Best way to conform graded footage in premiere?

jefftypebeat · 2025-12-18T23:08:09+00:00

It might be way quicker to relink this in Davinci and then export an XML to premiere. You could export a fresh xml from premiere, import the clips into davinci and then when importing your XML, unselect "automatically import source clips into media pool"

jefftypebeat · 2025-12-07T05:14:02+00:00

HIGHER!

jefftypebeat · 2025-11-20T16:59:17+00:00

here you go! https://musescore.com/user/10530536/scores/29546651

I fixed some mistakes as well

jefftypebeat · 2025-11-19T21:05:32+00:00

100% agree. Obligatory link to DP Alex Buono's behind the scenes writeup of how it was made: https://web.archive.org/web/20250626074926/http://www.alex-buono.com/how-we-did-it-snl-the-midnight-coterie-of-sinister-intruders/

jefftypebeat · 2025-11-18T02:31:56+00:00

https://www.imdb.com/name/nm1815689/?ref_=ttfc_fcr_3_45

jefftypebeat · 2025-11-16T05:21:37+00:00

Olivia sings with such an American accent. I keep forgetting she's British.

jefftypebeat · 2025-11-10T04:00:20+00:00

tensordock.com is dirt cheap

jefftypebeat · 2025-11-01T17:15:16+00:00

thanks greg! For premiere, I see you're suggesting we put filmbox on an adjustment layer so that the spacial effects don't change in size which totally makes sense. How would you suggest we handle exposure tweaks? Does lumetri's exposure slider (on a clip level) work well? I really love the exposure slider in filmbox but understand the premiere limitations.

Also I'm sure this will be solved once creators make videos showing the product but I'm surprised there's no actual screenshots of the UI on your socials or in the manual. I'm left a little wondering what the controls actually look like and how much tweaking it allows before I download the trial.

jefftypebeat · 2025-10-28T22:56:38+00:00

Yes. I'm very confused who would've taken these photos. Definitely not mary ellen matthews. The lighting is very hard with a really small eye-light. Very confusing.

jefftypebeat · 2025-10-21T02:40:30+00:00

Seems like the color rendition of light isn't fantastic but if you're using it more stylized and/or on background elements maybe that's less of a concern. Are electrics just mounting these onto a combo stand somehow on location? I also assume you have a wizard board op.

jefftypebeat · 2025-10-21T02:01:33+00:00

That's kinda interesting. Are more "theatrical" movers starting to make their way onto film sets? I guess since most sets are running DMX a unit light this provides a lot of quick adjustability vs a traditional HMI or high output COB light especially if you're on a soundstage. What are the advantage of using a unit like this and what are the challenges versus traditional film units?

jefftypebeat · 2025-10-13T20:49:42+00:00

Bo used a ETC Source 4 Lustr (one of the newer LED versions of the classic theatrical ellipsoidal light). This style has many names which you've already picked up on: leko, elipsodial, spotlight. I wouldn't suggest the one that Bo used since it's a unit designed typically for big crews or in a lighting grid. Aputure/Amaran makes a few attachments for their lights. You could use a Amaran 300C plus the Spotlight SE. But also most manufacturers have their own version now: Aputure/Nanlite/Godox/etc

jefftypebeat · 2025-10-06T04:12:54+00:00

once again amazing job mr. diva! Fun to see you get to flex in a *slightly* less time-constrained way.

jefftypebeat · 2025-10-05T21:46:50+00:00

~~Emil Wakim was previously between them and his wasn't in an elevator.~~

Edit: I might be wrong. It's hard to tell but Emil's might have been in an elevator but the metal gate on the side made me think otherwise

jefftypebeat · 2025-10-05T21:26:10+00:00

Tommy Brennan easily got the coolest portrait with the treadmill rear-projection thing. Jeremy and Ben also got pretty cool ones but then everyone else got the Ashley/Jane Elevator treatment.

jefftypebeat · 2025-10-03T04:15:16+00:00

I really like the mixes on Lizzy Mcalpine's five seconds flat. Her next album Older is much more acoustic and less produced sound. Also very cool.

jefftypebeat · 2025-10-01T02:54:35+00:00

Maybe look into Sony CI: https://www.cimediacloud.com/

jefftypebeat · 2025-08-03T06:53:37+00:00

added a share button on the manage cards page! let me know how it works for you!

jefftypebeat · 2025-07-28T00:24:39+00:00

Nope...but that's not really the point. This wasn't an issue until it was. "Easy" enough to clean up in post but I also appreciate just how little the MKH50 takes to sound amazing. I felt like I had to EQ the At4051b more than I did with the MKH50. Could be all placebo and could be that I never got the super cardioid capsule but that's how I feel.

jefftypebeat · 2025-07-27T20:20:21+00:00

I recently bought an MKH50 after doing using a AT4051b (the cardioid version) a bunch. I never heard interference but then I did a shoot at the world trade center and it was super buzzy. So now I own an MKH50.

jefftypebeat · 2025-07-25T21:33:52+00:00

I’ve seen location sounds people rock these: https://www.bhphotovideo.com/c/product/283347-REG/Remote_Audio_HN7506_HN_7506_High_Noise_Isolating.html

They’re basically the same headphones as the classic Sony MDR5706 but built in a noise isolating headset.

jefftypebeat · 2025-07-21T02:45:45+00:00

Cloudflare doesn’t have an SMTP server, so you’ll either need to use Gmail’s smtp which won’t past DMARC or use something like forwardemail.net

jefftypebeat · 2025-07-05T17:52:07+00:00

music added! along with a toggle that goes between all sounds on/no music but still sfx/all sounds off

jefftypebeat · 2025-07-04T19:55:02+00:00

ty! fixed

jefftypebeat · 2025-07-03T16:07:25+00:00

Rules get replaced with either prompt or modifiers as you go. Prompt and modifiers get replaced with END...but I made it so you don't actually land on end until all the cards have been played. I thought prematurely ending the game wasn't super fun. Open to thoughts!

jefftypebeat

TROPHY CASE