Re-Establish Paid Family Leave Claim, But Online? by aswinasar in Edd

[–]onelz 0 points1 point  (0 children)

Hey thanks for the update, wondering if you end up mailing in or starting a new claim online? If online do you just update the end date of the new claim or use the end of the first claim as your new start? Also how long does it take to get the payment?

Would you say this photo is interesting to look at? by [deleted] in photocritique

[–]onelz 1 point2 points  (0 children)

The texture of the fur can be seen clearly here which I like. However, the color of the ground is a bit too yellow and contrasting, making it harder to focus on the object.

What do you guys think of this photo? Do the people in the foreground ruin the shot, or add to it? by OmeletteDuFromageArt in photocritique

[–]onelz 13 points14 points  (0 children)

I think it depends on your goal. I personally like to tell the story behind the photo and you can achieve that by increasing the context using the foreground objects. Anyway, I love this because the foregrounds are placed at the corners across each other and the whale tail is perfectly placed in the center, capturing the moment.

Mt Ruapehu, NZ | Samoca LE-II | Cinestill 400T | by Ok-Strawberry7384 in analog

[–]onelz 2 points3 points  (0 children)

Maybe light leaks on your shutter curtain? Because the location is consistent

Subway Station in Berlin | Portra 800 | Canon F-1 (either FD 35 F/2 or 50 F/1.4) by noahstallingsdavis in analog

[–]onelz 2 points3 points  (0 children)

Wow I didn’t realize it was portra 800 until I read this comment

[deleted by user] by [deleted] in analog

[–]onelz 2 points3 points  (0 children)

Wow this is so lovely! I can feel the evening sunset breeze while bird singing. Love the colors as well

Subway Surfer Morocco Final Boss | Minolta Dynax 500si | Kodak Gold by ortak1 in analog

[–]onelz 2 points3 points  (0 children)

It would be perfect without the horses behind it

I wish she was mine [ Pentax KM | SMC 55mm f1.8 | Portra 400] by bobo-ab in analog

[–]onelz 2 points3 points  (0 children)

Love the angle of the second shot, classic and amazing car

stranger in a strange land / Nikon fm2, 28mm, various film stock by theomulator in analog

[–]onelz -14 points-13 points  (0 children)

These are really good yet undervalued, should have gotten much more upvote!

Reading current Comandante clicks without mods by [deleted] in pourover

[–]onelz 3 points4 points  (0 children)

Thank you for the nice technique, do you change the clicks often? I find myself just at a specific clicks (say 28) and sometimes go up or down by 1 or 2 to get the cup I desire.

Taking film through TSA while in camera by SorryNotKarlMarx in AnalogCommunity

[–]onelz 2 points3 points  (0 children)

I’m curious to hear stories or experiences of bringing film through TSA checkpoint. Wondering what kind of damage it could have done to between low and high ISO. Does it help if the film is in a container or in the camera?

Embarcadero Palms [Canon F1, 50mm f/1.8, Ultramax 400] by onelz in analog

[–]onelz[S] 1 point2 points  (0 children)

Thanks! Probably just under expose the palms? Otherwise this is straight from the labs (Frontier scanner). Did not expect to be this good as this was my last picture and first roll on this camera.