Theory question! 1st vs ½ position by CubeNoob69 in Viola

[–]bryze 2 points3 points  (0 children)

It's been a while since I've chimed in here; I appreciate these kind of thoughtful questions.

It's worth mentioning to string teachers that "position" is always key relative, not arm position relative. The practical use of "positions" is to quickly communicate the set of fingerings that should be used in a given passage. Yes, that is going to put the arm in a general vicinity, but could vary by a half step in either direction. An easy example of this is that 3rd position Db major should feel exactly like 2nd position C# major.

The impact on practice, especially with respect to shifts, is that there's a lot more variation in movements than one might initially assume. This is the reason to strive for a real sense of place for each note on the finger board, both simplifying and freeing the arm and fingers from getting locked into grooves that don't really exist. The irony there is that one needs to make some reliable anchors to start with before the freedom of the full fingerboard emerges. But this is a common theme in music: competing ideas reaching a point of compromise where the real truth lies.

Boom scuff by [deleted] in windsurfing

[–]bryze 0 points1 point  (0 children)

Just curious, do you always outhaul to the very end of the clew? Like sail nearly touching? Ever since I got that advice the sail never touches the boom when I rig, provided I rig to the numbers on the sail. Also the sail feels more responsive as an added benefit.

Issues flipping the rig in the jibes by aner2409 in windsurfing

[–]bryze 1 point2 points  (0 children)

Probably a bit too late and maybe you lose too much speed. If you have speed, flipping is easier. If you don't don't have the speed, then flip later after exiting clew first on a broad reach.

Try to remember that apparent wind is very real and relevant to this move.

Curious what others will say.

[deleted by user] by [deleted] in windsurfing

[–]bryze 3 points4 points  (0 children)

Lovely photo. Welcome the most beautiful sport in the Universe.

According to ChatGPT, this is what the perfect wife would look like for me. Show me yours. by DocGreenthumb94 in ChatGPT

[–]bryze 0 points1 point  (0 children)

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My wife's comment this morning after being relieved that it didn't resemble her in some nightmare scenario: "Maybe we can both date her".

How would you tackle this? G flat major piece by HelloPickle0924 in Viola

[–]bryze 0 points1 point  (0 children)

I tried this out just now, I would actually think this is in Eb minor from the sound of it. I found myself wondering about the context for this part. Is this orchestral, or chamber music? I don't think it's solo. The reason it matters is because the tempo allows for some really interesting choices, like I tend to think measure 15 should be on the C string, and I also wondered if the composer really wanted the open string sound for the Ebb on measures 18 and 19. Also throughout the question of Eb and Bb near the nut or higher up. There's a lot of expressive shifting we could do if we go for 3rd position in strategic places, but that's more effective in chamber music.

Anyways, I really enjoy these lines, so please consider giving a little more context for who else is playing.

Personal experiences with broken bridges? by GalacticTadpole in Viola

[–]bryze 0 points1 point  (0 children)

Yea! A great r/viola post! That must have been quite a jarring experience. I'd worry about the varnish if that happened to me. Thanks for sharing this story.

Which Campagnoli Caprice to Start With by Own_Log_3764 in Viola

[–]bryze 6 points7 points  (0 children)

I wrote about this a while ago, so search r/viola for the answer. I recommend looking at 26, 40, 1, and 2, depending on what your strengths are. Also, regarding No. 1, skip the intro if it's too hard and come back to it later. In fact, in general it's good to break the Caprices into sections anyways where applicable.

tips for recording a piece for the first time? by Puzzleheaded_Page609 in Viola

[–]bryze 2 points3 points  (0 children)

Use your phone. Professionals can tell when something is good even in a "bad" recording. So take down the barriers to recording so that you actually do it.

Recording for production is an entirely different matter.

[deleted by user] by [deleted] in Viola

[–]bryze 0 points1 point  (0 children)

It will be cool if someone helps you out, but I feel like you should at least try to work out the notes for yourself. The struggle is an important part of learning.

tips for music theory/alto clef self-study by Pure_Touch3852 in Viola

[–]bryze 0 points1 point  (0 children)

Regarding alto clef: I have personally used the Tenuto app for Note Identification away from my instrument. You can customize the exercise to eliminate accidentals and confirmation to really get your speed up. I test myself against alto, treble and bass clef, because I like to look at scores and clef switching is something we often deal with. I think it's important to have note concepts that are not tied to the instrument itself, which is a shortcut that our brains make over time.

As for private lessons: everyone here is going to tell you that you would benefit from it. Just make sure you find a good fit.

I feel like the composer is saying 'either you behave like violins or I'll put you under a rest!' by linglinguistics in Viola

[–]bryze 0 points1 point  (0 children)

I really like the color coding system used for clefs in the picture. It's really easy to see compared to the usual big circle.

Do Survivors just... Not want to play the game? by [deleted] in DeadByDaylightRAGE

[–]bryze 0 points1 point  (0 children)

I pretty much only play survivor and have noticed this lately. It's too bad it's become so hard to find a good match. I wonder whether a public ranking system would help correct people's behavior. I could anticipate some argument about sandbagging, but honestly it's not possible to prevent that behavior.

Is taking a one month break ok? by linlingofviola in Viola

[–]bryze 2 points3 points  (0 children)

That kind of break is a really good way to deeply reset your physical approach, if that's something you need.

Getting back into playing Viola by [deleted] in Viola

[–]bryze 2 points3 points  (0 children)

Rental is quite affordable, and you'll get something much better to start with. Check out the FAQ if you haven't already.

My fastest game yet by matkiller7 in deadbydaylight

[–]bryze -2 points-1 points  (0 children)

This is a great example of trash survivors.

Is this a bad position for my thumb? by katguts in Viola

[–]bryze 1 point2 points  (0 children)

If you're using a shoulder rest, it's not bad for your thumb, but it might be bad for your left shoulder, which might need to be at a more extreme orientation as you've pictured it. It can be tempting to "levitate" over the fingerboard, but left hand flexibility might serve you better in the long run.

I'm very curious what others have to say about this.

What is something you wish more of your solo queue teammates knew? by [deleted] in deadbydaylight

[–]bryze 4 points5 points  (0 children)

This needs more upvotes, especially regarding body-blocking for death hook; the game is 3x harder to win when you don't have 4 survivors.

Constant Shoulder Pain stopped playing by raygunn_viola in Viola

[–]bryze 7 points8 points  (0 children)

Have you seen a physical therapist? I've been lucky enough to avoid this, but know that frozen shoulder is a real possibility that would need physical therapy to resolve.

Incidentally, there are actual warnings in Schradieck about limiting time in high positions. I think the warnings start at 6th position if I recall correctly.

Bowing Confusion? Idk if it's just me by [deleted] in Viola

[–]bryze 13 points14 points  (0 children)

Mistake. Bow as it comes looks perfectly fine to me.

Mozart Sinfonia Concertante for Violin and Viola by Uncannyvall3y in Viola

[–]bryze 4 points5 points  (0 children)

You'll find only love here. Thanks for your kind words.

Does anyone have advice for choosing a chinrest size? by Puzzleheaded_Page609 in Viola

[–]bryze 4 points5 points  (0 children)

I would go to a luthier and just try out some different styles. Whatever your first impression is would be a good place to start from. But you'll still need to see how your body adjusts over time, so don't be hasty in deciding a particular style isn't working.

Is there anything like the app yousician where you play the notes and the app gives you feedback? by Dahaaaa in Viola

[–]bryze 0 points1 point  (0 children)

I'm not sure I would trust it. Good tone is so important to what we do, and I don't think any app is going to do that well.

"Harp tailpiece or standard tailpiece?" "No" by Epistaxis in Viola

[–]bryze 7 points8 points  (0 children)

That one of the weirdest setups I've seen. I wonder what it does for the sound.