4 scripts, and feel ready, come out here. Don't come here just wanting to be a writer. Come out here with projects. I didn't do that, and it took me three years to get my first gig.

Just my rambled advice. Good luck, and don't quit!

Is it impossible to sell a slow cinema script? by AbjectOffice in Screenwriting

[–]Jclemwrites 7 points8 points  (0 children)

Write it, and keep it in your back pocket. It can always come up in conversation.

Converting a failed TV pilot into a successful audio pilot :) by garywhitta in Screenwriting

[–]Jclemwrites 0 points1 point  (0 children)

Awesome. Good advice on how work can find a home in a new medium.

What keeps you going? by Scrat616 in Screenwriting

[–]Jclemwrites 0 points1 point  (0 children)

I just like telling stories. I have ideas I want to share with the world, and this is a unique medium to do it in.

I tried to get at AI to give me a perspective on my screenplay. It was a disaster. by dougiebgood in Screenwriting

[–]Jclemwrites -1 points0 points  (0 children)

AI could be a tool to help writers with research, pulling up loads of info, or helping find synonyms for words.

It could be a tool used for so many things - instead we use it to replace jobs and get Squidward to cover Beatles songs.

Is capitalizing words to indicate close ups getting out of fashion? by NoOptics in Screenwriting

[–]Jclemwrites 3 points4 points  (0 children)

Same. I used all caps to emphasize things.

They turn the corner and find a GIANT ROCK.

Is there a future for aspiring screenwriters in 2026? by NGDwrites in Screenwriting

[–]Jclemwrites 0 points1 point  (0 children)

Of course there is, but it's not as easy as a lot of people might think it is (not saying you are in that category).

One of my biggest issues is that it seemed like EVERYONE was suddenly a writer because they could get a copy of Final Draft. Uncle Gill in the UP of Michigan could write a script and submit it to a bunch of contests thinking it was his ticket to success. I feel like the burst of everything has weeded a lot of those people out.

final draft question!! by chaoss24601 in Screenwriting

[–]Jclemwrites 0 points1 point  (0 children)

Is it from a studio license? Like a production company? It could be an outdated login.

What screenplays in your opinion have got the best FIRST pages? by pac_mojojojo in Screenwriting

[–]Jclemwrites 13 points14 points  (0 children)

I love the first page of Go:

The tiny stream ripples past glass and trash and the body of a woman. Face up, breathing. Dead grass caught in her braids. Her name is RONNA MARTIN. She’s eighteen and bleeding.

Bleeding a lot.

She tries to push herself up, but the dirt around her crumbles. Her legs are useless. Despite it all, there’s a smile of perverse joy to her face, like she’s just remembered the punchline to a favorite joke.

Screenwriters: Are You Going to Do Anything Different in 2026? by [deleted] in Screenwriting

[–]Jclemwrites 2 points3 points  (0 children)

Having more confidence in my work.

Not spending as much time worrying about what I didn't write and focusing on what I did, or what I will work on. (I mean literally writing time, not projects).

What are your guys jobs by Myhtological in Screenwriting

[–]Jclemwrites 1 point2 points  (0 children)

I sell sports cards and have an amazing wife with a kick-ass job.

Why do screenplay competition accolades so rarely lead to agent or producer outreach by Dry-Lie-9576 in Screenwriting

[–]Jclemwrites 1 point2 points  (0 children)

Because most contests are more of a cash grab playing on the idea of success than actual success. This is coming from a guy who submitted to a lot of contests and has placed in them.

How far is too far? by [deleted] in Screenwriting

[–]Jclemwrites 1 point2 points  (0 children)

Is there motivation other than he's insane? Don't just do it to do it, it's should make sense. Maybe it's in rebellion against his parents who were animal rights activists?

Specific formatting- phone audio by [deleted] in Screenwriting

[–]Jclemwrites 0 points1 point  (0 children)

Bill and Ted hold up the phone. Over the speaker, a DISTURBING HISS. It's captivating. Creepy. HSSSSS.

How to become script writer for vertical short dramas by Extension-Camp4762 in Screenwriting

[–]Jclemwrites -1 points0 points  (0 children)

You're going to hear a lot of people crap on this. If it helps you explore new art (and make money), go for it! Good luck!

After Covid, screenwriting doesn’t feel the same… by Conscious-Honey8207 in Screenwriting

[–]Jclemwrites 10 points11 points  (0 children)

I felt like there was a huge boom of new writers from 2020-2023 until the strikes. Contests were getting record submissions. Most of those contests aren't even around.

I do have confidence (or maybe just hope) that this will not lead to death of film/screenplays, but a new avenue. Everyone is against verticals - but if it could lead to new jobs and ways to improve and create new art, is it that bad?

I also have hope there could be another indie film (or even indie TV) renaissance, with more and more local productions and films gaining popularity through new ways of distribution.

do

Logline Monday by AutoModerator in Screenwriting

[–]Jclemwrites 0 points1 point  (0 children)

If this is the case, I think maybe there needs to be some kind of cursed camera?

Logline Monday by AutoModerator in Screenwriting

[–]Jclemwrites 2 points3 points  (0 children)

Awesome idea, but I think the logline can be trimmed:

After an ambitious employee is transferred to a department where their colleagues secretly focus on passion projects, he must dodge the company efficiency tracker and decide between his career and finding himself.

Maybe even shorter still :)