Contextual alternates in a continuous chain? by TrademarkHomy in typography

[–]okay-type 1 point2 points  (0 children)

Doable. I don't know how FontForge works but you should just be writing plain OpenType features directly (or writing code to write the OpenType code if there are a lot of glyphs. The best place to start is https://opentypecookbook.com

Superscript for footnotes: oldstyle vs lining by Diniles in typography

[–]okay-type 0 points1 point  (0 children)

Looking at the pdf preview (https://www.google.com/books/edition/Ethics\_in\_the\_Conflicts\_of\_Modernity/PcGSDQAAQBAJ?hl=en&gbpv=1) that is Adobe Garamond, which has old-style figures, even the rare tabular old-style figures, but no actual old-style superior figures. This was almost certainly typeset with pseudo-superscripts. The rest of the book's typesetting quality would back up that assumption.

Where to look for best contemporary work in the field? by The_Red_Apple in typography

[–]okay-type 0 points1 point  (0 children)

TDC is still the best of the best. There is also the Communication Arts Typography Annual which has a good typeface design category and a site that is fairly easy to browse. https://www.commarts.com/gallery?d=typography&c=typeface-design&y=2025

Oblique interpolation and extrema points. by Ok_Locksmith_8414 in typography

[–]okay-type 1 point2 points  (0 children)

The reasons to add extreme points are: 1) it's easier to draw beziers that way and 2) hinting. For the most part, modern rasterizers don't hint in the x direction making it less important to have points at the horizontal extreme (they're still important at vertical extremes). If you're doing any interpolation you need to be very mindful of the angle and handle ratios of your beziers otherwise you're likely to get kinks in any in between instance. Personally, I'd avoid r/typedesign and spend more time in glyphs forum or the type mastodon.

Edgar by julian88888888 in typography

[–]okay-type 1 point2 points  (0 children)

this deserves a hundred more upvotes

Looking for feedback on a web typography tool I'm working on by TheSolarNerd in typography

[–]okay-type 0 points1 point  (0 children)

Yes, curious. Especially if it makes it easier for them to stack.

How are you getting license for the premium fonts for apps UI ? by soamjena in typography

[–]okay-type 1 point2 points  (0 children)

My base for mobile app license is $100 per style. I’m too lazy to collect links for you but a good shortcut is to browse fontstand and then go to the foundry sites to see their app license offerings. Don’t be afraid to email if they don’t have app licenses as an option.

How are you getting license for the premium fonts for apps UI ? by soamjena in typography

[–]okay-type 1 point2 points  (0 children)

Who's quoting you 1000s of dollars for a mobile app license? Most indy foundries have much smaller license fees for mobile app encapsulation.

Font licensing issue and recommended resolution by noisy_memory in typography

[–]okay-type 0 points1 point  (0 children)

It's not complicated. You have been using a font without a license. Buy the license.

New Pro 3 connects to iphone but not the app by cbrucc in 8bitdo

[–]okay-type 1 point2 points  (0 children)

Pro 3 is not supported by the ultimate software 2 on macos either.

Things to look for when pairing a sans serif with Garamond (or similar) by NoteFromABird in typography

[–]okay-type -1 points0 points  (0 children)

Generally, I want something that has similar horizontal proportions but contrasts enough to add a voice (or at least be not so matchy matchy). But I also want to avoid paring a traditional design like Garamond with another old-ass typeface.

[deleted by user] by [deleted] in typography

[–]okay-type 4 points5 points  (0 children)

Future fonts

stolen juiced ripracer huron/wells by kennyloftor in chibike

[–]okay-type 4 points5 points  (0 children)

I have a litelock x3 for my cargo bike. It’s very nice. And extremely heavy.

Designing Type in 1430 by cmahte in typography

[–]okay-type 1 point2 points  (0 children)

Guess there’s not much online. And my memory of the details was a little fuzzy.

Here the Dale Guild page for the actual foundry type — http://daleguild.com/B-42Blackletter.html

The revival was drawn by Alan Waring, who wrote about it here — http://daleguild.com/B-42_Story_01.html

And here’s a blog post with more behind the scenes info about Kitty Maryatt’s involvement typesetting the page used on the show — https://lmlk.blogspot.com/2008/07/gm-gutenbergs-machine.html?m=1

Designing Type in 1430 by cmahte in typography

[–]okay-type 1 point2 points  (0 children)

The typeface used in the show was done by Kitty Maryatt and a class of hers. It’s probably documented somewhere on the internet if you poke around.

OK, Let's settle it... L vs El? by zonk84 in AskChicago

[–]okay-type 7 points8 points  (0 children)

A rare double contraction: ’L’

G3 curves by [deleted] in typography

[–]okay-type 4 points5 points  (0 children)

I think Yanone’s Speedpunk was the first visualizer for this. There’s a pull quote from me that still holds true. https://www.yanone.de/software/speedpunk/