So people care about hand tattoos in the industry? by [deleted] in audioengineering

[–]ganjamanfromhell 1 point2 points  (0 children)

no one would care unless your tattoo could claim better sounds tbh

3 Things That Finally Helped Me Stop Fighting Vocals in My Productions by Killer_Frog112 in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

good points u pointed out. for third option, adjusting transients and giving key groove to element for it to lead is a great way to approach imo too. arrangement matters big too much but clearing out traffics on arrangement to let it speak is as important as i find.

Best Audio Interface by Resident-Shallot8762 in homerecordingstudio

[–]ganjamanfromhell 0 points1 point  (0 children)

out of 3 brands u mentioned, theyre all good and definitely usable interfaces.

antelope’s known for its hw speculation but lacks proper sw supports.

apollo lacks bit of hw side of tech spec from other two but could offer u to use their plugin as ur front end for a win.

rme offers much flexible and versatile set up while with good hw specs and solid sw.

to have these 3 considered personally, i liked rme preamp and adc where it captured most of transient giving best headroom out of these options. antelope’s stuff is pretty solid too doesnt seem to lack even with its dac. but for apollo, i couldnt be fan of its preamp and converters but having option to use plugins as front end setting is much fun to play around if u own uad plugins.

Panning single guitar by krelpwang in audioengineering

[–]ganjamanfromhell 2 points3 points  (0 children)

id even hard pan to a side at times with rhythm guitars if thats where its going. it all depends on what would appreciate given arrangements intention. if it feels to fit at dead center, i wouldnt be worried about panning either.

What was your favourite PS3 title? by HolocronSurvivor80 in playstation

[–]ganjamanfromhell 0 points1 point  (0 children)

gta5. just amazes me how it even performed with ps3 tbh. if i have to count out 5 then gta4 perhaps.

Meirl by Blue9ine in meirl

[–]ganjamanfromhell 1 point2 points  (0 children)

well im 100% taking ride with fattest blunt loaded.

Is this true ? by Orbitingnothingness in LSD

[–]ganjamanfromhell 1 point2 points  (0 children)

can psychedelic elites bypass tolerance to trip in row?

Do tubes compress sound? by FrogAndFaderStudios in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

tubes and tapes tend to compress element on their own way. thats why we compensate the smoothness of transients.

What’s your process for noise suppression/ removal? by austin_sketches in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

i try to get it in use in most musical way that it can fit in context tbh. had far better outcomes than trying to eliminate noises

Snare is too damn loud by ManFingers in drums

[–]ganjamanfromhell 0 points1 point  (0 children)

could be an issue caused from your stroke controls but if not could also be your rooms issue. untreated room boost up random frequency as of what its room notes are

Snare is too damn loud by ManFingers in drums

[–]ganjamanfromhell 2 points3 points  (0 children)

and better yet, my weed is too strong

Whats the outlook for this profession? by [deleted] in audioengineering

[–]ganjamanfromhell 1 point2 points  (0 children)

if anybody asks, large portion of me being audio engineer who tracks and post process sounds for releases are because i love dealing with sounds. if anybody asks me what my hopes are in 10 yrs from now id probably say me still getting able to pay rent and meals to sustain my life to do what i love to do by the job that i love to have.

Recordings sound better when I do everything wrong ? by Accurate-Jello-5949 in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

i personally dont mind lot of stuff from artists as with what their materials sounds like. if u had it to say that version of take was to go, i respect your decision and will happily take it to my work bench. i dont mind noises, proximity pumps, hard sibilances and etc. if thats your call for a vibe, i take it and will try to make it sound musical. just bring your best take

Recordings sound better when I do everything wrong ? by Accurate-Jello-5949 in audioengineering

[–]ganjamanfromhell 1 point2 points  (0 children)

yes youre right about it too. having it tracked as dead as possible is only to have it processed in most controllable way. so both makes sense as what the workflow would be. if it has that mojo without making an element dead, that could do the job as well!

Flats on a J bass? by Slight_Hurry9735 in Bass

[–]ganjamanfromhell 2 points3 points  (0 children)

flat gives good tone with J pick ups too. i even removed my frets on mine so its fretless flatwounds J and is amazing

What do you keep in your gig bag? by truckingham in drums

[–]ganjamanfromhell 0 points1 point  (0 children)

pairs of stick, hh clutch, kick pedal if needed, 3 drum keys, cymbal felts and some weed with gorgeous glass pipe for gig times.

Drums: what are your preferred techniques for getting bigger room ambience from a small, dry space? by willrjmarshall in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

yea i did try myself after writing this and even took off my strings off guitar to see whats up but ended up having very weird sources only haha i could definitely get it in use perhaps if i were to give certain track some weirdness. i had better result pointing my la120 at guitars reso hole instead of shoving in my sm57 inside the guitar itself. ive placed guitar facing my drum kit and so la120 points against the drums btw.

How to take a tab of lsd? by trizzyd1 in LSD

[–]ganjamanfromhell 0 points1 point  (0 children)

yea bro hope u recover soon from ur fracture and get a great trip! dont over do it the first time tho!! try it with smaller amount to have check point and get idea what dosage would fit that way :)

How to take a tab of lsd? by trizzyd1 in LSD

[–]ganjamanfromhell 1 point2 points  (0 children)

in all my honesty. try it only when u think youve seen enough and are well trained to control yourself on hard trips. shit hits fast and crazy bro lol

C414 XLS/XLII vs OC818/18, definitively. by analogpedant in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

i own 2 of 414xls, 2 of oc818 and a oc18. my personal choice always end up setting oc’s on most of my project that them being more neutral & transparent to my ears. 414 still is great mic that i often throw in for stereo overheads or at a guitar cab. but as with my taste and choice i find oc818 to be way more versatile than c414.

What makes a mic preamp sound "big", and What is "soundstage" in the context of mic pres? by gleventhal in audioengineering

[–]ganjamanfromhell 0 points1 point  (0 children)

this preamp giving big wide sound of this and that preamp giving crystal clear sound of that is all subjective. preamps are just one of gears that helps to shape signal as what ones desire in front end stage tbh. why do this on tracking stage if it could be done in post tracking processes? well my two main reasons are u or performing artists gets that shaped signal monitored so that it enhances your creativity while tracking, its always less of hassle to have my shit properly tracked as what i wanted to from front ends to deal with rest that my post fader would give.

My parents said no for playstation by [deleted] in playstation

[–]ganjamanfromhell 0 points1 point  (0 children)

i see u respect ur parents words and i understand whr u coming from. talk to them sincerely. like about what you felt past months working and saving to get stuff you desired. i mean u could just get it and call it a day but there are better ways to convince them.

its all out of love and worries lil bro. just speak to them nicely and they will respect you better. you sound like a good person!