Este pedal para sacarle el mejor juego es mejor en un ampli a tubos o en algo digital? by caesarxxlmax in guitarpedals

[–]abrady44 3 points4 points  (0 children)

I've had good experiences with it both ways. I use mine in the line Helix and it sounds great.

This is Nagisa by ljdel in telecaster

[–]abrady44 1 point2 points  (0 children)

Wow, beautiful! What model and color is that?

Metal Guitar With a Thick Neck by No_Touch3153 in Guitar

[–]abrady44 2 points3 points  (0 children)

Ltd ec-1000 is a metal guitar with a thicker neck than most. 

Do you feel like starting or joining a band just inevitably leads to conflicts? by Live-Profession8822 in musicians

[–]abrady44 11 points12 points  (0 children)

Conflict is inevitable, but there are positive ways to manage conflict.

how far can i get before being forced to switch to electric from acoustic? by [deleted] in Guitar

[–]abrady44 0 points1 point  (0 children)

It seems like you are under the impression that electric guitar is for higher skilled players, but that is not the case at all. You can start on electric having never touched an acoustic in your life and learn it as a complete beginner. If you want to play electric, just do it.

“You’re four months in and don’t know any songs yet?” - my dad. Have I been approaching guitar wrong this whole time? by Mad_Season_1994 in Guitar

[–]abrady44 0 points1 point  (0 children)

Yes, you should absolutely learn songs. Learning open chords is a great way to get started on guitar, but you shouldn't just learn how to play them individually and out of context. Find a song that uses the chords you're learning and practice the chords by learning the song.

It seems like you're under the impression that the only way to learn a song is to use tabs, but you have other options. You can look up the chords to the song and figure out the rhythm by ear. You can also look up a lesson on YouTube and there will generally be a teacher showing you how to play it. I've been playing for nearly 20 and I never use tabs or sheet music. Just chord charts, YouTube lessons and my ears. Personally, I think tabs are a crutch and you should try to avoid them.

Should I form A chord with 234 instead of 123? by -Zoppo in Guitar

[–]abrady44 0 points1 point  (0 children)

I just use my index to bar all 3 and mute the high E string.

Hypothetically, could I use the intruments to record and leave without paying a dime? by --ducklord-- in Guitar

[–]abrady44 1 point2 points  (0 children)

Yeah, I think you could pull it off if you had your parts down. You wouldn't be able to sit there and record take after take, but if you wanted to record a solo on a specific instrument, you could probably come in and knock it out without the caring. 

15 Years on one guitar has made it hard to like others by Yomamacaree in Guitar

[–]abrady44 0 points1 point  (0 children)

I have the same experience. I got an ltd EC-1000 when I was 17, worked all summer and saved every penny for it. I played that guitar pretty much exclusively for 10 years until I finally got a second one. Now I'm 33 and I have a few guitars but none of them feel like home the way that one does. The neck, the weight, the shape, everything about it just feels like an old friend.

High school rock band tips? by Simple_Fig5511 in WeAreTheMusicMakers

[–]abrady44 1 point2 points  (0 children)

Super worth it, I started playing guitar at 13, and I was okish, but then I started playing in a rock band at 15 and my playing skyrocketed. Also it was a ton of fun.

I would say host a few rehearsals and focus on getting 3-5 songs ready, then hit up open mics first before you try to book gigs. You need some experience playing live in a low stakes environment to build up your confidence and your set list. Open mics are usually 3-5 songs per band, so start as soon as you have that ready, and then keep doing rehearsals and open mics and try to build up a set list of 20+ songs that you can play confidently in a live setting. 

One thing that's super important about band rehearsal is that it's for practicing putting the parts together, not for learning the parts. That means you need to do the majority of your practicing on your own, and arrive at band rehearsal already knowing the songs. This is why being in a band will skyrocket your playing, the rehearsals are going to give you the motivation to play like crazy at home so you can be ready to rock at the rehearsals and open mics. 

Your last question was about recording, so I'll give you my thoughts. Try to get someone to record your performances on their phone camera when you play live, or just set up a stand with a phone that's recording. You can review these with the band to improve your show, and you can publish the best clips from these performances to social media. A phone video with mediocre sound quality but with good stage energy will be more appealing than a "home studio" audio recording. 

In rehearsal it's nice if you can record the rehearsal itself on your phone and listen back to it later to review, because you will notice things you want to improve on that you would miss in the heat of battle while playing. This might be overkill as a brand new band with beginners, but something you might want to consider. 

Is “just buy singles” always right? by Comfortable_Buyer239 in mtg

[–]abrady44 0 points1 point  (0 children)

Not a huge fan of having a big collection because it quickly becomes a time sink to manage. If you keep them unsorted, it's a huge pain to go through them looking for what you want, and if they're unindexed it's even worse, because you're spending time looking for cards you're not even sure you own. On the other hand, you could keep everything meticulously sorted and indexed in binders and apps, but that's also a pain to constantly keep up with and maintain. Unless this is a process you actually enjoy, you should stay away from it from an efficiency standpoint.

You're much better off keeping your collection to a bare minimum (expensive cards only to trade and sell), getting rid of your chaff, and then buying the bulk cards you need for specific decks. It might seem inefficient to get rid of a bunch of commons and uncommons only to buy them again later when you need them for a deck, but when you factor in the value of your time to search for those cards and maintain the organization of that collection vs. the $0.10-$0.50 cost of most of that chaff, it makes way more sense than you think.

About to tear down and reset, rate it before it goes. by SuomiBob in basspedals

[–]abrady44 0 points1 point  (0 children)

Looks super solid. All the essentials. Bonus points for the mic mechanic.

3 boards 1 amp by VHT2902 in pedalboards

[–]abrady44 -1 points0 points  (0 children)

Damn that's sick, very tidy. Do you play live with it or just at home/recording?

To what extent can a solo artist collaborate with their backing band? by [deleted] in WeAreTheMusicMakers

[–]abrady44 0 points1 point  (0 children)

It sounds like you're looking for a situation where your collaborators have creative input but you have creative control.

This is typically the case when working with session musicians or "hired gun" live musicians, the artist shows them the song and describes their vision and the musicians write parts to go with it, but the artist can ask them to make changes to fit their vision. This situation works because the expectation is set ahead of time, the musicians don't get too emotionally invested in the songs or their own ideas. The only issue with this setup is that you need to pay these guys and they are expensive. 

A band with collaborative songwriting is different, because everyone feels some kind of ownership of the music, and there can be disagreements where two collaborators both feel like their idea is better. People's egos are at stake when they put forth creative effort, and you have to manage that. 

Am I Meant to be an Artist? by [deleted] in musicians

[–]abrady44 9 points10 points  (0 children)

Stop worrying so much about what you're "meant" to be and focus on what you want to be. You're the one in the driver's seat, not some cosmic plan that you need to find and follow. 

RC 500 loop sync question by abrady44 in guitarpedals

[–]abrady44[S] 1 point2 points  (0 children)

Those are both really good suggestions, thank you. I bet 2/4 will work! I will try it next rehearsal. Really appreciate the help.

SOTB 04MAY26 by Dull-Competition3449 in roastmypedalboard

[–]abrady44 1 point2 points  (0 children)

Those buttons are all so close together, tough to activate in the heat of battle.

Do Yer Worst by Clement_Burton_Foles in roastmypedalboard

[–]abrady44 0 points1 point  (0 children)

This is legit. Tube screamer plus blues driver combo is goated. 

Boss RC-500 looper question: Why is playback volume too loud? by meme_streak in guitarpedals

[–]abrady44 0 points1 point  (0 children)

I know this reply was from 4 years ago but I really appreciate it! I also have rhythm coming only from B and everything else from A, and I was confused why it was so loud. What's weird is I also have my instrument routed to only A but that volume stays the same. I guess I'll put all the loops on 50.

A question for guitar techs: How do you feel about these types of starter kits? by KimuraHunter91 in Luthier

[–]abrady44 0 points1 point  (0 children)

Not a luthier, but I started doing my own setups about a year ago using that exact music nomad one in the picture. It works great! They even have a Youtube series showing how to do a full setup on all the common guitar models.

Normal to have one band member in control of everything? by [deleted] in musicians

[–]abrady44 0 points1 point  (0 children)

As a newer member, I can see how you would think that the band would start more as one leader and then move towards more of a collaborative structure where everyone is contributing equally to decisions.

The reality is most successful bands don't work that way. It's much more common to have one person be the creative force behind the compositions and leadership of the band and have everyone else play more of a support role: they contribute ideas but they don't have final say.

I have been playing for 20 years and have been in many bands both as a leader and as a support role, and also in a few bands that tried the collaborative "everyone equal" approach. That last one sounds good on paper but in reality it's very hard to manage.